Leviafan (2014)

Aleksey SerebryakovElena LyadovaRoman MadyanovVladimir Vdovichenkov
Andrey Zvyagintsev


Leviafan (2014) is a Russian movie. Andrey Zvyagintsev has directed this movie. Aleksey Serebryakov,Elena Lyadova,Roman Madyanov,Vladimir Vdovichenkov are the starring of this movie. It was released in 2014. Leviafan (2014) is considered one of the best Crime,Drama movie in India and around the world.

On the outskirts of a small coastal town in the Barents Sea, where whales sometimes come to its bay, lives an ordinary family: Kolya (Aleksey Serebryakov), his wife Lilya (Elena Lyadova) and their teenage son Romka. The family is haunted by a local corrupted mayor (Roman Madyanov), who is trying to take away the land, a house and a small auto repair shop from Kolya. To save their homes Kolya calls his old Army friend in Moscow (Vladimir Vdovichenkov), who has now become an authoritative attorney. Together they decide to fight back and collect dirt on the mayor.

Leviafan (2014) Reviews

  • Desolation, Desperation, Vodka


    Leviathan takes a long, immersive look at the machinations of corrupted power in the lives of the powerless, who desperately struggle to stay the course, hoping against hope to win a losing battle. A man and his family face off against a politically backed fat cat who wishes to buy the piece of land upon which stands their house, willing to destroy their family nest to raise a modern building in its stead. The grandiose, solemn music of Philip Glass (Akhnaten; Act I Prelude) opens and ends the movie, flanking it like a sturdy front and back cover a fine book from a Russian master's pen. Other than that, the movie is rather stark, musically and otherwise. It is remarkable how effective silent scenes can be. With little music and less sound effects, the film has your undivided attention, reaching emotional heights towards the end. The lack of a musical backdrop further enhances the gritty realism that imbues all the 140 minutes. Relationships between the characters evolve and change significantly over the span of the movie, and though the patterns are somewhat familiar, interpersonal developments are portrayed with commendable subtlety and brilliance. There is a lot of intelligence to the storytelling; much can be understood without words. We embark on a chilling journey into the land and home of ordinary, simple folks, who are kicking and screaming for justice under the suffocating oppression of ruthless power, also blighted by their own frailty. Leviathan is an outstanding work of art that manages to drive home universally relevant points with sparkling clarity in its refreshingly honest way. A highly recommended piece.

  • "Can you draw out Leviathan with a fishhook or press down his tongue with a cord?"


    I must say I was very excited to see this movie in the international film festival hosted here in Auckland. Set in corrupt small northern Russian town, that could very much be any other town, or even country, in the world, Leviafan explores the confrontation of a man against the mayor. The last wants to kick him out of his house for his own benefit. Superb photography, superb acting, spine chilling music, solid plot and dark humor touches make Leviafan a truly rewarding experience. One of the best movies I have seen in some time. Do not let the duration discourage you, hours fly. When you glance at your watch for the first time the movie will be over. Be ready to pity, hate and love the characters. Laugh, feel anguish and rage and enjoy this emotional roller-coaster.

  • Injustice for the Righteous


    Greetings again from the darkness. It may surprise some that the most relatable of the Foreign Language films submitted for Oscar consideration this year may be a rural Russian re-imagining of the Book of Job with a tip of the cap to a 1651 book from Thomas Hobbes, and so much alcohol consumption that it should carry a Warning notice for anyone in recovery. Please don't interpret the description of relatable to mean likable or enjoyable, at least not in the traditional sense. This latest from director Andrey Zvyagintsev (The Return, 2003) is tough to watch with its theme of the working class vs the government. Who holds the power in this clash is obvious in a case of eminent domain, as Kolya (Aleksey Sorebryakov) tries everything (including blackmail) to hold on to his home and business in a fight against the Mayor (Roman Madyanov). Religion, politics, and the judicial system team up to ensure the imbalance of power remains in effect, and Kolya's belief in the system slowly evaporates. It's particularly interesting to note how his consumption of Vodka evolves from a shot glass to full bottles as his home slips away. The story takes place in northwest Russia in the Kola Peninsula of the Barents Sea. It's a dramatic setting with vast landscapes, including the carcasses of fishing boats and giant whales … a statement of what happens to those left behind as times change – much like what happens to Kolya. As dramatic as the landscape is, the story is actually quite small. It's the struggle of one family against a system that has corruption down to a science. When Kolya asks his lawyer friend Dmitri (Vladimir Vdovitschenkov) to play dirty with the Mayor, he has no idea how this will impact his life and that of his younger wife Lilya (Elena Lyadova) and son Roma (Sergey Pokhodaev). There is very little comic relief in the film … only a single sequence involving target practice on pictures of past Russian officials, but the story and acting are so grounded that at times it feels much like a documentary. It's always a bit of a cold slap to be reminded of how the righteous often struggle with injustice, but rarely will you see it better presented than this.

  • Beautifully deep and complex


    I was so impressed with this movie: it just has it all. The story is about a man, Kolya, who risks to loose his property because of the arrogance of the corrupted major, the leviathan. The film opens with a beautiful sequence of landscape - cinematography is remarkable and shows the wide, desolate environment that reflects the isolation of the characters themselves. The screenplay is intriguing and well written - nothing's taken for granted and both the story and the dialogs are deeply constructed. Kolya's character, sustained with a sincere performance, needs to be saved even though his freedom might have dangerous consequences. He refuses his friend's, Dimitry, advice to move on and build a new life somewhere else and chooses to fight for his house. The role of the woman is that of a submitted wife always watching and never taking part of any conversation or decision. She is weak and we notice it also from the relationship she has with Kolya's son. Dimitry, instead, is seen as a hero: he is admired by Kolya and fascinates Lilya (Kolya's wife). The character's unsolved dilemmas are the real trap that drags them to despair - the leviathan is inside themselves in the first place. It's a movie that is worth seeing because of his richness in humanity. It reminds us that we are all waiting for someone who can save us, maybe putting our needs in front of everyone without realizing that our decision might harm people near us.

  • The dark microcosm that is Leviathan


    From the first five minutes, I was appealed to this movie more than 3/4 of what I've seen this year. It was dark, it was beautifully shot, and established its characters nicely. People complain it took too long for the characters to be established and that the story took too long to unfold. Haven't you heard of visual storytelling? As it plays out, you find out the dark shadows that follow each character and who they really are in the situation they're in. From the wife (most interesting character), to the step- son of the wife. The father is a dark character that is strained beyond limits, and the fantastic acting portrayed by the father is just one of the great performances done by all the actors and actresses. It fights the bond of love, land, and power. The corruption that still stands tall in Russia and its small towns that surround the leviathan that is the story. It unravels extremely slow, but thats what makes more of an impact. The over-thirty second shot of the woman in court explaining the case is so well done, you can really just see the effort put into each role in the film. If only American films could be so well thought out. For any person who has the near two and a half hour time to watch a superb film, sit down and immerse yourself into the gloomy world that inhabits these characters. It teaches you, it haunts you, it stays with you.

Hot Search