Er ist wieder da (2015)

Er ist wieder da (2015)

Oliver MasucciThomas M. KöpplMarc-Marvin IsraelDavid Gebigke
David Wnendt


Er ist wieder da (2015) is a German movie. David Wnendt has directed this movie. Oliver Masucci,Thomas M. Köppl,Marc-Marvin Israel,David Gebigke are the starring of this movie. It was released in 2015. Er ist wieder da (2015) is considered one of the best Comedy,Drama,Fantasy movie in India and around the world.

Adolf Hitler wakes up in 2014. After getting his bearings he is discovered by an unemployed TV producer, Fabian Sawatzki. Sawatzki thinks Hitler is some sort of performance artist and takes him around the country, talking to the general population, for a TV piece he has envisaged. Hitler, however, sees this as a chance to regain his popularity and power.


Er ist wieder da (2015) Reviews

  • This film made me think twice, and still thinking about it...


    I've never written a review. But this movie made me think twice, so I thought I'd share my thoughts with you. Please don't be too harsh on me about mistakes in my English, my mother tongue is Dutch, so I am bound to make mistakes. As I said, I am Dutch; that makes me a neighbour of Germany, my parents grew up during the second WW, the school system educates us inside out about the war(s) and we learn German in school. So I have knowledge about Hitler, the way he rose to power, his gruesome deeds, his mistakes, also his successes, and his downfall. I was eagerly anticipating this movie, I had seen the trailers and they made me chuckle. Yet, I was very curious how the director was going to portray this character as "funny", since the trailers were portraying this movie as some sort of a comedy. In my opinion, Hitler is far from funny, yet I did smile during the trailers, which didn't really make me like myself. I had to see this movie. Fortunately it played in our local cinema, so I went, on a rainy afternoon. There were three other people there, one of whom was an elderly lady (with her grandson), discussing loudly how "they were going to make it credible how Hitler got back to present day". That was not my worry… As far as I could judge (and please don't slay me on this, I'm not an experienced movie critic) the movie made clever use of actors, as well as regular people, bystanders, whose reactions were filmed documentary wise while meeting "Hitler" (in SS uniform, a very good likeness, although in my opinion the actor was quite tall, whereas the real Hitler was quite short). My initial emotions during the beginning of this movie, were confusing to me. I had some good laughs, and I even felt sympathetic to the way he was portrayed. I couldn't help myself. I didn't want to feel sympathy for him or laugh about his silliness, yet I did. The beginning of the movie was humorous, yet as it progressed, it got more and more grim. And it was not because of the actors or the things happening in the movie, it was because of the reactions of REAL people to "Hitler". I could not believe my eyes and ears. And without getting too much into detail and thereby spoiling a lot of content, "Hitler" goes on a road trip through Germany and talks to real people. Their reactions made me cringe. But the director cleverly changes from scene to scene and the "bad things" tend to be forgotten soon enough, when funny things happen again. This also made me think, after the movie was done. All in all, the viewer will undoubtedly feel sympathetic towards Hitler. And then suddenly, 3/4th into the movie, there is a grim and sudden turning point, which leaves you in awe, and makes you THINK and gives you a bolt of reality. **SPOILER** Hitler is introduced to an elderly demented Jewish woman, yet the audience does not know she is Jewish, she is catatonic and does not react to anybody, including her family, yet when Hitler steps into the house and starts to speak, her head lifts, her eyes open wide and she starts to scream. This scene gave me goose bumps. While everybody tried to calm her down and said things like "he is not real", "it's just for fun", she exclaimed things like: "that's what everybody thought about him decades ago, yet he was not funny, or sympathetic, he was a beast of a man and murdered out my entire family", well you get the drift. I was shaken about this scene, because she was so right and I felt like I was put in my place! From here on, the movie takes a different course and all is not so funny anymore, but a tad grim. Yet, the director preserves humour by showing how real people react when they get confronted with "Hitler". You feel like a voyeur, and you feel substitute shame, which is all too real, cause these people are real! Toward the end there was another scene which made me think twice. **SPOILER** "Hitler" is filmed when somebody confronts him who found out that "Hitler" is not a clever fraud but real, and this persons wants "Hitler" to jump off a building, which eventually happens. When the confronter looks over the edge, "Hitler" is nowhere to be seen, but when he turns around, there "Hitler" is again, and he speaks, saying something like he cannot be killed, because he is a part of all Germans, part of their common history, and he cannot be erased from that. This made me sit upright again. Cause there's so much truth in it! I've had German friends, who had a huge love for Scotland. They went there every spare moment. I asked them once: "Why don't you ever speak about Germany? Or go on holiday there? Your country is really beautiful". They explained that they somehow felt this was not a right thing to do, because of Germany's burdened past. They could never say things like "we are proud of Germany", because it would immediately be associated with Germany's Nazi history. That's why they concentrated on other countries than their own. They underwent their Nazi past as a burden. I felt bad about this but I also had to acknowledge there must be truth in how my friends felt. My conclusion about this movie is, that I was ready to be entertained by it, yet I was left thinking twice about its message, and still thinking about it. The movie is never boring, the acting is very good and the characters very credible. There is a sublime mixture between humour and seriousness and plain "wow"-moment, I can't explain. But the best thing about this movie is, that it is contemporary and it really makes you think twice.

