Flightplan (2005) is a English,French,German,Arabic,Italian,Japanese movie. Robert Schwentke has directed this movie. Jodie Foster,Peter Sarsgaard,Sean Bean,Kate Beahan are the starring of this movie. It was released in 2005. Flightplan (2005) is considered one of the best Drama,Mystery,Thriller movie in India and around the world.
The husband of aviation engineer Kyle Pratt has just died in Berlin, and now she is flying back to New York with his coffin and their six-year-old daughter Julia. Three hours into the flight Kyle awakens to find that Julia is gone. It's a big double-decker plane, so the very concerned mother has a lot of territory to cover in order to find her daughter. She takes matters into her own hands as she fights to discern the truth.
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I think we have some sort of record. The steps needed for the criminals in this movie to succeed are: 1) Jodie deciding to go to the states on the same airplane as her dead husbands coffin. 2) An accomplice at the check-in who deletes any record of the daughters ticket. 3) that jodie chooses to be the first onboard - otherwise some of the other families with children might notice the child when she boards. 4) That the flight attendant doesn't notice the child when they board. 5) That the child stays hidden for three hours of flight. 6) That Jodie decides to sleep in the back of the plane with her child, so the kidnappers can whisk her away in the troll. Had Jodie and the child stayed in their seats, the kidnapping would have been impossible. Improbable as this seems, the plot holes's just getting started. Now we need Jodie not just going amok, but escaping to do another feat: Remember how an airport security guy, at the beginning of the movie, tells Jodie she needs to lock the casket (with a code) for security reasons? (apparently, in this alternate reality, any coffin can get by airport security because 'coffins aren't x-rayed'). It seems the criminal actually needs to get hold of and move the explosives hidden in the coffin so he can blow up the child in the front of the plane (to cover the fact that she was onboard, i guess). So now the scheme of the criminals hinges on: 1) Jodie goes to the bathroom, crawls up a trap door, shortcircuits the lights, uses the confusion to get to the basement, opens the coffin, keeps the lid up and lets her self be caught. I didn't understand this at first, thinking that the writers couldn't be that idiotic, but why else set up the idea of a digitally locked casket? She, it seems, has to open it! And when this setup is complete, the criminal only has to convince the captain that this crazy mother is a terrorist whos suddenly gotten hold of a detonator for a bomb. I think the writing is, in many ways, intriguing. I fail to remember any movie with a plot quite so convoluted. Please respond if you can think of any. Yours truly, Lars
*** This comment may contain spoilers *** This must be close to the plot synopsis: Man: "You know we're always saying we could use 50 million dollars? Woman: "Yes" Man: "Well I have a cunning plan." Woman: "What's that then?" Man: "First of all we need to find an aeronautics engineer working in a foreign country, with a child, and an encyclopedic knowledge of the layout of a particular long-haul plane." Woman: "Why's that?" Man: "Well then, you see, we murder her spouse, in such a way as it looks like an accident." Woman: "What for?" Man (exasperated): "Well then of course, we bribe the mortuary assistant at the hospital into letting us place explosives inside the casket." Woman: "But why?" Man: "I'm coming to that. Then we wait until the woman decides to return the the U.S." Woman: "But what if she doesn't?" Man: "She just will, okay? So anyway, when she decides to return home we find out what flight she's on. Hopefully she is not only placed on the type of plane of which she has encyclopedic knowledge, and flying with the airline of which you're a flight attendant, but also on the same flight as her dead husband's casket. Are you following?" Woman: "I think so." Man:"Good, we're nearly there. Then all we need to do is falsify the checking-in information to remove all record of her daughter, make sure she gets on the plane half an hour before everybody else, ensure there is a row of empty seats behind her and get me on the flight, sitting nearby." Woman: "And then?" Man (laughing): "Now this the cunning part. She takes the empty seats, allowing her daughter to sit in the aisle seat, then when she goes to sleep, all I have to do is steal a food trolley, stuff the daughter into it and hide her in the hold. Oh, and did I mention that we must ensure that nobody on the entire plane sees the daughter?" Woman: "Isn't this getting a little far fetched?" Man (angry): "What do'you mean? It's a great plan? All I have to do then is remove the child's boarding pass from wherever the mother is keeping it without waking her, assist her search for the missing child in the guise of an Air Marshal, convince the captain that the woman is mad and that the child died with her father (through a forged note from the mortician), and wait for the mother to escape from my custody. Woman:"Escape, why?" Man: "Because the casket can only be unlocked by her, so once she's unlocked it I can set the timer on the explosives. From there we're home and dry. I merely have to recapture her, convince the captain that she's actually not mad but a hijacker who wants 50 million dollars and give the Captain our account number, asking him to ensure the money is paid straight in. Oh, Then we land, everybody gets off the plane, I shoot the mother and blow up the daughter and nobody is any the wiser. We walk away with a cool 50 million. Simple eh?" Never before have I wasted two hours of my life on quite such egregious nonsense.
