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Ordo (2004)

GENRESDrama
LANGFrench
ACTOR
Roschdy ZemMarie-Josée CrozeMarie-France PisierYves Jacques
DIRECTOR
Laurence Ferreira Barbosa

SYNOPSICS

Ordo (2004) is a French movie. Laurence Ferreira Barbosa has directed this movie. Roschdy Zem,Marie-Josée Croze,Marie-France Pisier,Yves Jacques are the starring of this movie. It was released in 2004. Ordo (2004) is considered one of the best Drama movie in India and around the world.

Ordo Tupikos, a french sailor with greek origins, discover that his first wife, Estelle, with whom he had remained married a few months only 16 years earlier, is now a famous movie star called Louise Sandoli. But, more than her name, everything about Louise seems to have changed. Ordo decides to meet Estelle again, after all these years, to know what it's all about...

Ordo (2004) Reviews

  • Intrigue for its own sake

    rowmorg2006-02-21

    A film with an exceedingly slight story line hangs together simply through the mild suspense of wondering what Ordo the hunky marine-corps guy is going to find out about his teenage bride who has now, unknown to him, become a big movie star. His shipmates find a celeb news story that for some reason mentions him for the first time and shows their marriage photo --- anyway it's the pretext for him to dig around in his memory and decide he wants to know more about this big star who used to be his cradle-snatched bride (she lied about being 18 but was really 16), because he can't recognise her. The action is extremely languid, a little reminiscent of the Roman novels of Alberto Moravia, where one reads on from page to page knowing that nothing is going to happen, but hypnotised by the suggestion that something might. There's plenty of Marie Josee Croze in the buff, if you like chilly 30-something blondes, swimming around her millionaire swim-pool and making out with hunky Ordo for old times' sake. The affair comes to the inevitable end, and the resolution of the plot is all in Ordo's mind. It's watchable in a lazy kind of way, with a stolid performance from Roschdy and a sensitive treatment of a difficult part by Croze, but it suffers from having a phony story contrived from a Yankee pulp novel. I think it's the first French-Portuguese-Canadian co-production I've ever seen. I always watch films made by women, but in this case it's hard to tell a woman wrote and directed.

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