Baby Mama (2008) is a English movie. Michael McCullers has directed this movie. Tina Fey,Amy Poehler,Sigourney Weaver,Greg Kinnear are the starring of this movie. It was released in 2008. Baby Mama (2008) is considered one of the best Comedy,Romance movie in India and around the world.
Successful and single businesswoman Kate Holbrook has long put her career ahead of a personal life. Now 37, she's finally determined to have a kid on her own. But her plan is thrown a curve ball after she discovers she has only a million-to-one chance of getting pregnant. Undaunted, the driven Kate allows South Philly working girl Angie Ostrowiski to become her unlikely surrogate. Simple enough ... After learning from the steely head of their surrogacy center that Angie is pregnant, Kate goes into precision nesting mode: reading childcare books, baby-proofing the apartment and researching top pre-schools. But the executive's well-organized strategy is turned upside down when her Baby Mama shows up at her doorstep with no place to live. An unstoppable force meets an immovable object as structured Kate tries to turn vibrant Angie into the perfect expectant mom. In a battle of wills, they will struggle their way through preparation for the baby's arrival. And in the middle of this ...
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Due to my love of Tina Fey I went out of my way to see this film at the cinema; on first release it was only shown at 11-30 in the morning and I dragged my mum to watch in an empty theatre. All I can say is that it was worth the effort. The two leads bounce off of one another with brilliant comic timing, and both manage to make their flawed characters utterly likable. Yes, the plot is predictable, and no, there is no joke that made me fall out of my seat. However, it did deliver on many levels. The comedy was sharp and although the ending was a little contrived it did manage to put a goofy smile on the face of a cynical teenager, IE moi. 'Baby Mama' is perfect chick fare, and I am disappointed in the cinemas who have cleared all their screens in preparation for the release of 'The Dark Knight'. Poehler and Fey sparkled and were supported by an excellent cast; Steve Martin was odd, providing some light comedy, but it was Sigourney Weaver and Greg Kinnear (back on form and looking less haggard) whom i felt really carried the film in the absence of the two leads. Baby Mama was refreshing and a great indication that we should see more of these two girls on the big screen. 4/5 Stars
When I first saw the trailer for Baby Mama, I just thought this movie was going to be a total disaster, it didn't look funny and like another typical chick flick. But my friends wanted to see it, so we saw it opening weekend, and actually I was surprised, I did like a lot better than what I was expecting. Baby Mama is something that looks like from the Lifetime Network, but it's all good, it has some really funny moments and was just cute. Amy Poehler and Tina Fey are two very funny women from Saturday Night Live, they also did Mean Girls together and made their characters an absolute joy to watch, so seeing them as the leads in this film was going to be an interesting turn. Tina Fey definitely has a lot of talent not only as a writer, but as an actress, she made her character believable and as neuritic as she was, she was still likable. Amy Poehler made her character a little too SNL at times, but these girls made the movie enjoyable and a fun flick to watch for the afternoon. Kate is a single and successful woman who seems to have it all in life, but one thing she wants so bad is a baby. But one problem, her uterus isn't liked by her doctor, in other words, she has a one in a million chance of getting pregnant. After adoption woes and sperm donor failures, she decides to get a sergeant mother who will get pregnant and give her a child. She meets white trash couple, Angie and Carl. Angie moves into Kate's apartment after her break up with Carl, so this "odd couple" has to teach each other some new moves in life. Baby Mama is actually worth the watch, I was very impressed with how much I liked it, like I said, from the trailer, it doesn't seem like a good movie, but when you watch it, you get the laughs and the smiles that the movie promises. It is a chick flick, warning to people who have a strong hatred for them, but I'm not a fan of chick flicks, and you know what? I thought that this was just a fun movie that if you let go and even enjoy the predictability, you'll find yourself loving Baby Mama. 7/10
Tina Fey and Amy Poehler prove that buddy comedies need not be the exclusive domain of naughty boys. "Baby Mama" is no comic masterpiece, but it's at least as good as any number of formulaic comedies churned out by Hollywood and much better than many others. Fey is the uptight career woman who hears her biological clock ticking at 37 and wants to have a baby before it's too late. Poehler is the low-class, free-wheeling blonde who agrees to be her surrogate mother for a hefty fee. The usual odd-couple conflicts ensue, maternal instincts kick in, and in traditional sitcom style, everyone gets what they want in the end. The movie is mostly an excuse to give Fey and Poehler the chance to riff off of one another, and they do it well. Poehler especially displays the ability to carry a movie, something most SNL veterans aren't able to do. She's funny, but she's also able to embody an actual character rather than simply do skit-T.V. schtick. Just watch her horrified face the first time she tastes water; or the hilarious scene when Fey wrestles her into the shower and begins to scrub the hair dye off of her head in a scene that spoofs "Silkwood." Also starring Greg Kinnear as a smoothie store owner, and a whacked out Steve Martin as Fey's new age boss. Grade: A-