Flightplan is a psychological thriller that takes place almost entirely on an air-born jumbo jet en route to New York, from Berlin. Jodie Foster plays Kyle, a mother who find that her daughter is missing after awaking from a nap. The jet also carries Kyle's husband, who recently died and rests in his casket in the cargo hold below. Kyle becomes increasingly frantic as she searches the plane for her daughter without success. The crew becomes adversarial, writing her off as a loony when they check the flight manifesto and find no record of her daughter ever being on board. Thus enters the psychological component of the film. Not only is the audience confused as to what has happened, but Kyle, after speaking with an on-board psychiatrist, also begins to have doubts about her own psychological stability in the wake of her husband's death. No one is sure what to believe, until a subtle clue jolts Foster back to reality, and back to her MacGuyver like maneuvers to attempt to recover her lost daughter. It's an interesting premise, and oddly similar to Foster's previous film, Panic Room, in which her maternal character is forced into a confined space with no outlet. In keeping with most of Foster's performances, she plays a strong-willed, intelligent woman who overcomes difficult circumstances. As expected, Foster delivers, and pulls the audience into the story. I was disappointed, however. Foster has more to offer than Flightplan is capable of giving her. Flightplan, while entertaining, remains among those psychological-thrill-rides that are only as successful as their audience is unsuccessful in knowing the truth during the course of the film. To achieve this, the film has to throw a slew of false leads and suspicious looking characters into early shots in order to have the audience questioning. I'm not fond of this technique. It's possible to keep the audience in suspense, and guessing without trickery. To me, this degrades the integrity of a storyline. I was pulled in by the impressive marketing campaign of Flightplan and went to theaters excited. The film lived up to the aesthetic advertised -- a slick blue hue that reminds the audience of the snowfall in Berlin, the death of a husband and father, and the unfortunate and unforgiving circumstances that have befallen Kyle and her young daughter. And while this makes for a very sleek looking film, in the end, the fantastical, convoluted storyline cannot be realistically reconciled. I left the theater feeling somewhat cheated. While I realize it was a story and therefore ought to be granted a liberal amount of leniency when it comes to plausibility, Flightplan went to far outside the realm of conceivability. There were too many factors that had to conspire in favor of one person for the films storyline to hold together. The real problem with Flightplan is that the more you think back, the more you become frustrated with how inconceivable the whole charade was; the more you become irritated with how often you were lead to wonder about something eventually irrelevant. There are some films that don't give you all the answers and pull you along on a suspenseful ride, and leave you feeling fulfilled when you finally figure everything out, and everything fits together. Flightplan concludes, you know the culprit, and then you think back, and nothing fits together.
This movie soars with riveting drama and intrigue for the first 60 minutes, and then abruptly goes into a tailspin and crashes and burns on the screen. I can't remember a more convoluted plot in movie. I still can't figure out the bad guy's strategy. The plot is completely illogical, contrived, and simply defies common logic. The vast majority of movies like this cleverly tie all the threads together in the final surprise climax. This film does just the opposite; the story line unravels and become hopelessly knotted and twisted. The viewer is left simply saying "huh"? What's a shame is that excellent acting, cinematography, set design and editing is wasted on such an inane story that can only make a shred of sense in the egos of the writers and director. Among the more annoying contrivances: 1.Nobody enters an airplane alone, literally minutes ahead of the other passengers. Even so, as pointed out by so many reviews, a young child would not go unnoticed by other passengers. 2.It's ridiculous to portray flight attendants as surly as a pretext for them not noticing the girl. Also, I really doubt any flight attendant can mess around with the airline company's computers which must track millions of reservations. 3. The air marshal comes off as creepy and untrustworthy the minute you see his beady little eyes. There's no surprise here that he turns out to be the bad guy. It's equally obvious that the onboard Arabs cannot be the bad guys. 4.Though the flight cabin set design is smart, if not overly opulent, the acreage used in the storage an avionics area is totally ridiculous. It's as stupid as making the interior of a submarine look a spacious as an enclosed shopping mall. Also, patch panels with phono jack connectors went out in the 1960s. I realize artistic license is needed, but this is just silly for a computerized state-of-art airplane. In summary, this is probably the strangest, most unsatisfying, and poorly conceived film I've seen in a long time
Rarely have I been so annoyed by a film. Perhaps this is because "Flightplan" starts off with such promise before descending (ha ha) into a laughably ridiculous, clichéd, and downright boring final third. The movie develops as a fascinating and emotionally gripping story of a delusional woman who is convinced her dead daughter accompanied her on board as has been kidnapped. **SPOILERS** ... but surprise! She is, in fact, correct! Coincidentally, none of the 500 passengers saw the girl or witnessed her kidnapping. Coincidentally, the air marshal and a flight attendant are in cahoots to orchestrate a hijacking threat, demand a $50 million ransom, and attempt to pin the entire thing (including the on-board ransom demand) on a woman who has no idea what is going on. Right. What surprises me is how far off base Roger Ebert's review was of this film. He writes, "Often in thrillers we think of obvious questions that the characters should be asking, but do not, because then the problems would be solved and the movie would be over." That's right, and "Flightplan" is a textbook example. Jodie Foster's character figures out the entire conspiracy, gains control of the situation, is able to take the hijacker's gun ... and then gives the gun to the captain, has him leave the plane, and seals all the exits so as to be alone with her (surprise!) still-armed foe. Sure, this allows for yet another limping-attacker-slowly-chasing-resourceful-woman climax, but the repeated blatant assaults on the audience's common sense and credulity are simply too much to take. "Flightplan" seemed promising as it slowly established the impossibility of the actual explanation it provides. There is the possibility of a good movie in there, but as it stands, "Flightplan" is an enormous cheat.