Lavoura Arcaica (2001) Reviews

• A breathtaking epic

  rui_catarino2003-07-22

  This is, without a doubt, one of the best movies I have ever seen. It is a spectacular example of the new brazillian movie-making! It is a technically perfect movie, with a brilliant cinematography and a masterful photography. The scenes are very well built and the director truly owns this movie. Of course, it derives from one of the masterpieces of recent literature, Raduan Nassar's impressive novel. I thoroughly enjoyed the movie and have to disagree with Flavio Velames comment, complaining about it being too erudite. There's only such thing if a movie is pretensious, which is obviously not the case: this movie breathes honesty. There are already enough "common" movies being produced around the world to commit the crime of discarding this one for not being "common". Not all movies are supposed to be for the audience to have "fun". Some of them (the best ones) are supposed to enchant you, as this one does. Keep up the extraordinary work, Luiz Fernando Carvalho! I had the opportunity of attending the screening of this movie at the Film Festival Rotterdam 2002, where Luiz Fernando spoke. Enlightening. True art and true artist. Thank you.

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• Haunting, Hypnotic and Devastating

  Benedict_Cumberbatch2007-08-16

  "Lavoura Arcaica" (aka "To The Left of the Father") is one of the most intense films you'll ever see - love it or hate it, it'll be a real experience for you. Devastating could be the best word to describe this masterpiece, based upon Raduan Nassar's brief, but strong novel of the same name. I've wanted to see this film since when it came out, back in 2001 - I read the novel the following year, when I was 14, and was thoroughly fascinated; the film would only be released on DVD in late 2005, and only now I could find a copy and finally watch it. It was worth the wait. Luiz Fernando Carvalho, who had directed lots of soap operas before making his stunning feature directorial debut, didn't have a screenplay - everything was improvised on the novel, in a process Carvalho called a "reaction", rather than an adaptation, to the exquisite book. The tragic story of André (Selton Mello, perhaps the most versatile Brazilian actor of his generation) who leaves his home because of his tormented passion for his sister Ana (Simone Spoladore), is told with astounding visual taste by Luiz Fernando and cinematographer Walter Carvalho ("Central Station"), a remarkable original score by Marco Antônio Guimarães, and a flawless cast (including sacred monster Raul Cortez and Juliana Carneiro da Cunha as the parents). This is definitely not a film for all tastes, though; 170 minutes long, slow and spoken in Baroque Portuguese (I'm not sure English subtitles can make full justice to Nassar's poetic narrative; but then again, if you don't avoid Wong Kar-Wai's films just because you don't speak Chinese - I certainly don't - you'll be smart enough not to ignore this film). I'd compare "Lavoura Arcaica" to Terrence Malick and Pier Paolo Pasolini, but Luiz Fernando Carvalho managed to make a unique film with his own style. Well deserved winner of over 30 international awards, this is a film that must be discovered. 10/10 in my books.

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• You Need To Be Patient and Probably Read the Book First

  claudio_carvalho2005-12-08

  I read and heard many good comments about the cult "Lavoura Arcaica", and I have been waiting for the DVD for four years. I have just bought the "previously seen" DVD from a rental, and I have not finished watching the movie yet (I have just seen 122 minutes running time, and I am writing this review to rest before the next 50 minutes conclusion). This movie has great cinematography and music score, and an awesome and impressive performance of Selton Mello. Unfortunately the director and screenplay writer Luis Fernando Carvalho wrote a very boring screenplay, forgetting that cinema must have a suitable pace and language. Further, that the viewer not necessarily read the novel of Raduan Nassar before watching his movie. The poetic and erudite lines and dialogs are not adequate for cinema, but for theater. The movie is spoken in my native language, and I am completely tired with two hours of a very heavy and theatrical story. Imagine overseas viewers, trying to read the subtitles with this very unusual text! I have just checked the awards of "Lavoura Arcaica" and most of them refers to cinematography, lead actor, supporting actor and actress and other technical awards (art direction, editing, sound, music etc), which I totally agree. With a better screenplay and pace, "Lavoura Arcaica" could be an excellent movie. My vote is six. Title (Brazil): "Lavoura Arcaica" ("Archaic Field Work")

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• The waiting wasn't worthless

  flasuss2005-09-30

  This movie gained a cult-status because it won more than 30 international awards, received more praise from the Brazilian critics than any other feature of that year, but was never released on DVD or VHS until last week. But the waiting wasn't worthless: the movie is a masterpiece. Few films are so honest and love their characters so much as this one, and has so much faith in it's material. Carvalho's directing is clearly very elaborate, and makes every frame seems poetic... The baroque cinematography and the score reflects perfectly the mood of the characters, the sound mixing is nearly perfect, and the cast is, without exception, magnificent. Certainly one of the most overlooked films ever, but this time, the public cannot be blamed.

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• Floors, pretty faces and crying

  EdgarST2011-07-07

  There may be two reasons why Luiz Fernando Carvalho was all over "LavourArcaica" to the point of exhaustion: he wanted to cover all bases to make sure his full vision would reach the screen, or he is a megalomaniac who has to put his signature in every aspect of the filmmaking process and only trust a few to share his view. I find this work good in sections, but even within these, not everything functions well all the time. Even if he did not have a shooting script as it has been told, but worked the novel as a succession of "reactions", his film is terribly verbose. Walter Carvalho's cinematography is fine, but repetitive, with multiple tracking shots of furniture, floors, nature, or distortions, when not trying to be simply "pretty"; and Selton Mello, while a fine actor, sometimes shouts as if he were performing on a Greek amphitheater for a distant audience. Simone Spoladore is beautiful but silent all through the film, until a late explosion which brings tragic consequences. The father is another wordy figure, while the rest of the family cries, and cries, and cries. A pity Carvalho (whose only feature film this is, while being a full time director of soap operas) did not adapt literature to moving images (this is not, by any means, the case), and leave the editing to someone else who could have reduced all those long tracking shots into reasonable length. Sex had never been so unexciting; while incest (a common practice all over the world, that may cause misery in someone's life or not) is glorified. In any case, watch its almost three hours if you believe in prizes... and this one has won dozens of them.

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