SYNOPSICS
La spagnola (2001) is a Spanish,English,Italian movie. Steve Jacobs has directed this movie. Lola Marceli,Alice Ansara,Lourdes Bartolomé,Silvio Ofria are the starring of this movie. It was released in 2001. La spagnola (2001) is considered one of the best Comedy,Drama movie in India and around the world.
Lola, a hot-blooded Spaniard, is deserted by her husband for a cool and calculating Aussie blonde. Lola is pregnant again but she and their daughter Lucia are left to starve while Ricardo spends all their savings on a sleek new set of wheels for his mistress. When he dies unexpectedly the family fortune, one flash car, remains with the mistress. Despite all his betrayals, Lucia sides with her father. Desperate and destitute in a country she doesn't like or understand, Lola's quest for revenge begins. Caught in the tempests of begrudging love, revenge, sibling rivalry, jealousy and passion, fourteen year old Lucia must find the strength to survive on her own terms. Aided to break free of her mother by her eccentric Aunt Manolo she struggles to find her own identity and her own quest for justice puts her on a collision course with her mother.
La spagnola (2001) Trailers
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La spagnola (2001) Reviews
"La Spagnola": The Best Australian Film of 2001!
"La Spagnola" (literally "The Spanish Woman", in Italian) is a searingly sexy black comedy from "down-under" that explores the dysfunctional relationship between the fiery and beautiful Spaniard, Lola (Lola Marceli in a star-making performance) and her sensitive and lonely daughter, Lucia (the beguiling newcomer Alice Ansara). There is not a false note in the entire film. Under Steve Jacobs' assured direction, the faultless performances, stunning cinematography, playful musical score and songs, work their surprising and indelible magic upon us. Anna-Maria Monticelli's achingly funny yet deceptively simple narrative rings with harsh truths about the migrant experience in 60s Australia, and propels this sublime human drama towards a touching conclusion. "La Spagnola" is firecracker of a film and a sure-fire bet for the next "Best Foreign Film" Oscar.
Delightful Comedic Enchanting film about life, dark and light
What was up the previous reviewers butt, I dont know? Pure hate if you ask me. I mean, how could anyone destroy such a delightful and interestingly shot film so thoroughly as to make this reader doubt it was the same film at all? This film was refreshing, happy, sad, completely entertaining if you want to see things done freshly with a camera and acting that takes you away into the movie itself. Reaching deep emotions quickly and coming up for air just as fast for the next scene, many times throughout, this cast held me in awe. I reccomend this film to anyone who simply enjoys film. Period. And if youre from some difficult childhood issues, you might even relate to the subject matter. Oh, and take any uncomfortable objects out of your bum before viewing, please, or you'll end up sounding like that other reviewer, no matter the film.
Cucumber salad!
This delightful Australian film came out of nowhere, as I doubt it was ever was shown commercially in this country, except maybe in some markets, but never in the N.Y. area, as far as I'm concerned. It is a film that holds one's attention because of what Steve Jacobs, its director, working on a screen play by Anna Maria Monticelli, has achieved. He deserves better than the obscurity this film seems to have gained. Had it not been for HBO Latino, we would have missed this funny Australian movie. Perhaps most viewers get confused with this movie trying to be a lot of different styles, not settling into being just a comedy, or a black one, at that. There are lots of situations in the film that immigrants all over the world could easily identify with. There is a 'melange' of languages enough to confuse the most brilliant linguists, but in a funny kind of way. It's easy to follow what one sees on the screen. The two principal actresses, Lola Marceli, and Alice Ansara, make this film enjoyable. Both women bring a fire to whatever they do in line with what one's expectations. Lola Marceli is a gorgeous creature who smolders the screen with the heat she projects. Ms. Ansara, as the long suffering daughter, is quite good herself. The best thing in the film is Aunt Manola's version of the ritual of preparing the cucumber salad. Lourdes Bartolome is nothing less than genial as her facial expressions are seen in close ups. Not only that, but Aunt Manola adheres to the most hygienic ways of preparing food! Watch this movie with an open mind and it will reward the viewer.
Actually very good
There's a lot of negative reviews about this film on this site, but in fact I found it to be quite quirky, funny and engrossing. If you get a chance to see it, do so - you'll be pleasantly surprised by this funny, fiery dysfuctional Austalian film (also good if you're studying Spanish or Italian)
Vivere lungo la zucchina!
While the DB reviewers all seem to be unsure of what to make of this film, it does indeed have a growing tradition in style with other Australian quirky movies such as Strictly Ballroom, Priscilla, and the Baz Luhrmann Red Curtain series. The staging, cinematography, execution and editing of shots are quick, colourful and energetically paced. This allows the bizarre story to unfold, and the characters to develop, with explanations for their motivations being revealed gradually. The genius lies in Anna Maria Monticelli's beautiful script which intelligently begins to unravel events that have already occurred without explanation, all in a comfortable linear format. Such imaginative exposition is rarely given without confusing flashbacks, and is the heart of this film. I found the structure elegantly clarified all of the initially obscure scenes. The mother Lola never becomes sympathetic, however Lola Marceli's sterling debut convinces the viewer of a person becoming truly disturbed by her transplanted identity as Spanish woman amongst Italians, in an uncaring Australian society, deserted by her husband and scorned by her neglected daughter. Alice Ansara's Lucia cool-as-a-cucumber performance is understated and believable, and all the more commendable for her excellent language skills which define her character, and serve as some of the funniest bits of business as she gently toys with her clients' own lack of linguistics. And of course Alex Dimitriades yet again demonstrates his smouldering leading man persona which we first saw in 1998's masterful "Head On". Lourdes Bartolomé's turn as catty sister Manola chews the lush scenery and deftly steals the show, particularly in the dancing and cooking sequence! I might point out that she is most entranced by a courgette (zucchini), rather than a cucumber, as one reviewer has written...