Dracula (1958) Reviews

• The most influential British film

  msquared2006-06-06

  It's difficult to overestimate the significance of Dracula. Far more so than its predecessor, The Curse of Frankenstein, it set the tone for Hammer's movie output over the next two decades - the two decades (1956-1976) when British films, or at least British horror films, were among the best, most admired and most imitated in the world. A far cry from the terribly English whimsy of the Thirties and Forties, or the provincial, "arty" stuff that's predominated since the end of the Eady levy in the 1980s. With this movie, Hammer not only created an international star out of Christopher Lee, but a worldwide phenomenon that persists, in series such as Buffy the Vampire Slayer and films like Sleepy Hollow, to the present day. Taking the Kensington gore quotient of The Curse of Frankenstein, and combining it with an unprecedented dose of eroticised violence, Dracula revolutionised horror, ultimately leading to the breasts and blood exploitation movies of the Seventies, as well as the heavy sexual overtones of films such as Alien and The Company of Wolves. The movie benefits from two astonishing central performances. Christopher Lee's Dracula is a creation of passionate intensity, to whom Cushing's monomaniacal Van Helsing is the antithesis – fire and steel; hot-blooded animal instinct versus cool scientific rationalism. This has led some critics to identify Van Helsing as the real villain of the piece, a brutal fanatic who coldly pounds a stake through the vampirised Lucy. Either way, both actors give supremely effective performances. The final confrontation between the two remains the single most iconic scene in any Hammer film. Hardly surprising, given their on screen charisma, that Lee should reprise his role six times and Cushing four. The most influential British movie of all time, Dracula's electric mix of sex and death fuelled a global revolution in genre film-making, and presented Hammer with a formula that they would return to again and again over the next two decades.

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• Lee's Dracula reigns supreme!

  rams_lakers2004-08-06

  Hammer's Dracula, the first Dracula film to incorporate fangs, blood, and red eyes, brings the best Dracula to the screen - Christopher Lee. I first saw this on TV at home on Thursday 5pm on a channel that featured some classics. I also remember seeing War of the Worlds and others every Thursday. Each time they repeated it, I was there watching it. I just bought this DVD for my collection and the color and quality is awesome. In Stoker's book Mina Murray is Harker's fiancé and Lucy Westenra was Arthur Holmwood's fiancé. Despite these changes the story holds together nicely. Sangster manages to avoid having Dracula turn to a bat to make the character more believable. In Stoker's book the Lucy character dies and returns as a child-lusting vampire so Van Helsing and Holmwood stake her as shown in the movie. Trivia: Lee said the fangs he wore were easy to speak with but not eat. The contacts he wore were very painful and made him teary eyed and his vision a bit blurry. There are some scenes that were deleted. One was of the impaled Harker in the early stages of decomposition which was removed by the British censor when it was released in English speaking countries. Surprising because it was tame compared to other scenes. Another scene that was removed by the same censor was Dracula's stages of decomposing during his death scene. This scene was reportedly left intact in foreign speaking countries and the rumor is Warner does not consider the scenes to be worth pursuing. What U.S. audiences see is the jump to the final stage of dissolving. Lee says they were kept in for the Far East parts of the world because they were considered to be too gruesome in those days. There are stills floating around of them both. A solid 9 out of 10, this remains the best Dracula film ever made. Yes, much better than the overrated "Bram Stoker's Dracula."

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• The Best Vampire Film of all time!!

  Jonny L1999-02-19

  Terence Fisher's DRACULA (HORROR OF DRACULA in the USA; 1958) is the best vampire film of all time. No other picture combines the right amounts of horror, humor, action, and eroticism. Britain's Hammer Films is legendary for their horror films--this is the best of them all. Although quite different from the book in many ways, I feel this picture captures the spirit of Stoker's work better than the more literal adaptations. Everything works here--Fisher's tight, crisp pacing, James Bernard's throbbing, full-blooded score, and especially the acting. Christopher Lee inherits the role of Dracula from Lugosi and makes it his own--he still holds the record for most film performances as the Count. Peter Cushing is the definitive Dr. Van Helsing--by turns tough and tender, his interpretation far outshines those of far better known actors--Anthony Hopkins and Laurence Olivier played the part later, but their performances were totally inferior to Cushing's. And how about Michael Gough--Alfred in the recent BATMAN films--as Holmwood? He's a treat in his own right! Lugosi came first, and later films spent more money; however, the best combination of all elements is in HORROR OF DRACULA. It is required viewing for all vampire fans.

