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As You Like It (2006)

As You Like It (2006)

GENRESDrama,Comedy,Romance
LANGEnglish
ACTOR
Takuya ShimadaBrian BlessedRichard CliffordBryce Dallas Howard
DIRECTOR
Kenneth Branagh

SYNOPSICS

As You Like It (2006) is a English movie. Kenneth Branagh has directed this movie. Takuya Shimada,Brian Blessed,Richard Clifford,Bryce Dallas Howard are the starring of this movie. It was released in 2006. As You Like It (2006) is considered one of the best Drama,Comedy,Romance movie in India and around the world.

Rosalind, the daughter of Duke Senior (the banished Duke), is raised at the court of Duke Frederick (who is younger brother to Duke Senior and took over his Dukedom), with her cousin Celia (daughter to Duke Frederick). She falls in love with a young man named Orlando, but before she can even think twice about it, she is banished by Duke Frederick, who threatens death if she comes near the court again. Celia, being Rosalind's best friend, goes with Rosalind (who is disguised as a boy, Ganymede) and Touchstone, the court's fool, to the forest of Arden. Upon their arrival in the forest, they happen upon Orlando and his manservant, who are fleeing the wrath of Orlando's eldest brother. What follows is an elaborate scheme devised by the cross-dressing Rosalind to find out the verity of Orlando's supposed passion for her, and to further capture his heart, through the witty and mischievous façade of Ganymede.

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As You Like It (2006) Reviews

  • Beautiful, but with shortcomings

    sarastro72006-12-08

    As You Like It is my favorite Shakespearean comedy, and my high expectations of the new Branagh version were not put to shame. Set in a lush, beautiful forest in an imaginary old Japan, populated by people of all races, this version is an innovative and modern one rather than a conventional and classical one - and it works. The female main characters, Rosalind, Celia, Phebe and Audrey, are all immensely good, effortlessly throwing around both unbridled enthusiasm and unwavering character acting. In fact, Celia is near to outshining Rosalind; only her obviously bleached hair detracts from her charm. The male characters are, sadly, far less distinctive, with the exception of Alfred Molina's Touchstone, who's delightfully silly - almost too much so. Kevin Kline's Jacques is not bad either, but he doesn't really steal the limelight to any great extent, the way he perhaps should. In a production as colorful as this one, Jacques greyness gets a bit lost. (Edit: I will say that this version gains from repeated viewings. It is a great modern adaptation of Shakespeare's perhaps most joyous comedy.) I did feel that a lot of the original text was missing, and this, as is so often the case with Shakespeare movies, is this production's worst shortcoming. Not enough of the delightful Rosalind rhymes which almost define the play ("Winter garments must be lined / So must slender Rosalind") are included, which is a grave, grave error in disposition. If this play was often made into movies, that judgment might be justified, but since the play is adapted so rarely, it cannot be. The overall filming and cinematography are excellent, however, with plentiful gentle camera movement and many close-ups, focusing admirably on the strong emotions exchanged between the characters, and the language is fluid as well as florid, spoken in a very modern, sometimes even casual, tone, as we have come to expect from Branagh's very accessible Shakespeare films. We are many who wonder why this film has not received a wide cinematic release. It has been shown only on a few film festivals, and this January it will be out on DVD, at least in Italy. Is it going straight to DVD without a run in international theaters? Why?? Is it really seen to be so obscure and uncommercial that no distribution company will commit to it? If so, distributors should be ashamed. My rating: 9 out of 10.

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  • Branagh imaginatively revitalises another Shakespeare play

    Cinemasitter2007-07-11

    Kenneth Branagh seems to get a fair bit of stick in some places, and I'm never quite sure why. Whether it's because he picks unfashionable projects to direct or star in, or because he comes across as a theatrical English "luvvy", I don't know. But for me, his lonely (almost solitary) championing of modern big screen Shakespeare adaptations has always been cause for celebration. Time and again he has sought to make the bard's literature not only appealing and comprehensible to the audience of today, but also relevant - to show that Shakespeare has always got something to say about society and people. If nothing else, English teachers worldwide must be relieved there are alternatives to showing kids the more archaic Olivier golden oldies. His latest adaptation, As You Like It, is no exception. For those unfamiliar with the play, it's basically a romantic comedy, with a bit of political drama thrown in for good measure. Here the action is relocated from Middle Ages France to 19th century Japan (stay with me), when the country was being opened up to the West. A small group of Western settlers have more or less set up their own private kingdom here. You can find a detailed plot synopsis elsewhere on the web I'm certain, but I'll try and summarise it anyway: Rosalind (Bryce Dallas Howard) is the daughter of Duke Senior (Brian Blessed, with long white hair), who is usurped by his own treacherous brother, Duke Frederick (Blessed again, with dark hair this time, doing the usurping in a neat wordless sequence). Senior is exiled to the forest with his followers, while Rosalind is forced to remain and keep Frederick's daughter Celia (Romola Garai) company. Frederick becomes paranoid though, and banishes Rosalind as well shortly afterwards. Celia, best friends with Rosalind, decides to accompany her; naturally, both are forced to disguise themselves, which causes complications when the one Rosalind loves, Orlando (David Oyelowo), declares his undying love for her. Bright, breezy and instantly accessible, Branagh has come up trumps. Staying behind the camera this time out, the cast is led by Bryce Dallas Howard, in a performance that will surely (if there is any justice in the world) attract awards attention. The part of Rosalind is one of the most popular and sought after female roles in all of Shakespeare. She is sweet and kind, but not simpering - she's quite decisive too. She is the dynamic behind the play's actions, and Howard seizes the role with everything she's got. The supporting cast are uniformly excellent too - the legend that is Brian Blessed is always great value, and he does well here in his dual role, particularly the evil Frederick. David Oyelowo is also excellent, while Alfred Molina is very funny in the comic relief role of Touchstone, the court fool. Look out too for Patrick Doyle, the film composer who provides the score here but also performs on screen in the singing role of Amiens. Obviously the unique spin on this adaptation is the setting. The play is mostly set in the forest of Arden, so nature is a prominent theme throughout. Branagh highlights this by moving the action to pre-20th century Japan, where beauty and peace can be readily found in nature. The film is gorgeous to look at, not only in the forest settings, but also in the 'court' during the first act's coup d'etat - the sets and costumes look brilliant. I won't try and argue that this is going to be the best film of 2007, because I'm sure that would be nonsense. The film has faults, although some of these might be attributed to the source material (with which I'm not familiar) - one or two characters seem to disappear halfway through, while Duke Frederick's fate is a cop-out even by Shakespeare's standards. But the important thing is that Branagh has made the play very easy to follow, very humorous and also given it a contemporary edge, as well as making an entertaining film in its own right. And for that, he surely deserves a cheer at least. I urge anyone to seek the film out, whether you're interested in Shakespeare or not, because it is simply great fun. Here's hoping Mr Branagh continues to get his films funded and made.

