SYNOPSICS
Líbánky (2013) is a Czech movie. Jan Hrebejk has directed this movie. Anna Geislerová,Stanislav Majer,Jirí Cerný,Kristýna Nováková are the starring of this movie. It was released in 2013. Líbánky (2013) is considered one of the best Drama,Thriller movie in India and around the world.
A psychological drama from the present day, in which the fate of the characters is swayed by hidden guilt, is a story about the impossibility of keeping the past hidden from others, and especially from oneself. The story starts at a marriage of a couple in their thirties, Radim and Tereza. Among the marriage guests appears Jan, local optician and a character whose relation to the newlyweds is unknown. He is considered to be one of many friends of Radim and Tereza by the guests at first, but his unnerving behavior and remarks create a thick air, dangerous even. The uninvited guest has not appeared by chance and gradually it's revealed he's tied to the groom by common infancy and coming of age in a boarding school. A story of brutal bullying resulting in a suicide appears from the past... An intimate psychological thriller situated in a sunny summer marriage in the country.
Líbánky (2013) Trailers
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Líbánky (2013) Reviews
Is there a statute of limitations for evil adolescent behavior?
The Czech film Líbánky was shown in the U.S. with the title Honeymoon (2013). It was directed by Jan Hrebejk. The movie begins with a church wedding in a small Czech town. The wedding celebration takes place at a nearby estate owned by the bride's father. (The title "Honeymoon" is misleading. The action all takes place during the prolonged celebration.) The bride, Tereza (Anna Geislerová) and the groom, Radim (Stanislav Majer), make an attractive couple. The groom has an adolescent son by a previous marriage. The boy appears to have a good relationship with his father and new stepmother, and everything is proceeding smoothly. However, an uninvited guest at the wedding--Jan Benda, played by Jirí Cerný--casts a pall on the celebration. He doesn't actually do or say anything hostile, but he somehow manages to transmit a sense of menace. We learn that Jan Benda has a grievance against the groom, which he shares with the bride and with us little by little as the movie progresses. The denouement of the film is frightening and somewhat brutal. The question remains whether--once the truth is known--the couple will maintain the relationship that we saw at the beginning of the movie. We watched this film at the Dryden Theatre as part of Image Out--the Rochester LGBT Film Festival. The early scenes will probably work better on the large screen, but the dramatic parts of the film will work equally well on the small screen.
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