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• Hammer's Masterpiece

  kevin_crighton2007-11-01

  Hammer made several classic horror movies : The Curse Of Frankenstein, The Curse Of The Werewolf, Dracula - Prince Of Darkness, The Devil Rides Out, She, The Quatermass trilogy amongst others. However for me, their first Dracula movie is a true horror masterpiece. Although based on the novel by Bram Stoker, the movie doesn't even try to adapt the book. Jimmy Sangster simply took the characters and events he needed, and went off and did his own movie, and it works brilliantly. Jonathon Harker arrives at Castle Dracula under the guise of being Dracula's new librarian. Actually however, he's there to destroy the vampire. When he fails, Dracula wrecks vengeance on Harker's fiancé and family, while Van Helsing arrives in the hope of ending what Harker couldn't.... As I said, nothing like the novel but it doesn't matter. This is the best Dracula movie ever made. To begin with, the set design by Bernard Robinson is superb. His design of the castle is fantastic. Jack Asher, the cinematographer does a stunning job lighting the movie, especially Dracula's first appearance. The music by James Bernard, taking it's cues from the title, Dracula, is wonderful, bringing excitement, dread, fear and everything you could ask for. Terence Fisher, Hammer's most important director, keeps things going at a brisk pace, staging some brilliant set-pieces. Fisher made most of the early horror classics: The Curse Of Frankenstein, The Mummy, The Curse Of The Werewolf. He also made many more movies for Hammer, but this is his finest movie. Where Hammer got lucky was Christopher Lee. His Dracula performance is gripping. He's charming when he needs to be - watch the brilliance of his first appearance. He appears at the stop of the stairs looking menacing, thanks to the lighting and music, then walks down the stairs and introduces himself! Brilliant. But Lee is scary and terrifying as he needs to be, when stalking Mina and Lucy, but also almost passionate with them. And he proves a worthy adversary for Van Helsing.... ...which brings me to Peter Cushing. Simply put the best Van Helsing on screen, played by the best actor ever in the horror genre. Cushing brings compassion to Van Helsing (watch the scene with the child in the graveyard) but also determination and obsession at ridding the world of evil. Even though he made a lot of horror movies in his career, and thus is somewhat under-rated as an actor, he never gave a bad performance and here like Lee he is at the top of his game. it's no wonder that they both became like a double-act in horror movies!! Although by todays standard, some of the acting may appear wooden, or 'ham(!)' and some of the effects, especially in the movie's stunning climax may have dated the movie as a whole has not. It's still a battle between good v evil, which reaches a climax in a brilliant finale in the castle as Darcula and Van Helsing face each other. If you watch carefully, you'll see it's Van Helsing's knowledge that wins out, not strength. When I saw this a child it scared the hell out of me. Time and repeated showings may have weakened the scare factor of this movie, but this is still,and will always be, my favorite horror movie.

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• Bram Stoker's classic gets a makeover....Hammer style!

  The_Void2004-12-19

  Often regarded as the highlight of Hammer horror's oeuvre, The Horror of Dracula stands up today as a fresh and inventive take on what is maybe the best story ever written. Hammer is a studio that has had many a fine hour, and although this is one indeed; I think that there are several other films from their ranks that just top it. Just, being the operative word as this is certainly up there with the best of them. As you might expect, the story follows that of Bram Stoker's original novel; with a young man travelling to Dracula's castle, and not returning. This attracts the attentions of Professor Abraham Van Helsing; an authority in the field of vampirism who then sets out to slay the malevolent fiend that is the source of all the foul play in the movie; Dracula himself. Although this is based on the classic story, Hammer very much makes it their own. Of course, the campy horror styling that that the studio has become famous for features strongly in the movie and serves in giving it that classic Hammer feel. Furthermore, this movie features both of Hammer's greatest stars; Christopher Lee and Peter Cushing. Christopher Lee may be no Bela Lugosi, but if there was anyone other than Bela Lugosi that I would want to play Dracula; Christopher Lee is that man. He isn't actually in it that much, but the moments when he is are the best in the movie. He has an incredible amount of screen presence, and all of that is transferred into the character of Dracula. In a similar way, Peter Cushing plays Van Helsing. Like Lee, Cushing has buckets of screen presence, but it's all in a very different style. While Lee is a defined evil, Cushing is more subdued, which allows him to adequately play the hero as well as well as he plays the villain. I've got to be honest, I prefer Cushing in the bad guy role; but he still makes an excellent hero. Terence Fisher, one of Hammer's premier directors, directs the film and does a great job with it. The atmosphere of the Gothic period setting is spot on, and a constantly foreboding, and intriguing atmosphere is created throughout. The way that the smoke drifts across the graveyard in the movie is among the most atmospheric things Hammer ever shot. Dracula is a great story, and this Hammer yarn more than does it justice.

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