  • This isn't about Hitler...


    ...And that's why it was so scary. This is a thriller. The premise is Hitler has some how come through time and believes fate has brought him here to clean house (again). However, the film was actually using this metaphor to describe the coming of the next Führer if we're not careful. If we let down our guard we absolutely WILL see the rise of the next Adolf Hitler. The character of Hitler spoke the truth, mostly. His rhetoric cut to the heart of today's problems. It was a German production so, obviously, he spoke directly to German issues but again, Germany was just the stage and Hitler the puppet. The puppeteers were revealing a global truth wrapped in a local narrative. Recall the time Angela Merkel, today's German Chancellor, called G.W. Bush on 9/11 and the subsequent "War on Terror" saying something to the effect of, "We've seen this before...!" THIS is what the movie is getting at. This film is filled with amazing though often chilling street interviews featuring Hitler interrogating work-a-day people. Many of the younger of these people so open to the apparent humor or irony were embracing him, taking "Hitler selfies" - other older spectators and interviewees apparently LONGED for someone to take the reins and whip (Germany) into shape, getting rid of "suspicious-looking, bearded Salafists", etc. And these were not actors. The film was illustrating for you how Hitler rose to power the first time and how easily and quickly it could happen again. This was a beautifully done movie. I have the book as well and I prefer the movie.

  • While it seems like a super-offensive film, it actually is incredible social, political and media commentary.


    Imagine a film made guerilla-style like "Borat"....but with a guy dressed up like Hitler walking about modern day Germany! Well, you don't really need to imagine too much as some crazy filmmakers have done that with the film "Look Who's Back"!! Yes, a film crew follows Oliver Masucci as he impersonates Hitler and plays it 100% straight! Unlike "Borat" where you know that it's just Sasha Baron Cohen pretending to be from Kazakstan, in this film Masucci plays it as if he really is Hitler and never breaks character. When the film begins, he is inexplicably transported from Germany in 1945 to the present day. At first, he's very confused. Then, he develops a return to politics and take Germany into the future! To do this, he enlists the help of an unemployed filmmaker, Sawatski...and together they travel throughout the country...meeting people, talking politics and becoming an internet phenomenon! Where does all this lead to? See this very insightful film. The idea of this film is thoroughly distasteful and I actually thought might be illegal in light of German laws about the portrayal of Nazis and Hitler. However, the film manages to somehow be funny, great political commentary and not as distasteful and awful as you might imagine. This is because some of the folks in this film are not actors...and their reactions to Hitler are incredibly telling. Many of them seem to like Hitler and his message...especially regarding the negative influence immigrants have made on Germany. Again and again, folks agree with 'Hitler' and his crazy ideas while others just think it's a funny or incredibly unfunny joke...and these reactions are indeed fascinating. In addition, the way that television takes to him and his crass message is a real indictment of the moral bankruptcy of many in the media...and one that is highly reminiscent of the great 70s parody, Network. Before you start sending me hate mail, I suggest you try seeing this odd and incredibly offensive film for yourself. While it clearly is wrong on one manages to actually have some incredible political and social commentary...making it clever and a sad indictment of the culture and the media. The film's contention, amazingly, is that he'd probably fit in just fine if such a thing actually did happen! What an unusual and compelling movie...and one that just debuted on Netflix this month. Clearly, you ain't seen nothing' until you've seen this one!

