The Levelling (2016) Reviews

• Bleak, if atmospheric

  euroGary2016-10-26

  Immediately before going to see "The Levelling" at the 2016 London Film Festival, I had watched on television "Penelope Keith's Hidden Villages", in which the actress travels around the UK visiting villages and glorying in their thatched cottages, cream teas and lovable eccentricities (Morris dancers, etc). "The Levelling" shows the other side of the rural coin... 'Clover' would be a good name for a cow, but dairy farmer Aubrey instead lumbered his unfortunate daughter with the name. As a young adult, Clover leaves the farm to study animal medicine, but just before her final examinations she is forced to return to deal with her brother Harry's suicide, Aubrey's simmering resentment, the farm's precarious financial position and the aftermath of devastating floods. As Clover, Ellie Kendrick (probably best known for "Game of Thrones") delivers a variable performance: Clover's frustration with Aubrey's refusal to take her seriously is well-essayed, but the device of hiccoughing back the first word of a sentence in order to show bewilderment ("What - what do you mean?") grows old very quickly and at times Clover comes across as little more than a stroppy teenager instead of a capable, educated woman. As Aubrey, David Troughton does his best with the kind of antagonistic character he often seems to play, and Jack Holden is perfectly competent in the film's only other major role, that of Harry's friend James. The ultimate revelation of why Harry committed suicide is unlikely to surprise any viewer, and it is all very bleak - both the characters' situation, and the grey and damp farm in which they live. But the film is atmospheric, and if it turns up on television I might watch it again.

• Well played yet dour

  jonathan-harris172017-12-30

  A young woman (Kendrick) returns to the family farm after many years, due to tragedy -- her lone brother's apparent suicide -- and grapples with a difficult situation and a combative relationship with her father. A very British film to me: fine performances from both Kendrick and Troughton both controlled and realistically playing their parts, moody well-shot rural scenes providing some atmosphere to the bleak world: yet also one exhaustively dour, thin on plot, drama. It's clearly sincere in the portrayal of the realities of modern farming and rural life, which may well be it's main drive alongside the similar-yet-different father\daughter relationship, but this left me cold.

• there are only a few movies that make me feel as if I'm spying on the characters

  lee_eisenberg2017-08-21

  "The Levelling" is one such movie. Shot in a naturalistic style, it truly feels as though you're learning more about this family than you should. It doesn't star anyone recognizable, giving a sense of realism. The young veterinarian's return to her family farm opens the door to multiple revelations not only about the recent tragedies, but about things that have been going on for a long time. Only a few movies have been this much like a knife in the stomach. another was "The War Zone", about a family that discovers an ugly secret. I recommend both movies, and I'm eager to see Hope Dickson Leach's next movie.

• Brilliantly atmospheric

  coreyjdenford2017-05-10

  This review of The Levelling is spoiler free **** (4/5) THERE ARE ONLY a handful of directors who have portrayed the true beautiful brutality of a British farmland society, a notable tick to The Witch which had a compelling story about a young witch it also had stunning cinematography - gloomy at times but thanks to this it captivated the beauty of it all. Once released it wouldn't take long for another director to follow in its footsteps. These footsteps are followed by first-time writer-director Hope Dickson Leache, with her film The Levelling a stunningly brutal tale of a young woman who is forced to move back to her old life on a farm due to a hard loss in the family. It's hard to find an actor who can pull this off successfully, Leache found what she was looking for with Ellie Kendrick who plays her female lead, who also carries the film. Kendrick plays Clover Catto a young veterinarian trainee who is forced to live on a farm due to the loss of her younger brother, not too long after the floods of October 2014. As soon as she arrives at the place she hasn't been to in years, she feels a sense of hardship which, until her father Aubrey (David Troughton), arrives. Dealing with him the man who told her to leave, to do what she wants at a young age, she hates him he plagues her with emotional torture and asks her to do work around the farm, this leads her to ask questions about what really happened to her brother. Aubrey calls it an accident; however, Clover isn't so sure, seemingly wanting to play detective searching for evidence around the site, putting her father's grief to the test. There's a heavy sense of guilt to him too, Clover takes this to her advantage and starts to surround him with questions - perhaps leading him to answer her. Given Leache's direction, the film takes this all in hand captivatingly proving strength with its female lead but forgetting one initial detail - the cumulative impact. The Levelling gives us the emotional heft of dealing with death, a sense of place, and deep depression of older family members it's her father that feels the brunt of the grief, he always refers to better time and refuses to show emotion especially when Clover comes to the investigative moment that he may be involved. This is the main flaw. A patchy flaw that's fixed by the film's nigh perfect premise, the flawless performances, the excellent screenplay and Leache's gentle, yet beautiful direction which flows. The Levelling isn't just one of the best debuts of recent years it's one of the best British films of recent years period. VERDICT: Kendrick is fantastic in a toughly heart-warming British directorial debut, that's gently crafted by a pure modest scale of the countryside and a beautifully atmospheric tale.

• A Haneke-esque puzzle in grief

  ReadingFilm2019-03-30

  What I most admire about Ellie Kendrick is how she seems both self-fueled in the mechanics of craft, while also completely in service to the film's directorial vision. It always feel they're joined in non-standard ways. 'Enhanced.' As they say with actors directors, she is a director's actor. As well. How sparse of a screenplay would this read as? The performance builds in your imagination as it goes. Clover is one tortured woman. She hates her father and is unforgiving. But he is not horrid, just simple and an island. He seems to have passed it onto her. Then it's not about grief but this being another symptom of this loveless hell. Her eventual turnaround seems more clingy than revelatory. Its lead; usually only men are given such roles of brooding and angst, where there's some parallel film going on in their head that we only see externally. The father kills animals and Clover saves them. In fact, animals sprinkle across its running time, as more pure and innocent creatures, but also extensions of the fathers neglect of her, while Clover chose animals too, but through being an academic and a vet. I found the first half one note, and the last half unusually powerful, wise, and beautiful.