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De Palma (2015)

GENRESDocumentary,Biography
LANGEnglish
DIRECTOR
Noah Baumbach,Jake Paltrow

SYNOPSICS

De Palma (2015) is a English movie. Noah Baumbach,Jake Paltrow has directed this movie. are the starring of this movie. It was released in 2015. De Palma (2015) is considered one of the best Documentary,Biography movie in India and around the world.

In the annals of Hollywood film since the artistic glories of the New Hollywood era, few have a better reputation and body of work in the field of suspense films exploring the contemporary darkness in American life than Brian De Palma. Here, the great film writer and director takes, us in his own words, through his professional life and a career that redefined film horror and suspense. All the while, he also confesses the challenges of working in Hollywood and the price even the great artists pay for being a part of it.

De Palma (2015) Reviews

  • No hitch in the delivery

    ferguson-62016-07-04

    Greetings again from the darkness. A self-inflicted career retrospective … that's my most fitting description of this project from co-directors Noah Baumbach and Jake Paltrow. Rather than line-up a slew of third-party observers and collaborators, we get the famed director himself walking us film-by-film through his resume. That's right, Brian De Palma discusses the De Palma film canon … and we movie lovers couldn't ask for anything better. Beginning with a clip of Vertigo, the doc leads with the Hitchcock influence, almost as a form of disclosure. It's as if everyone associated is saying, Yes we admit it … Director De Palma has been heavily influenced and inspired by the works of Alfred Hitchcock. Now pay attention to what he's done with his career – some really good, some not so good, some downright awful. "Underappreciated" might be the best label for De Palma. He was part of the "New Hollywood" with Spielberg, Scorcese, Coppola, and Lucas, yet they are worshiped, while De Palma is mostly ignored. Mr. De Palma speaks directly to the camera and seems to thoroughly enjoy this opportunity to analyze (and at times defend) his career, providing a self guided reflective approach - a chronological retrospective that doesn't shy away from his inability to put together a streak of successful films. This is direct talk (describing a particular bomb as "one of many disasters") with no apologies from a filmmaker who has worked for five decades. He tells behind the scenes stories in a matter-of-fact manner, not always complimentary of himself, actors or the industry. The stories and recollections are the highlight here. De Palma speaks highly of Wilford Leach (his mentor and professor at Sarah Lawrence), composer Bernard Hermann and Robert DeNiro, with less than flattering tales of Cliff Robertson (Obsession), Sean Penn (Casualties of War), and Oliver Stone (Scarface). It's fascinating to hear De Palma explain the box office failure of his version of The Bonfire of the Vanities, address the scandal of Body Double, and describe in detail the simultaneous casting (with Spielberg) of Star Wars and Carrie. Even more eye-opening is his reminiscing on the back-and-forth with director Sidney Lumet as they played hot-potato with Scarface and Prince of the City. Brian De Palma was Columbia University educated (math and physics), and has directed some of the most creative, colorful and controversial films – some of which never received their "due". This may be mostly a film for those who want more inside-industry scoop, but it's a man who takes pride in the fact that famed film critic Pauline Kael was a fan of his work, and that few directors have a more varied canon of film. His patented "holy mackerel" is on full display as he takes us on the journey of De Palma films, and it's a reminder that "talking head" documentaries can still work … provided the talking head doing the talking is saying something worth listening to.

  • Compelling and personal

    ujtc2015-10-08

    This interview/documentary on Brian DePalma's work is completely fascinating - it's not bloated with expert perspectives or critical assessment of DePalma's work. Rather we get an unfiltered story from the director himself which works its way through the last 50 years of cinema and discusses in much candor the highs and lows of a directing career. Particularly compelling are the practical steps DePalma took to stay relevant in a rapidly changing industry, as well as his pragmatic approach of dealing with hard-nosed movie executives, difficult actors and minuscule budgets. Throughout the DePalma's interview narrative is supplemented with clips from his own movies as well as other contemporary pieces, which convey the story line brilliantly. The documentary was filmed over the course of a view days based on dinner- time conversations between DePalma and Bombauch/Paltrow. Wonderful editing, amazing perspective; a must-see for any film lover or aspiring director.