  • An Exercise in Challenging the Norm


    I was traveling in Berlin a year ago when I first saw someone reading the eponymous book on which this movie is based. It stuck in a corner of my mind, so as my travels brought me back to Berlin and posters were advertising "Er ist wieder da", I had to give it a go. The challenge, as with previous comedic movies themed around Hitler or the Nazi regime, is treading the line of reasonable taste and still being challenging enough to gain some relevance. One of the best known spoofs of the times, The Producers, uses it as a pivot to tell an engaging story about several memorable characters, so that works well. But here, there's little to pivot from, as Hitler, in realistic attire and demeanor, narrates his experience of present day Germany. So the twist, in part, is to make it a mockumentary in the spirit of Borat, see how people react to Hitler walking the streets and delivering his calculated critiques of the political system, the media - life in general. When it's not doing this, the film provides a decent dose of slapstick and irony to its more obviously scripted parts. Distinguishing one from the other is not really the key to enjoyment; the key lies in accepting this faithful representation of Hitler as a grotesquely humorous caricature of the symbolic power he holds over modern history in its most extreme moments. It was a bit harder than I thought it would be at the beginning, but one settles in well, after a while. Narratively, not much really happens, other than the fact that the protagonist pops up in Berlin and gets acquainted to what the world is like nowadays. To help him in this, a few support characters act as guides; none believe him to be "the real thing", but rather a comedian or a satirist. So, in a sense, it's not really a very ambitious film, because the degree to which it engages with the moral dimension of the situation is limited. But it is ambitious in that it tries to keep a straight face even through the more ghastly, touch-and-go moments one would relate to a Hitler movie. It is at its best when it does this, but then the occasional piece of slapstick hits you in the face are you're back into the reality of a mildly amusing film that people have only heard of because it is polemic. An important part in the whole thing coming together reasonably well is thanks to Oliver Masucci, who offers a strong performance to keep the "pots" in balance. Perhaps one could critique this in particular: the implication is that any piece of fiction told in the first person will make the viewer empathize with the character, hence humanizing the historical figure. But the historical figure itself is merely a representation of the man and "Er ist wieder da" tries to contextualize this - make away with what you know and imagine this were pre-1933. As mentioned, it doesn't go very deep with it and it would be quite problematic to do so. It's just a thought experiment which concludes in a slightly open and ambiguous fashion. To address the real question though: did I laugh? Yes, I did. Did I enjoy it? Yes, I did. The film managed to create an amusing environment which plays off the character of Hitler, without making it the other way around (all the time). As for the big picture, I might not agree that the world is, collectively, where it was seventy years ago, in spite of the troubles we are currently facing, especially in Europe. Or that we would make the same mistakes all over again. But that's another story of me visiting Berlin.

  • Current day Hitler


    The movie shows Hitler in a current day setting. Which at first is very humorous, but during the movie it turns from just funny into awkward and beyond. There are great scenes in which the movie refers to other movies about Hitler, like "Der Untergang", but also hilarious scenes in which the absurdity of a present day Hitler are just fun. The turn of the movie is subtle and fascinating. You only notice it after it has already happened, which to me reflects the real way this would occur. It even happens that at some point the audience questions its own laughter. This movie is fun to experience, but also confronting in the upcoming changes in political landscape. So watch out, it is not just a comedy!


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