SYNOPSICS
Juana la Loca (2001) is a Spanish movie. Vicente Aranda has directed this movie. Pilar López de Ayala,Daniele Liotti,Rosana Pastor,Giuliano Gemma are the starring of this movie. It was released in 2001. Juana la Loca (2001) is considered one of the best Biography,Drama,History,Romance movie in India and around the world.
Juana is married off by her pious parents, the Catholic kings Ferndinand of Aragon and Isabella of Castille, to ally Spain, united by their marriage, to the Burgundian and other Habsburg heritage of archduke Maximilian's son Philip. When they meet, it's love at first sight, for her all-consuming, for him one of many happy bed partnerships as she later discovers. Deaths in her family soon make Juana Isabella's heir, but Ferdinand suggests she inherited her grandmother's madness and supports Philip's ambition to rule instead, which becomes the stakes of political maneuvering in the Cortes (nobility-dominated parliament). Combined with Philip's incurable infidelity, which includes a Moorish whore-princess, multiple drama is inevitable, and worse follows.
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Juana la Loca (2001) Reviews
"Mad" or sexually liberated?
I can't believe this film has such a low rating. Every time I see it in the video store, I think, "I wish I could erase my memory of it so I could see it again for the first time." The viewer gets an intimate look at life as a female member of a royal family during the 16th century. Unable to control with whom she spends her life or make basic choices, Juana is confined in a woman's role, yet has sexual passion fit only for men in her time. And possibly still in ours. It is up to the viewer to decide is she is "mad" or simply craves intimacy. An unpredicable, controversial, and beautifully filmed period film, don't pass this one up.
Historical and solid film dealing with jealousy , passions , treason and political intrigues
This is the historic tale with a politic fight behind , concerning a deep love story who transformed Juana, Queen of Spain, into Juana "The mad" in which Pilar Lopez De Ayala did a powerful interpretation of the nutty queen . Juana is married off by her pious parents , the two famous Catholic kings : intelligent Fernando of Aragon (Héctor Colome) and sensible Isabella of Castille (Susi Sanchez) , to ally Spain , united by their marriage, to the Burgundian and other Habsburg heritage of archduke Maximilian and Maria's son Philip (Daniel Liotti) . As in 1496, Juana De Castilla, daughter of the Catholic Kings, travels to Flandes to marry the Archduke Felipe De Austria, known as 'El Hermoso' or The Handsome . When they meet, it's love at first sight, for her all-consuming, for him one of many happy bed partnerships as she later figures out . Deaths in her family soon make Juana Isabella's heir , but Ferdinand suggests she inherited her grandmother's craziness and supports Philip's ambition to govern instead , which becomes the stakes of political maneuvering in the Cortes and then multiple drama is inevitable . Combined with Philip's relentless infidelity , which includes a Moorish whore-princess (Manuela Arcuri) , and other lovers as the things go awry when Juana uncovers his treason . As mental health Juana starts getting worse and Felipe makes the Burgos Court , nobility-dominated parliament , declare the incurable insanity of Juana and confines her in the monastery of Las Huelgas, proclaiming himself as the king . Finally , Juana is locked at a convent in the city of Tordesillas , Valladolid . Juana "The mad"concerns a peculiar story of love , lies and jealousy with a political confrontation behind . This interesting as well as intimate story is a passionate retelling and a touching drama , including strong sex scenes . Vicente Aranda also writes the script along with Antonio Larreta based on a story by Manuel Tamayo and being filmed in his usual formal and stylistic scholarship , without leaving a trace the thought-provoking issues , in terms of dramatic and narrative excitement . Extraordinary acting by main star , Pilar Lopez De Ayala , she steals the show at a portentous acting who won several awards . The secondary actors were very intelligent chosen and they all did a marvelous performance . As support cast is frankly magnificent such as Rosana Pastor , Giuliano Gemma , Roberto Álvarez , Eloy Azorín , Guillermo Toledo , Susi Sánchez , Héctor Colome and many others . Original and evocative Music by José Nieto , Vicente Aranda's ordinary . The settings are awesome and the palaces and castles are a right manner to show the life style of those days along with the gowns , royal activities , aristocracy , the Middle Age way of life and mentality of those days . Perfect clothing and costumes by Javier Artiñano . Spotless pictorial cinematography by Paco Femenia , he carries out a photography with juicy atmosphere , being filmed on location in Burgos , Castelo de Guimarães, Portugal El Paular, Madrid, Guimarães, Portugal , Huelva, Andalucía, León, Castilla y León , Sigüenza, Guadalajara,Talamanca del Jarama, Madrid . Cameraman Paco Femenia is deemed to be one of the best Spanish cameraman with a long and prestigious artistic career . The motion picture was lavishly produced by two great producers , Pedro Costa and Enrique Cerezo ; being professionally directed in his particular style by veteran filmmaker Vicente Aranda . He directed a series of award-winning movies firmly establishing him as one of the best Spanish filmmakers . His usual film editor is own wife , Teresa Font . Vicente is an expert on literary adaptations , he has been working from the 60s with ¨Fata Morgana¨ , Las Crueles¨ , ¨Novia Ensangrentada¨ , ¨Clara es el Precio¨ , among others . His greatest successes were intense dramas with plenty of sex such as ¨Amantes¨, ¨Pasion Turca¨ , ¨Si Dicen Que Cai¨ , ¨Intruso¨ , ¨Tiempo De Silencio¨ , ¨Carmen¨ , along with a delinquency tale : ¨El Lute¨I and II starred by Imanol Arias , his fetish actor and specially this historical story titled ¨Juana La Loca¨. Other retelling about this known story based on the play by Manuel Tamayo Y Baus are the followings : A silent version (1909) by Ricardo Baños ; the Spanish classic ¨Locura De Amor¨(1948) by Juan De Orduña with Aurora Bautista as Doña Juana , Fernando Rey as Felipe El Hermoso , Sara Montiel as Aldara , Jorge Mistral as Capitán Don Alvar ; a comical rendition titled ¨Juana La Loca De Vez En Cuando¨ by Jose Ramon Larraz with Lola Flores as Reina Isabel I 'La Católica' , Beatriz Elorrieta as Infanta Doña Juana De Castilla , Jaime Morey as Felipe 'El Hermoso' , Manolo Gómez Bur as Cardenal Cisneros and Quique Camoiras as Fray Tomás de Torquemada .
Pilar López is stunningly beautiful
The movie should be seen chiefly for its main actress, the beautiful and talented Pilar López de Ayala. She does the absolute best with what the script gives her. This should be an entertaining and engrossing film, especially for those interested in Renaissance Europe, but it may be taking just too many liberties with the historical facts. It is highly doubtful that the real Juana became "mad" chiefly out of love for an unfaithful husband, who in this movie is not shown to be particularly interesting anyway. And if the real Juana was anywhere near as beautiful as the actress who plays her, I suppose the real Philip would not have been such a mean husband to her. Aside from her husband, her father King Fernando of Aragón and most of the Castilian nobles are not depicted too favorably either. Still, this movie is a good movie if you like costume drama, especially one with a southern European more than an English background.
A sad story wonderfully told
Prior to seeing this film , the fact that it was in Spanish and in Spain(therefore no English sub-titles), gave me the worrying feeling that I would miss the main outline of the story. Now this would have happened were the film slow and psychological. Fortunately this was not the case. The fim was beautifully shot and acting was incredible. Pliar Lopez as Juana La Loca was so believable. You really should look at the paintings of the period to understand what I mean. But for me the best element was the story. In fact there are two stories. The first the historical one tells of Juana, daughter of Isabel, Queen of Castille(spain)(one of the most important figures in history) who is arranged to be married to Philippe of Flanders, heir to the Holy Roman Empire, which consisted of Germany, Flanders and northern Italy. Here you can see the machinations and the politics which went into the building of the greatest power of its day. Juana's son Charles would later rule most of the world, but that is later. The second story is the personal one. Juana falls totally in love for Philipe and it is such an extreme and jealous love that it reminds me of Catherine in Wuthering Heights. To avoid spoiling I'll leave it at that, but to conclude, this was a really worthwhile film, and I cannot wait to see it in its sub-titled version.
A handsomely executed costume drama.
I haven't enjoyed many films from Spain, but "Juana La Loca" (curiously translated by the distributors as "Mad Love" instead of the more appropriate "Joan The Mad") now tops my list of Spanish language films. It may not be an accurate portrayal of historical events (it's pretty safe to say many liberties were taken in that regard), but it's still worth seeing. Think of it as a play loosely based on historical persons as opposed to a bio-pic presentation of their lives. This is a big, handsome costume drama that evokes Renaissance Spain with gusto, although there's a certain movieness to the look of things: almost everyone is abnormally good looking and everyone's clothes are remarkably clean (Philip, Juana's betrothed, sports a physique that smacks of modern day gyms; it's doubtful that a monarch who doesn't lift a finger would be so chiseled). By contrast, "Shakespeare In Love" captured some of the grubbiness of life during the Renaissance. The soundtrack is also a bit heavy-handed, with music that occasionally gets a bit obvious. But overall, this movie attacks its subject matter with relish and intellect. Instead of obligatory sword fights and battle sequences, "Juana La Loca" opts for dialogue that oozes with machinations and intrigue, and a pace that keeps things moving along and the viewer interested. I give it 7 on a scale of 10.