  • De Palma on De Palma

    Michael_Elliott2016-09-10

    De Palma (2015) **** (out of 4) Directors Noah Baumbach and Jake Paltrow got Brian De Palma to sit down and talk about all of the movies that he has made. This documentary has De Palma basically giving a history lesson about all of his movies. He talks about his influences, their failures or things that he wish he had done differently. If you're a fan of De Palma's work then you probably already know that he has contributed to countless interviews and special features for his movies. There's a lot of stuff out there where the director talks about his career but this documentary works because you can pretty much get everything in one sitting. I really liked the flow of the picture because it really does come across as being shot in real time and it's just like you're sitting down at a table with the director and listening to him talk about his career. DE PALMA is certainly a must-see for film buffs because the director is quite honest with his talk. At this point in his career he certainly doesn't have to worry about offending anyone and this leads to some very good stories about issue he had on films with actors including Robert DeNiro on THE UNTOUCHABLES. Each film is given a good amount of discussion and it's fascinating getting to hear the director pat himself on the back when he thought he did a great job or pointing out things that went wrong. None of them films are given great, full details but as I said there are countless bonus features out there that dive into each film in more detail. This film works remarkably well because of how simple it is. The camera is set up close to De Palma and he simply talks and tells stories.

  • Good look at a fascinating filmmaker

    jellyneckr2016-07-23

    How much one enjoys DE PALMA depends almost entirely on one's opinion on the work of Brian De Palma or De Palma himself. For those who like De Palma's films, this new documentary will be a real treat. For those who dislike or are relatively indifferent to De Palma will most likely be completely bored throughout the entire running time. This is a documentary made for a very small audience: De Palma fans and general film fanatics. The whole movie consists of De Palma going through his complete filmography, talking about each one of his films with clips spliced into the mix. There are no additional interviews, which would be a problem if De Palma wasn't such an engaging speaker. In terms of modern day filmmakers, De Palma, even after a career that spans several decades, is still of the most fascinating personalities in the film industry, something that is clear throughout almost every minute here. While I won't say there's never a dull moment, a good 85% of De Palma's stories are entertaining and insightful. Even the stories he tells about his biggest flops like The Bonfire of the Vanities adaptation and Wise Guys starring Danny Devito are fun to hear. De Palma doesn't disown any of these productions, but he is quite candid about why certain ones weren't well received critically or commercially. The only real flaw is that a few of De Palma's films here get too much commentary, while a few gets too little commentary. Some of De Palma's most recent movies like The Black Dahlia and Passion are barely mentioned at all. Even if they are among his least popular films, it's disappointing that they aren't discussed enough here given the treatment all the other films seem to receive. Even with this imbalance,this is something that's worth watching more than once, just like the De Palma's films themselves. 8/10

  • What an Artist!

    aharmas2016-06-30

    Watching this documentary, one begins to realize how big of an influence De Palma himself in the world of movies. His output includes a little bit of every possible genre, and though he's not a young man anymore, he can still surprise us. He belongs to a group of directors that will probably never be matched in either their individual or collaborative work. He has definitely left a legacy worth enjoying and studying. De Palma started in the 60's, and the film gives some background on his earlier productions. It's the 70's where he started making movies that most of us are familiar with and will always associate his name with. He unleashed the world of horror with "Carrie", probably igniting a surge in popularity for King and himself. That film also introduced Sissy Spacek to us. The documentary continues to give us informational bits on most of his work, clarifying issues, telling us what he liked or he didn't like in some of the films, and how there were always unexpected developments in his productions depending on who his partners were. His work is for the most part quite remarkable. He combines beauty, obsession, and horror in films like "Body Double" and "Dressed to Kill". He works with some of the biggest stars in the world and directs hits or unexpected flops, but they are always memorable. Throughout the documentary, we admits his mistakes, and how his films could have been improved. He also tells us how other films which tried to imitate him fail because they might be going in a different direction. Overall, De Palma proves himself an artist, a man who loves movies, who understands them and knows how to make them. He values the association with a good writer, a good idea, and most importantly he is cognizant that there is no way one can work alone in a place like Hollywood, regardless of the risks and the benefits.

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