Kerd ma lui (2004)

Nappon GomarachunSantisuk PromsiriDan ChupongPiyapong Piew-on
Panna Rittikrai


Kerd ma lui (2004) is a Thai,English movie. Panna Rittikrai has directed this movie. Nappon Gomarachun,Santisuk Promsiri,Dan Chupong,Piyapong Piew-on are the starring of this movie. It was released in 2004. Kerd ma lui (2004) is considered one of the best Action,Crime,Drama,Thriller movie in India and around the world.

Daew is a cop who has nailed the evil gunrunner General Yang, but his partner is killed in the case and Daew becomes depressed. However, his sister asks him to join her and some of her athlete friends to a small village to give food and toys to the villagers. What starts out as a trip to help people turns into a nightmare when Yang's men arrive at the village and take over, demanding the release of Yang or a nuclear missile will hit Bangkok. When villagers are killed left and right, Daew and the athletes must start a revolution against the tyranny before it's too late.

Kerd ma lui (2004) Reviews

  • Amazing fights!


    In 2003 Thailand produced one of the most jaw dropping action films in recent years in ONG BAK, a throw back to the reckless stunt choreography of Hong Kong cinema. 2004 continues the tradition with BORN TO FIGHT, a film that maintains the philosophy of doing stunts with no special effects, no wires and no stunt doubles. Keanu Reeves need not apply. The plot of BORN TO FIGHT is very simple. A cop (Choupong Changprung) and his partner are working undercover to capture a drug kingpin/mercenary. The cop succeeds in an over the top opening sequence that leaves both a town and his partner blown to pieces. To get over the loss of his partner, the cop decides to accompany his sister with a group of gymnasts on a humanitarian mission to a small village. But as cinematic bad luck would have it, the thugs of the aforementioned crime boss shows up, take the village hostage and threaten to detonate a nuclear missile unless their leader is released. It is then up to the cop and the villagers to stop them. The basic premise of BORN TO FIGHT is so standard that it could easily be used for any American action film ("DIE HARD in a village!" is what the execs would call it). What sets it apart from a majority of its action genre brethren are the astounding stunts and fight scenes. Both this film (and ONG BAK for that matter) take me back to the time when a stunt would make me audibly wince in pain for the guy on the receiving end. Knowing that person actually took the bump rather than standing in front of a green screen and being digitally made a bad ass is far more satisfying to me. The adrenaline-pumping trailer, which made the internet rounds during the summer of 2004, contains only a fraction of on screen mayhem contained in this film. The last half hour, where the villagers fight back, is a non-stop battle. Director Panna Rittikrai, who was the fight choreographer on ONG BAK, utilizes a number of Thai athletes as the heroes. By doing this Rittikrai is able to incorporate their various athletic abilities such as gymnastics, soccer playing and the Thai sport of sepak takraw (which utilizes a hard ball that becomes a formidable weapon). This helps substantially in the film's pursuit to "one up" each previous stunt. However, that is not to say that regular action staples such as gun battles and car chases are left out of the mix. The film contains lots of bloody shootouts, including one done in a long take a la Woo's HARD BOILED. And the vehicular mayhem is ever present with a number of motorcycle stunts that qualify as the most dangerous I have ever seen in a film. In a nod to their influences (particularly Jackie Chan), the filmmakers end the closing credits with footage of the stunts as they happen. Surprisingly, the most dangerous looking ones result in the stuntmen jumping up and signaling they are okay. With ONG BAK getting a lot of (deserved) hype leading up to its North American theatrical release, it is refreshing to see that the Thai film industry isn't resting on that film's rep. While this film may lack the plot dynamics and production value of ONG BAK (it probably cost half of that), it still manages to deliver on the promise of non-stop action. BORN TO FIGHT is a must see for anyone who was once thrilled to the sight of Yuen Biao kicking a coconut, Sammo Hung getting into a stick fight or Jackie Chan destroying an entire shanty town.

  • Awesome stunt-work, good movie


    This is the new film, written and directed by the writer and co-martial arts choreographer of Ong Bak, (probably the best movie to hit martial arts since Fist of Legend, if you haven't seen it, see it!) This is a terrorists take over a little village, and villagers fight back movie with the hook being they are all genuine athletes taught to act rather than actors taught to be athletes, playing athletes, so you have extremely agile and acrobatic sequences based around each characters speciality sport. This is an OK story, seen in every genre since Die Hard but not since Jackie Chan arrived have stuntman taken such a beating, driving motorbikes into pickup trucks and going straight over onto dirt, no mats, no wire work, falls from moving lorries onto moving vans, falling between lorries, as good as full contact fighting, I have watched Asian movies for 20 years and I have never seen harder falls or hits being taken, and the outtakes in the end credits prove that no wires were used, and that some of the stunt guys got hurt for our viewing pleasure. Great movie, if you like action, you are gonna love this.

  • Not ONG-BAK... and not intended to be.


