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Last Days in the Desert (2015)

GENRESAdventure,Drama
LANGEnglish
ACTOR
Ewan McGregorCiarán HindsTye SheridanAyelet Zurer
DIRECTOR
Rodrigo García

SYNOPSICS

Last Days in the Desert (2015) is a English movie. Rodrigo García has directed this movie. Ewan McGregor,Ciarán Hinds,Tye Sheridan,Ayelet Zurer are the starring of this movie. It was released in 2015. Last Days in the Desert (2015) is considered one of the best Adventure,Drama movie in India and around the world.

Ewan McGregor is Jesus - and the Devil - in an imagined chapter from his forty days of fasting and praying in the desert. On his way out of the wilderness, Jesus struggles with the Devil over the fate of a family in crisis, setting for himself a dramatic test.

Last Days in the Desert (2015) Reviews

  • Far from perfect, but a refreshingly human, small scale take on Jesus

    runamokprods2017-01-08

    I liked this more than a lot of critics and friends, finding a gentle poetic power in some of the sequences, and appreciating the humanness of this simple telling as the end of Jesus' 40 days in the desert before he returned to civilization to face challenges and death. Devoid of demands the audience believe in a literal way, I could be more open the exploration of complexities of faith and spiritual ethics that challenge everyone, even the son of god. I particularly liked the scenes where Ewen McGregor plays both Jesus and Satan, debating – among other things - the nature of God, and whether He is essentially good, or an over-controlling ego-maniac. McGregor does a lovely job separating the two characters with subtle touches like vocal rhythms and a different glint in the eye (there's no attempt to make the look different, signifying perhaps that the Devil is indeed an inevitable part of all humans, including this holy one). On the other hand, the main story line created for the film – Jesus getting caught up in the domestic troubles of a dysfunctional desert family – is more uneven. There are indeed touching scenes, and it was refreshing to see a biblical story where Jesus can't simply bring happiness to this angry father, dying mother and alienated son with a wise word or a wave of his hand. On the other hand, at times it feels simply too prosaic, too small scale and too familiar. I think that's part of the point. Basic human struggle has changed very little in 2,000 years. But it also led to the occasional cringe-worthy moment, as when Jesus councils the father about the wayward son; 'talk to him about something he's interested in', sounding more like a friendly neighbor or basketball coach than the son of God. More important it wasn't clear (at least to me) how Jesus' encounter with this family effects his thinking or perceptions about his own difficult relationship with his own Father or terrifying fate going forward. What does he know or understand now that he didn't before? Last, the film steals a key last minute twist from another cinematic version of the Christ tale, and I was distracted by the imitation. In the end this was sort of a split decision. My mind found many faults with the film, some serious, but my heart was touched and involved.

  • Magnificent

    A_Different_Drummer2016-08-07

    There is an exchange of dialog in this film where Ewan McGregor's character asks another character in the story, "Why do you live in the desert?" and the answer comes back "Because the desert is ruthless ... it strips away all pretense ... it makes you see yourself for who you are." Now, going into this film I was a little concerned that it was part of the New Wave of faith-based films. Don't get me wrong. I have reviewed several of those, and some are very well done. But what each faith-based film has in common is that it seems at first like a regular film ... and then gets a little odd. Not saying that is a bad thing. But it is odd. This film starts with a certain tone and stays true to that tone for the entire run time. It never gets odd. For this reason I do not consider it a faith-based film but a true creative work that is is both brilliant and powerful. The premise is simple -- can you focus on just a few days of one of the most inspirational figures in modern religion (fictionally)and, by the microcosm of those few days, achieve the flavor and the raw emotion of the entire life of that same character? It is a daunting goal but I think McGregor and Garcia pull it off. To appreciate this film you need to start with no expectations and then get drawn into the film much the same way the central character allows himself to get drawn into the desert. Almost like a meditation, if you like. In the right mindset this film is like the desert in the quote above. For a brief moment it allows you to see yourself for who you are. Recommended.

