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Crimson Tide (1995)

GENRESAction,Drama,Thriller,War
LANGEnglish
ACTOR
Gene HackmanDenzel WashingtonMatt CravenGeorge Dzundza
DIRECTOR
Tony Scott

SYNOPSICS

Crimson Tide (1995) is a English movie. Tony Scott has directed this movie. Gene Hackman,Denzel Washington,Matt Craven,George Dzundza are the starring of this movie. It was released in 1995. Crimson Tide (1995) is considered one of the best Action,Drama,Thriller,War movie in India and around the world.

When some Russian rebels take control of some ICBM's, the Americans mobilize. Among the vessels sent is the nuclear sub, USS Alabama. But before they leave they need a new X.O. and among the choices is Commander Hunter, who hasn't seen much action. But the ship's Captain, Ramsey, OK's him. While on the way, there was an incident and Hunter disagreed with how Ramsey handled it. It's evident that Ramsey doesn't think much of Hunter because Hunter was college educated while Ramsey worked his way up. They're given orders to attack but when they were in the process of receiving another order, the ship's communications were damaged, so the entire message was not received. Ramsey decides to continue with their previous order while Hunter wants to reestablish contact first. That's when the two men butt heads that ends with Hunter relieving Ramsey. Later when some men die, some of the officers feel that Hunter is not up to the task so they team up to retake control. But Hunter has taken ...

Crimson Tide (1995) Reviews

  • Perspective from a real nuclear submariner

    Schaden2005-03-14

    ( I wrote a lot more but had to edit cause of the 1000 word limit) As a drama Hollywood type sub flick, I gave Crimson Tide a 6. But I just watched it on HBO tonight and have to say it is one of the most unrealistic sub movies I've ever seen. I was in the silent service and qualified in submarines. Of course a lot of what I'll write would not bother the casual viewer, but the discrepancies, details and plot were just too much to overlook. To start with, Gene Hackman's dog coming underway with him is a load of Huey and really made me look down on this picture from the beginning. The Chief of Naval Operations himself would not or could not bring a pet on a ship with him. They threw in a few catchy phrases and buzz words but for the most part the terminology used in the control room was made up. Even for an Ohio class boat the set for the movie's submarine was entirely too spacious. The "crawl spaces" the XO used to sneak into the control room was ludicrous. Submarines do not have anything like that. They are tightly packed with equipment and machinery and simply do not have that kind of space. I still don't understand how the reactor was scrammed and lost propulsion from the torpedo that hit in the stern and caused all that flooding. If anything was damaged that badly, it's not getting fixed at sea. This isn't Star Trek. The radio scenario was absolute rubbish as well. There are so many redundant comms systems on board and inside the radio shack, no way would one receiver getting fried completely isolate the ship from command authority. The EAMs might have looked good on the screen but the real deal and Sealed Authentication System is so much more complicated, it's not even funny. There is literally dozens of yellow pages thick manuals covering nuclear command and control systems, and without going into classified details, I cannot believe something like this could ever happen on board a US submarine. There is no way people would be aiming guns around like they were in the movie either. On a real submarine which is packed with 3000 pound hydraulics and high pressure air systems, 1 bullet could kill everyone in a compartment in which it was discharged. The beginning of the movie with the fire in the galley was a load too. Fires are the biggest threat to ships safety and if they had a fire in real life, the CO would immediately surface the ship to fight it. A fire in such an enclosed space, would make so much smoke, within minutes you couldn't see your hand in front of your face, and the ship would have to emergency ventilate. Let alone the nonchalant way they dealt with that one guy dying. And of course no real submarine CO would run a drill 2 minutes after securing from a real fire. If someone was killed in a casualty, the CO would be sweating bullets. Tony Soprano making that fat dude drop and do push ups on the bus. Talk about unprofessional. People have an unrealistic view of military discipline. That may happen in boot camp but not in the real fleet. Also that COB was unbelievably fat. No he wouldn't fit on a submarine and they don't even let people that big in the military. Also, these SSBN's are on tightly regimented patrol cycles, with 2 crews. There are always some on patrol in alert status. The XO and weps wouldn't get paged to get underway. If they were on their off-crew period, the other crew, blue or gold would have the ship and it would already be at sea. If something goes down, you need subs ready to launch already, you may not have the luxury of even the time it took the Alabama to get underway. The entire crew wears puppy suits, underway, officers included. Also you don't salute underway. If the captain walks by you acknowledge him but don't salute. The movie really made enlisted people look dumb imo. They are the experts on the ship's systems. And officers usually are the ones asking the dumb questions. The fight in the crew's mess over the silver surfer was a huge stretch. They give psych tests and such to submariners, one of the main goals to weed out people who can't handle stress and are hot heads. Not to say people wouldn't argue but if they were throwing punches, they'd have both been written up and in deep ****. And the last thing was the ending. If anything remotely happened like this in real life, you can bet the Commanding Officer who held a loaded gun to an innocents head would be court marshaled and sent to prison. Not just allowed to quietly retire. Also no CO has the pull to just get their XO a command. Less than half of XOs even make the cut and get command. You have to be the creme de la creme to get command of a nuclear submarine and follow a strict career outline. It was an enjoyable movie. But I've read some of the threads about, who's side would you be on, Hackman's or Washington's, and really the whole scenario is just beyond anything that is remotely reasonable! This movie was the "Deep Impact" of sub flicks. Might as well have said Alabama was going to drill through the bottom of the ocean floor and disturb the earth's core to cause a magnetic flux that would stop the Russian missiles from launching. LOL Bottom line, its a decent flick, but don't think it is even close to accurate or realistic.