    Where ONG-BAK is a traditional martial arts film that strings a series of muay-thai fights and Jackie Chan-style chase scenes together with a simple plot, BORN TO FIGHT is an action film more akin to DIE HARD. That means plenty of John Woo-esquire gun battles and an incredibly high body count, with a sprinkling of brutal stunts. BORN TO FIGHT is not a sequel to ONG-BAK, its not "the next ONG-BAK", its simply a highly entertaining actioner that will keep fans of this director satisfied until TUM YUM GOONG is released. The opening sequence, featuring people leaping between 2 moving trucks, is reminiscent of similar classic scenes from POLICE STORY. The story then switches gear, seemingly heading towards simple martial arts film territory (our hero is challenged by a local thug over the affections of a girl) before a hail of gunfire signals a massive change in direction. The next portion of the film is a relentlessly brutal slaughter-fest, as the evil villains randomly gun down villagers without a second thought, to levels you would never see in a Hollywood film. Hans Gruber has nothing on these guys! Finally, after a few false starts and a rendition of the Thai national anthem, our plucky villagers rise up, although quite how they manage to slaughter so many villains in revenge despite being outnumbered, unarmed, and constantly being killed in the gunfire is never entirely clear. What is clear is that the ridiculously gimmicky "gymnastics fights" are fun to watch, the ball-kicking guys who fire kettles and things at the heads of their enemies deserve a SHAOLIN SOCCER type film of their own, and there's nothing cuter than seeing a little kick-boxing girl kick the hell out of a baddie. Our hero has a few moves of his own, but the film's focus is wider than ONG-BAK, concentrating on the efforts of a team rather than a lone individual, nevertheless he is the star of two wonderful gun battles shot in single takes without cuts: forget DOOM's first-person-shooter scene, this is the true visual embodiment of the modern shooter game, a breathtaking yet agonisingly short sequence inspired by similar sequences in John Woo's HARD BOILED and John Carpenter's THEY LIVE. What BORN TO FIGHT lacks in coherence, it makes up for in energy. This is the modern equivalent of the kind of crazy rule-breaking action films Hong Kong could churn out so successfully in the 1980s. And its the perfect appetiser for TUM YUM GOONG to come.

  • A good martial arts film full of crowd-pleasing stunts.


    First of all, be wary of anyone who gives a score of 1. Only completely objectionable and morally bankrupt pursuits could warrant such a score. Kerd ma lui is an action film that follows the life of an undercover Thai cop who is ailing from the recent loss of a partner. To salve his pain and to fulfill his duty as his sister's guardian, he decides to take some time to travel to an outlying village on a mission of good will. Whilst there, the village is overrun by murderous terrorist with sinister motives, not least of which being to indiscriminately slaughter innocent villagers for all the world to see. The story in Kerd ma lui is solid and well paced. The cast of characters are adequate and they all serve their immediate purpose. There's a good deal of nationalism in the film as it does deal with terrorism and nuclear holocaust, but the Thai nationalism was refreshing to me as it offered a perspective that I had never before experienced. It was nowhere as political as the nationalism prevalent in many US films, but it was inspiring never the less. The real meat of the film is its action. It's a reckless brand of stunt mastery that actually inspires fear and concern for the performers. Each stunt and flawless take seems to tempt fate. For example, trucks perform jumps only to land a couple of feet away from an actor's head. And though some of the choreographed fights between the less skilled performers utilize camera tricks for impact effect, there are some fights with hits that simply aren't pulled--high flying moves full of so much momentum and speed that they need to be slowed down in order to be appreciated. Speaking of slow motion, it's used quite liberally throughout the film. I've heard complaints against this, but it's important to note that some of the choreography would simply not be seen at 24 fps. Kerd ma lui is a good film that has a lot more going for it than Ong bak. It has a deeper storyline and characters that are likable and interesting. The suspense is more genuine and the fights aren't as repetitive. Comparisons to Ong bak aside, Kerd ma lui manages to be a decent film that is certainly worth a watch and, as always, it provides a glimpse into a foreign approach to the action genre. Without doubt, the Thais have succeeded in creating an action fighter that outperforms many of its counterparts from the west.

  • no stunt is too high a price...


    Well I'm still quite impressed or just stunned with the lengths these guys will go to for a stunt. I wouldn't be surprised if there really were some casualties at the end of the filming. But anyway, as a newcomer to Thai cinema, I can say that the actual fight sequences are choreographed pretty well, the elaborate death blows thrown in the world of Muay Thai are seen here, along with a little different touch as well. As good as the choreography is, the lack of coherency far out paces it though, which leads me to believe that the story is just somehow weaved in-between these high flying fight scenes. Which I think is further shown with the always surprising use of the slow-motion instant replay (for all of us with broken rewind buttons?), which they use for those really sweet stunts. But hey, since when do judge an action movie by it's coherence, that would take out all the fun out of it. While not a great movie it is still quite entertaining, and if you don't actually speak Thai well you can probably skip the subtitles seeing as the dialogue adds little too the movie, just watch these little thai guys running around jumping off stuff and you'll be alright. cheers

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