  • An enthralling tale about the work of Jesus

    Rendanlovell2016-08-03

    This is one film that I have been waiting to see since January 2015. After it premiered at the Sundance film fest and received solid praise out of the gate, I was looking forward to it. But was it picked up for a wide release? No it was not. So, nearly a year and a half later it has finally hit shelves. Recently the box office has had an abnormally high amount of pandering faith driven religious films. Which isn't really a bad thing. They certainly know their audience, and they have cornered the market for their films. That being said, this isn't one of those films. Seeing a movie that is largely religion based you normally see the typical one sided, you're wrong and we are right thing. I am happy to say that this doesn't do that. This adaptation is about Jesus, playing out in an imagined portion of his forty days of fasting in the desert. As he is trekking through the desert on his way home, he encounters a small family. He quickly realizes that they are in turmoil of emotional proportions. He decides that their needs out way his own and attempts to aid them. The story mainly takes place during this period of time. Now this movie could have been so incredibly dull. The main story is fairly thin and it doesn't exactly move around that much. But writer/director Rodrigo García has infused this film with palpable emotion. The more we learn about this small family the more we realize that they are pretty dysfunctional. The father and son don't see eye to eye on anything and the mother is laying on her death bed for the entirety of the films run time. For me the scenes between the son and father really struck true. I often have experienced the same communication issues with various people that these two do. Where you want to say something but don't know how and before you know it, the moment to express that feeling has pasted. As these issues become more prevalent the more you just want them to work it out. This creates some real drama with in these scenes. But the shining moments of the film come in the short encounters between Ewan McGregor and Ewan McGregor. Who plays both Jesus and the devil. The conversations that they have point out both sides of the religion spectrum. It presents interesting arguments for both parties. Which honestly helps you feel what Jesus is feeling. The whole point of Jesus's desert journey was to be put on trial to see if he could over come any adversity that the devil could come up with. So when the film puts him through these temptations and presents interesting arguments for either side, it helps you get into the characters shoes. That being said this film still has a story that is thin as paper. So when you get outside the family drama it can be rather dull. The beautiful cinematography by Lubezski can carry one through a few scenes but not too many. There are some scenes where we watch McGregor just pace around the rocky terrain for long periods of time. And it left me longing for something, anything to happen. This movie may not be the religious experience some people are looking for but it's really a breath of fresh air in a genre that had little going for it. It seems to have a keen grasp on the story it's adapting and does so with no shortage of grace. It offers excellent performances, beautiful visuals, an insightful story, and characters that you can actually get invested in. If it weren't for the thin plotting and some dull sequences this would truly be an excellent film. But considering all it does right it's definitely worth a watch.

  • View with an open mind

    johnna-l-sturgeon2017-07-07

    This film is certainly not for everyone. The pace is, to put it mildly, leisurely. It is very understated. It does not explain everything and hand you a nice, neat interpretation all wrapped up with a bow on top. The incidents portrayed are not found in the Gospels, but neither do they contradict anything in either the Gospels or fundamental tenets of Christianity as in e.g. the Nicene Creed. Statements to the contrary by other reviewers are due either to narrower understandings of Christianity or inattention to details of the dialogue. **Spoiler** The portrayal of Jesus here is maximally human. This Jesus is not Clark Kent, ready to deploy his Superman powers at a moment's notice. However, he states that he is the only son of God and near the end of the film, it appears that he plans to heal the mother until she indicates she does not want him to. Thus, I consider it an exploration into the nature of Jesus' humanity and relationship to God, perhaps skirting the edge of orthodoxy without actually violating it. The most troubling incident, from a Christian perspective, is Jesus' inquiry into the destiny of the son in the story via Satan. Certain passages in the Gospels certainly suggest that Jesus may not have been omniscient, so that in itself is not necessarily problematic. The idea that Jesus would demand this information from Satan made me a little uncomfortable, though, for reasons I can't completely pin down.

  • "Last Days in the Desert" is worth discussing, if not worth being immersed.

    thependragonscribe2015-12-18

    To all its credit, "Albert Nobbs" director Rodrigo Garcia makes a marvelous transition of the story of the temptation of Jesus to the art-house scene, cementing this "not intended for the Christian audiences". Though the art-house Biblical story is nothing unusual, "Last Days in the Desert" makes a unique turn of focusing it as a father-son story. That is where the flaws turn out. Driving the focus away from Jesus makes the story unjustifiable to explore and insincere to depict. However, the grandiose coming from Ewan McGregor's presence and the sense of struggle makes the journey satisfying. There could have been more depth to explore from a simple scripture about Jesus' 40 days in the desert, rather than adding a father-son subplot. But from what was offered, Garcia makes an interesting piece to talk about.

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