  • One Of The Best Submarine Movies...

    underfire352004-02-11

    As CRIMSON TIDE opens we visit various crew members of the USS Alabama as they bid farewell to their loved ones. For one man, Lt. Cmdr. Ron Hunter (Denzel Washington), it will be his first time as second in command of a nuclear submarine. Capt. Frank Ramesy (Gene Hackman) is in charge and is not shy about letting everyone know. He is a seasoned veteran, as juxtaposed with the young idealistic Hunter. The early scenes do much to set up the main conflict of the film. For example when members of the crew discuss Carl Von Clausewitz, and his 1832 work Vom Kriege ("On War"), the intellectual showdown occurs between Ramesy and Hunter. This scene not only heightens the tension, but also reveals the different philosophies of these two men, what they believe in, why they are there. This short scene goes a long way to setting up why each of these characters are so unbending when the crisis presents itself. The Crisis: The ship has been damaged and the EAM contact that has been received is disjointed. The Russian force (who is never very carefully explained) is fueling rockets for use against the US. That's all they know. The captain wants to surface and fire, Hunter thinks he's wrong. Factions form, but the film does a good job presenting a good argument for both desicions (although you get the sense that the film makers lean towards the "dove" side rather than the "hawks"). As tensions mount, there are various shifts in power and the crew stands divided. Every member of the crew watching as the minutes tick by, closer and closer to the final moment of truth... Hackman is at the top of his form here as the relentlessly tough Ramesy. When given a good script with room to work, there is few better at creating a solid performance. The looks he gives, the way he uses his eyes, his speech patterns, simply wonderful to watch. Washington is just as good as Hunter, and the showdown between these two men, near the end, sends sparks flying off the screen. The rest of the cast is filled out with strong actors: Matt Craven, George Dzundza, (pre LOTR's) Viggo Mortensen, and (pre 'Sopranos') James Gandolfini. As is well known, the script received various rewrites from Robert Towne (the Clausewitz scene), Steve Zaillian, and Quentin Tarantino (the Silver Surfer references, the scene where the crew chimes in about other submarine movies). All these different contributions blends fairly well together. The story is tough and direct, and touches on points that heighten the tension. The photography, by Dariusz Wolski (DARK CITY, THE CROW), is tight and atmospheric; Hans Zimmer's score pounding and reflective. The VIP vote, however, goes to Tony Scott, who proves himself with this film. He knows when to hold shots and doesn't rush the action (as he did with TOP GUN); he paces the film well and let's his actors work for him. CRIMSON TIDE is an entertaining and challenging film that, along with films like THE HUNT FOR RED OCTOBER and DAS BOOT, may set the high water mark (forgive the pun) for the genre. 9/10.

