Hester Street (1975) Reviews

• Once Upon a Time On Hester Street

  G_a_l_i_n_a2007-06-03

  Joan Micklin Silver's directorial debut is a lovely, funny, warm, and observant historical drama-comedy about Jewish immigrants who left the little shtetl in Russia in the end of the 19th century for the hopes of better life and success in America. The film tells the story of a young couple, Jake (Steven Keats) and Gitl (Carol Kane). The husband came to Lower East End of Manhattan five years before his family and has gladly accepted American way of life making transition from Yankel to a Yankee, losing his beard and side curls on a way to become a real American and falling in love with Mamie Fine, attractive and independent young woman, an immigrant herself. When his wife Gitl and their son Yossi (Joey) arrive from Russia and join him in the flat at Hester Street, Jake is torn between his desire "to live like educated people in an educated country" and his wife's quiet but firm holding on to the traditions of Old Country. More likely, their marriage was arranged by their families in Russia and they don't have much in common when they meet after having lived separately in two different worlds for five years. The film concentrates on Gitl, quiet, gentle, pious seemingly fragile and naive young woman with huge dark eyes who has to make very serious decisions about her new life and how to make sense of it. Everything about this small independent movie is fine - its authentic look that was achieved by beautiful B/W cinematography, its soundtrack that uses the music by Herbert L. Clarke, a composer and famous cornet player; the dialogs in two languages, English and Yiddish, full of very unique humor that still shines. There are no villains in the story and no stereotypes. All characters have one thing in common - one day, they took a chance to start over, to leave their past behind, to movie to the absolutely new unknown world with the different language, customs, traditions, rhythm of life and to try to survive and succeed and not to lose their unique identity. Comic, moving, warm, lyrical, with the loving attention to the smallest details, with the love and understanding for its characters, "Hester street" is a perfect example of an independent art movie that was made on the shoe string budget, had difficulties to find distributors, but luckily did not get lost, found its way to the viewers, and brought Jewish ethnicity to the screen. One does not have to be an Art movie buff or an immigrant to enjoy "Hester Street". The simple story of a young traditional woman's transformation and coming to terms with her new life can be enjoyed by any viewer regardless their age, gender, or ethnic background. Carol Cane is fantastic as Gitl and more than deserves her Academy Award nomination for the Best Leading Actress. Doris Roberts (Marie of "Everybody Loves Raymond") is equally good as Gitl's and Jake's neighbor, Mrs. Kavisnky who becomes Gitl's friend and adviser.

• Carol Kane's Absolute Best

  mercuryix2001-06-28

  If you're a Carol Kane fan, and haven't seen this film, run out and rent it now (if you can find it). But don't expect the usual eccentric comic character Ms. Kane usually plays. Filmed in black & white, this is a very atmospheric period piece about a traditional Jewish wife in turn-of-the-century America, whose husband is dissatisfied with her and wants a more modern woman. Carol Kane plays a quiet, thoughtful wife who somehow commands the screen just by sitting there and watching the selfish, thoughtless people rant and rave about her. She is a truer definition of a hero than any of the action heroes that have come out of Hollywood in the past 30 years; thoughtful, indefatiguable and irrepressible, despite the fact that she is firmly part of the traditional Jewish community where women subjugate themselves to men. This is not an action piece; it's a character and period piece about surviving with dignity despite poverty, repression and injustice. This is the best performance by Carol Kane I have seen, not because she can't do better, but because she hasn't been given another role this thoughtful and dynamic. If she is given more roles like this in the future, she will again prove she is one of the best actresses in the country. A great film and a great performance. Eight out of ten stars.

• ***Hester St." Pure Shmaltz

  edwagreen2006-01-18

  It was said that when Carol Kane was notified that she had been nominated for best actress, she had just returned home from the Unemployment Division. "Hester Street" is the story of impoverished Jews at the end of the 19th century in New York City. A low budget film, it recounts the story of a woman arriving from Europe with her young son to her husband, who has been in the U.S. for a while. Her husband has become a real "American" while she will struggle to assimilate. Fact is, she just can't do that. To make ends meet, a border lives in the house which was a very common practice then. (Kane winds up with him by the end of the film.) Doris Roberts, in a brief appearance, is funny with her line that 2 women with their rear ends can't be in the same kitchen at one time. As the couple, Carol Kane and the late Steven Keats are perfect examples of a Jewish couple, whose relationship was obviously arranged in Europe. They really have nothing in common other than their Jewish faith, and this becomes quite evident once the Kane character joins her husband in America. By film's ending, the couple are divorcing by getting the Jewish "get." (divorce) By Jewish law, the husband can marry immediately but the wife will have to wait for 90 days before she can do this. Kane's acting is excellent, especially with the effective use of Yiddish which she heard quite frequently in her Cleveland home. The set decorations are excellent. You feel that you're in the typical Jewish home of that period.

• A triumph for Carol Kane

  moonspinner552002-07-30

  Carol Kane never really found her niche in the movies--only when she switched to sitcoms did her googly-eyed craziness really come off. But in 1975, before we'd gotten used to her comic bravado, she turned in a lovely, Oscar-nominated portrayal of an immigrant Russian Jew in New York that still stuns, even today. Quiet emotions permeate this careful, low-budget, somewhat slight film set on New York's East Side in 1896. Writer-director Joan Micklin Silver has a genuinely sly eye for detail that results in some amusing moments, but for the most part it's a human drama in a thoughtful key which builds momentum as it goes along. **1/2 from ****

• Wonderful

  r3-12005-11-20

  Telling a tale of culture and love amongst Jewish immigrants in the late 1800's, this picture works perfectly well as what it is meant to be: A nice, little film. The story by Abraham Cahan is cut to the screen in such a way, that can only be described as "pictures of atmosphere". The reality of the story is given some importance in both setting, choice if actors and so on. Background music is almost only used, when storyline is at an halt f.ex. when the characters are to go from one place to another or when the focus are on the setting. The music used is, as well as everything else, highly influenced by popular music of that time in which the story is supposed to take place. and the result of all this is a lovely period piece and therefore I have chosen to give it 10/10, because even though it is not a masterpiece, it is everything it means to be, and should be recognized for this. And if you ask me, they make too few movies like.