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Family Business (1989)

Family Business (1989)

GENRESCrime,Drama
LANGEnglish
ACTOR
Sean ConneryDustin HoffmanMatthew BroderickRosanna DeSoto
DIRECTOR
Sidney Lumet

SYNOPSICS

Family Business (1989) is a English movie. Sidney Lumet has directed this movie. Sean Connery,Dustin Hoffman,Matthew Broderick,Rosanna DeSoto are the starring of this movie. It was released in 1989. Family Business (1989) is considered one of the best Crime,Drama movie in India and around the world.

Jessie is an aging career criminal who has been in more jails, fights, schemes, and line-ups than just about anyone else. His son Vito, while currently on the straight and narrow, has had a fairly shady past, and is indeed no stranger to illegal activity. They both have great hope for Adam, Vito's son and Jessie's grandson, who is bright, good-looking, and without a criminal past. So when Adam approaches Jessie with a scheme for a burglary he's shocked, but not necessarily uninterested.

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Family Business (1989) Reviews

  • What's the problem?

    Boyo-22001-11-12

    I can't believe the reviews for this! If anything is open for critcism here, its the casting of Connery, Hoffman and Broderick as grandfather, father and son, but no one seems to mind that. Hoffman's wife is a Jewish woman, played by Rosana DeSoto, who was Richie Valen's mom in "La Bamba" and Edward James Olmos' wife in "Stand And Deliver". All the casting choices are questionable but I think someone along the way decided to be sarcastic about it, which of course makes the movie that much better. Broderick is not a criminal but his elders are (or were) and he brings them all together to do a robbery. It makes perfect sense, since he's in that family and has their blood. Without even trying hard, he's a product of his environ, just like we all are. Matthew was a whiz-kid who got bored with that and doesn't seem to have any guilt about this caper. His girlfriend (Victoria Jackson) has extremely questionable morals and practically brags about that fact at dinner one afternoon. But is also in keeping with Broderick's character. He's like a wanna-be lowlife. Hoffman is working in the meat-packing district in the West Village of Manhattan and is trying very hard to do the right thing after having served time and having had an on-again, off-again relationship with both his father and son. He demands honesty and even fires a guy (Luiz Guzman) who is caught stealing from him. The movie is also very realistic from his point-of-view since he gets involved mostly to keep an eye on the other two. Father and son do not get along and always seem to be arguing about one thing or another. Connery is a life-long trouble maker who was never much of a father but loves his grandson very much and has some pride about their all working together. He argues with his son..father and son do not get along, again. Some of the dialogue is very funny and there are always great character actors in Sidney Lumet's movies; this one is no exception. In very small parts are Marilyn Cooper, Deborah Rush and Marilyn Sokol. This is in addition to a great trio in the leads, all of whom register great work in this little-seen flick. Movie has a real NYC feel to it. I'd recommend it to anyone.

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  • Nasty, but brilliant

    fung02010-07-14

    When I see this film reviewed, over and over, as a comedy, I don't know whether to laugh or to cry. This is one of the most brutally cynical, agonizingly tragic films I've ever seen - the story of a family caught up in the romance of crime, trying to help at least the youngest generation escape its inevitable fate. Perhaps it helps to know Sidney Lumet's other work, especially his previous bitterly brilliant collaborations with Sean Connery: The Hill, and The Offense. Family Business is a similarly scathing attack on preconceptions. Lumet takes what looks like a tame little 'heist comedy' scenario and shows just how poisonously evil it really is. He gives us the charming scoundrel (Connery), and shows how destructive his devil-may-care attitude can be. One might as well criticize Othello or Macbeth for having no laughs. This film is, in fact, Shakespearian in its tragic dimensions. Connery starts out with the classic Tragic Flaw, and must pay for it in the end. (There is a heroic dimension in his ultimate realization, at least.) I can easily understand that many people won't enjoy this film. It's a nasty, venomous, painful piece of work. But it's also quite brilliant. If you want easy answers, by all means, rent Ocean's Eleven. But if you're up for a challenge, don't overlook Family Business.

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  • Underrated

    diorio20012002-08-11

    This movie got a lot of bad reviews and is that well known. I don't know why. Each of the actors (whom I am all big fans of) put forward an amazing portrayal of their characters. The plot was not steady because it was a situational film in with the basis of the plot seems to change from each major occurrence in the film (noticed in many Woody Allen films). I thought that the movie had a lot to say about respect, morals, family values and trying to differentiate right from wrong under tense circumstances. This is definitely a must see if you are a fan of any of the three headliner stars in this film. You'll laugh, you'll cry, you'll enjoy it.

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  • Interesting Look at a "Crime Family"

    joedabear2001-01-21

    A well done film about a family of theives. The grandfather (Connery) is a successful semi-retired theif whos son (Hoffman) is trying to stay on the straight & narrow in order to give his son (Broderick) a chance at a life free of crime. The trouble starts when the son goes to Granddad with a plan for a major job, Who is interested in it, and rather than discouraging his grandson takes it to his son for refinement and additional manpower. It is a good film for many reasons, not the least of which is the by play between a good cast that are believable in their roles. It has a few interesting twists and demonstrates what honour among theives is really all about, "A family thing".

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  • superficial caper with an unconvincing cast

    mjneu592010-11-16

    Sean Connery, Dustin Hoffman, and Matthew Broderick play an unlikely combination of grandfather, father and son in a family held together more by larceny than love. It might be little more than a miscast Hollywood star package gift-wrapped for the holidays, but the otherwise routine caper scenario is given added depth in the script by Vincent Patrick ('The Pope of Greenwich Village'), showing his affection for offbeat New York City characters and allowing a full hour of screen time before the big heist to establish each relationship. Young Broderick idolizes crooked granddad Connery, forcing a reformed Hoffman to reluctantly accompany them on one last job, to protect his overeager, amateur son. The fun and games end when the robbery begins, but under the typically efficient (if unstylish) direction of Sidney Lumet the film never quite sinks to the expected level of melodrama, despite going for the sentimental chokehold in the final scenes.

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