  • intelligent, intense, well-acted

    rmsmythe2004-01-09

    Crimson Tide possesses one of the most intense moments in film: two great actors eye-to-eye, portraying characters absolutely certain of their actions, absolutely convinced that the other's course will lead to disaster. A submarine commander (Hackman) and his second-in-command (Washington) are both shouting at the same time, each ordering the next ranking officer (Dzundza) to arrest the other. Washington believes, with good reason that Hackman is unfit to command because he is disregarding naval procedures. Hackman believes, with good reason, that Washington is disobeying an order and instigating a mutiny. A possible nuclear exchange and the deaths of billions hang in the balance. Dzundza knows that he must make the correct decision, regardless of his like or dislike of each of his superiors. There are traditional incidents that arise in submarine stories: fires, floods, sinking to the bottom, torpedoes, loss of communication. (After all, what more can you do in such a small set?) Crimson Tide has its share, but does them well: you won't be bored just because you have seen subs in the same situation before. The movie's major conflict arises over a very tense, crucially significant incident, a believable situation that could arise and, unresolved, lead to catastrophe for more than just the boat. Hackman is always excellent portraying a character with depth. As the captain he can command respect and obedience with a growl, a steely look, an angry shout, or a wicked joke. In contrast, Washington's calm, strong, logical intensity is the immovable rock to Hackman's irresistible force. When his eyes bore into you (as in remember Glory and Philadelphia?) you feel his sincerity and strength in your bones. Crimson Tide has genuine, believable characters, edge-of-your-seat tension, and crackling, intense interchanges between two of my favorite actors. I recommend it as a thinking person's submarine movie.

  • Very well made military drama

    mstomaso2005-05-28

    The suspense is relentless in this believable, tense and superbly acted war drama. One of the best modern war movies I have seen, Crimson Tide is a story about strained loyalty, respect, command, discipline, power, and military practice. Hackman and Washington are perfectly cast as an older battle-hardened nuclear submarine captain and his younger, less experienced but highly educated executive officer, caught in a crisis of potentially world-threatening proportions. Pursued by an enemy submarine, the USS Alabama has nuclear warheads aimed and ready to fire as a pre-emptive strike against a Russian rebel commanding his own nuclear arsenal. The Alabama is commanded to launch, and begins preparations, but the enemy sub attacks, knocking out all communications just as a second command is being received. The nature of that second command and what to do about then becomes the key problem that the Captain and XO have to deal with. Suffice to say, they do not agree on how to proceed, and the remainder of the film is a struggle between the two men and those who support each, in a crippled but still lethal sub, with the fate of the world hanging in the balance. What's is amazing about Michael Schiffer's story is its plausibility. The basic scenario upon which the script is based could happen. The cast - all of them - are spectacular, and the directing is masterful. Although some of the behavior of the men aboard the Alabama seems improbable at times, given the military realities of chain of command and discipline, the sheer performance power of this film's cast and production team make it all seem very real and extremely compelling. the characters are HUGE, complex, and real. More than just a cautionary tale, this is a very human drama about who people become under extreme conditions, and how they work out problems to reach solutions, or fail to do so. If that final sentence sounds cryptic, then let it entice you to see the film so you can figure out what I mean for yourself.

  • Tension and suspense achieved

    Agent102002-06-01

    This is the type of movie Tony Scott should have stuck to creating. While most Jerry Bruckheimer films prove to be bad, modern interpretations of old school martial arts movies, this was one of the better films Bruckheimer ever produced. While the story was completely plot-driven and the performances a little over the top, the rivalry between Denzel Washington and Gene Hackman made this film a cut above the rest of the trash Bruckheimer tends to produce. While simple and direct, it proves to be effective in the annals of storytelling, never overindulging the viewer.

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