Say what you will about the marketing machine, but I truly think the people behind promoting Baby Mama did a bang up job even if I believe they did so without trying. They make expectations so low in the trailer that you almost have to enjoy the film. Was it a great comedy? No. However, it was much better than I ever could have hoped as Michael McCullers takes us places you never would expect going in. I thought that it would be a water-downed, overlong SNL skit with one woman asking another to carry her baby, leading to a generic odd couple pairing with hijinks and gags piling on top of each other, collapsing under its own weight. Instead we are treated to a pretty sentimental and touching portrait of two women learning to grow and evolve with help from the other, a person, in both regards, that they never would have thought could teach them anything. Even the pregnancy aspect takes a ton of twists and turns never becoming the straight shot gimmick just bringing everyone together. The surrogate mother here must make some tough decisions as she continues along on her journey, lending a side to the tale that actually brings it to a level of intrigue that no Lorne Michaels film has done in recent memory. I don't want to ruin the plot points of Angie Ostrowiski's pregnancy, but let's just say it isn't cut and dry. Her motives aren't genuine, something that is obvious from the start, just not quite in the way you anticipate. There are surprises for her and secrets hidden from the other characters as she wrestles within herself. A "white-trash" loser, attached to a man that believes waiting on the phone to be the 132.7 caller is a job, Angie learns a lot while with mom-to-be Kate Holbrook. Kate, being the professional VP of an organic food market, is a very detail orientated woman who is by the books and unafraid to tell others what they should do. It is an oil and water connection, butlike all good relationships of this kindbreeds some real funny and touching moments. Who thought watching Karaoke on the Playstation could be so much fun? Sure many instances feel like skits written separately and plugged in later, (the clubbing while pregnant, the press conference ambush, and the surrogate therapy sessionprobably the funniest scene without question), but they are surprisingly strung together to make a pretty coherent whole. The other thing that the trailer hides is the inclusion of two great male roles. Did anyone know that Greg Kinnear and Steve Martin were in this thing? I for one was completely surprised by both, almost chuckling that they would have a small cameo until I realized that both were key roles to the whole. In the best turn of the film, Steve Martin is crazy, hippie genius. His earthy style of living, complete with long ponytail and soft speech, even when angered, is classic, as is everything uttered from his mouth. He is so good that I would be thrilled to have him offer me 5 uninterrupted minutes of staring into his eyes as a reward for a job well done. For Kinnear's part, he plays the usual love interest that is commonplace in films of this ilk. It's not flashy and it's not very original, but Greg is a stalwart and pulls off the good guy persona, even including a little bit of physical humor at the end. Overall, though, this film is pretty standard fare. It goes into very broad comedy at times and very sappy/overly-sentimental drivel at others. There are some good jokes sprinkled throughout and for the most part keep it fun for the duration. Definitely feeling longer than it is, I never quite felt bored and I did begin to get invested in the story to see how it all would turn out. A lot of that can be credited to the chemistry between Tina Fey and Amy Pohler as Kate and Angie respectively. Both these women do a great job with their roles, fleshing out the psychotic relationship to perfection. One of the successful dynamics is how Fey becomes a mother figure to her surrogate. Even going so far as having temper tantrums and rubber-faced reactions, Pohler is a child. It's also nice to see some fun moments from the supporting cast, but again nothing really sticks out to vault anything into must see territory. Sigourney Weaver is actually kinda scary in a very weird role; Romany Malco has plenty of great one-liners and facial expressions; and John Hodgeman is a bit odd in a small bit, with laughs coming more from the recognition of his Mac commercials than anything he does in the film. In the end, while nothing over-achieves, it all adds up to a pretty solid comedy worth a view. Is it necessary to see on the big screen? Probably not, but if you were worried that it might be a train-wreck, just know that it never takes any chances to risk derailing, and that's not a bad thing.