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  • 'All the world's a stage'

    gradyharp2007-08-22

    Kenneth Branagh, aside from being a gifted actor with an enormous range of creative character abilities, has once again brought Shakespeare to life on the screen. His previous excursions into the bard's repertoire have included 'Much Ado About Nothing', 'Henry V', 'Love's Labours Lost', 'Hamlet', and 'Othello', and now he adds one of the bard's most successful comedies AS YOU LIKE IT to his list of successes. Branagh has the gift of making the visual aspects of Shakespeare's stories enhance the language and in doing so he makes Shakespeare sound like brilliant conversation (which it of course is) instead of stilted and brittle old English. The 'gimmick' used here by Branagh in adapting Shakespeare's play is placing the action in 19th century Japan, and while other less sensitive directors might have opted to insert parody here, Branagh instead makes the story seem all the more plausible - the two feuding brothers (one dark and one light) whose struggle over their estate opens the play before credits with an ingenious silent drama of black leather feudal costumed men invading a genteel house party of lovely people enjoying a Japanese dancer's performance. The original brother is banished with his clan to the Arden forest and there the magic begins. Love between several couples is played in all its manifestations with disguise, misconceptions, lust, and poetry until the play's rollicking end in a song of Hey Nonny Nonny! The lovers include the disguised Rosalind (Bryce Dallas Howard) and Orlando (David Oyelowo), Celia (Romola Garai) and Oliver (Adrian Lester), the court fool Touchstone (a brilliant Alfred Molina) and Audrey (Janet McTeer), and Sylvius (Alex Wyndham) and Phoebe (Jade Jefferies). Brian Blessed plays the roles of both feuding brothers with style and authority, and Kevin Kline offers a fully realized Jaques - the character who is given the most memorable soliloquies in the play. The settings and imagery (Tim Harvey) are artistic and beautiful and captured with style by cinematographer Roger Lanser, and as with all of Branagh's production the music score (here by Patrick Doyle) is letter perfect and atmospheric. But in the end the kudos go to Kenneth Branagh for his consistent courage and conviction that Shakespeare's plays are timeless, and his devotion to bringing them to the contemporary audience is to be applauded. This is a fine film - one to own! Grady Harp

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  • A Review? Simple. It's absolutely Beautiful!!

    ashby12007-08-22

    This movie is beautiful! That's right. That's my whole review.There are stylised Komonos and rich 1890-ish Western costumes. A palette of amazing reds, maroons and rose colors set against a magical green forest with ancient towering trees and exotic oriental marshes. The romantic comedy element is all about being in love; being giddy with all consuming love. The Shakespearean words are edited short and crisp and are delivered naturalistically and effortlessly by the likes of Kevin Kline and Brian Blessed. Of the leads, David Oyelowo stands out as a very masculine and handsome leading man and Bryce Dallas Howard (an American) more than holds her own with the mostly British cast. Perhaps due to Branagh's pruning of the tesxt, I also found listening to, and understanding As You Like It just as effortless as the actors' delivery. I'm not an English teacher nor an Elizabethean scholar and this movie spoke to me, taking me on a wonderful escape. (NOTE: make sure to watch all the way through the credits.) It is obvious that Kenneth Branagh puts his whole soul into his movies. Thank you, Kenneth!

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  • Branagh is a genius

    KDPeffley-22008-04-28

    For me, Keneth Branagh's film adaptation of Shakespeare's As You Like It was a sublime experience. It was late at night, my wife out of town visiting her family, and me, nothing much to do but fall asleep on the couch. But I stumbled upon HBO's broadcast of As You Like It, and I am transported. The setting was not Elizabethan England, but 19th century Japan. Why? Frankly, I don't know, but it worked for me, as I was immediately pulled in to this mythical land of families divided between those of hearts hardened by war and those who courageously broke away from unhappy dysfunction seeking the pure promise of passion and love. I found the setting equally striking with the dark brown colors of the warlord's house contrasted with the lush, magical, green forest of those longing for their lovers. I found the acting exuberant and joyful, not at all overdone, but appropriate for the subjects at hand: love, passion, melancholy, and the tearful reconciliation between waring brothers. For me, this was a beautiful work of art, and Branagh deserves nothing but praise for it all.

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