Saturday Night Live, whether or not you consider it still funny, is going through a great period. Ratings are fairly high coming off of the writers' strike. The show is riding the Democratic nomination race wave pretty well, featuring either Clinton, Obama, or both in at least one sketch per episode. Due to their recent successes, it makes sense that SNL's comedians want to branch out into movies like they successfully did in the 90s with Wayne's World. Baby Mama serves as one of these movies, featuring Tina Fey and Amy Poehler at the helm and at least two more members from the SNL team in the background, namely Will Forte and Fred Armisen. Steve Martin, a frequent SNL host, can also be found in this movie. After reading the character list, it's clear where the SNL comparisons and references come from. Considering its origins and its genre abroad, I went into the theater with relatively low expectations. At most, I hoped for a sort of feel-good comedy that had a lot of laugh scenes that made up for some corny drama scenes. I got the laugh scenes, but surprisingly, the drama scenes weren't very corny. Baby Mama, as can be determined from the title, deals with Kate Holbrook (Tina Fey's character), a powerful businesswoman and executive in an organic foods company and her burning desire to have a baby and build a family, regardless of the difficulties. Unlike most comedies, this is actually a surprisingly serious topic, which enhances the dramatic parts of the plot quite a bit. You can actually take the characters and the story line quite seriously. Actually, Kate's character is almost entirely serious, aside from the occasional jokes on how uptight and socially inept she can be. Most of the laughs come from Angie Ostrowiski (Amy Poehler's character), a not exactly high-class girl working for Chaffee Bicknell's (played by Sigourney Weaver) surrogacy agency that offers to be Kate's surrogate after Kate attempts and fails to get pregnant multiple times. As can be expected from Poehler, Angie is completely and totally ridiculous. Poehler is actually extremely good in this role, since she manages to play a "white trash" stereotypical character without coming off as corny, or at least most of the time. Don't get me wrong; there are times when you can't help but cringe. A small portion of the humor is just far too corny, and can't make you laugh no matter how ready you are to laugh. However, anyone who watches Saturday Night Live is already used to this, since everyone knows that not every SNL skit is funny. Not by a long shot. However, the entire movie is irresistibly cute. The character development is fantastic, and Poehler and Fey working together really carries the entire movie. In fact, the men in the story are almost entirely irrelevant. Carl (played by Dax Shepard), Angie's low-class, tactless boyfriend, could have been much funnier than he actually is. Rob (played by Greg Kinnear), although a nice character and a nice addition, really only serves as an attractive male (and yes, he is very attractive in this movie) and someone to move the story along a little bit. Barry (played by Steve Martin), the president of the organic food company Kate works for, is an absolutely insane hippie that provides a lot of humor to the parts of the movie where Kate is at work. Five minutes of uninterrupted eye contact, anyone? (You'll get it when you watch the movie.) At the end of the movie, you do really feel for the characters, or at least Angie and Kate. The other characters are sort of background even at the end, but they're still necessary, since there would be no offset to the Fey-Poehler humor that can just be taken in small doses to avoid becoming too corny to be enjoyable. I did find myself screaming on the inside a little at the end, because there's a gigantic time gap that left a lot of questions unanswered and irritated me quite a lot, but in reality, in order to fill out the entire story, this would either have to be a 3 hour movie, or there would have to be a sequel. This isn't the kind of movie to have a sequel, so I can see why they did it. I just think that some of the time that they wasted on Carl could have been used to develop that a little more. Overall, Baby Mama is cute, and that's all I can see it ever trying for. It also seems to me to test the waters a little bit for a Fey and Poehler match-up that, when smoothed out a little around the edges, will be a very strong comedy duo. I did enjoy this film very much, and I would highly recommend it to someone who watches SNL frequently and likes Poehler's style of humor, or someone who just wants to go to the movies to have fun and feel good. It's certainly worth it. However, what I find more significant at the moment is my excitement for films in the future that will feature Fey and Poehler, and I truly hope that the film industry doesn't miss out on this potentially hilarious team. I'll be eagerly awaiting the day when I see them working together again - this is a first time, and it can only get better from here.