SYNOPSICS
Meet Joe Black (1998) is a English,Dutch movie. Martin Brest has directed this movie. Brad Pitt,Anthony Hopkins,Claire Forlani,Jake Weber are the starring of this movie. It was released in 1998. Meet Joe Black (1998) is considered one of the best Drama,Fantasy,Romance movie in India and around the world.
William Parrish (Sir Anthony Hopkins), media tycoon, loving father, and still a human being, is about to celebrate his 65th birthday. One morning, he is contacted by the inevitable, by hallucination, as he thinks. Later, Death enters his home and his life, personified in a man's body: Joe Black (Brad Pitt) has arrived. His intention was to take William with him, but accidentally, Joe's former host and William's beautiful daughter Susan (Claire Forlani) have already met. Joe begins to develop certain interest in life on Earth, as well as in Susan, who has no clue with whom she's flirting.
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Meet Joe Black (1998) Reviews
A gorgeous film.
A three hour film about death. It doesn't sound like much when you say it like that, but trust me, Meet Joe Black is an outstanding film and is without doubt one of the most underrated little gems I have ever seen. The film is beautiful in every regards; the photography, the sets, the music and the performances, especially the performances. The last time Anthony Hopkins and Brad Pitt were on screen together it was the equally sublime Legends of the Fall, here it is another sublime film and once again they are putting in some of their best work. The characters that they play, Bill Parrish and Death, bring out a fantastic chemistry between the two performers, especially in the more comedic moments when they two are getting to know each other. However, while death is the main theme of the film, director Martin Brest remembers to filter optimism into his wonderful tale in the shape of a love story between Parrish's daughter (played by the beautiful Claire Forlani) and Death himself. This results in one of the most gorgeous coupling in recent years as well as one of the most erotically intense love scenes I have ever watched. Director Brest presents the film in a more artistically filtered view than most other directors might have done. The love scene is done without nudity with close ups on the actors throughout. The striking presentation of the lighting in the film is also fantastic, with a lovely golden glow pouring of the screen and lastly Thomas Newman's music is quite simply marvelous. Films like The Green Mile, The Shawshank Redemption and American Beauty which have featured music by this outstanding composer have been enhanced by the haunting, lyrical and moving melodies he has composed and this film is no exception. The mixture of piano and orchestra builds to an uplifting and emotional pull that cements his position as one of the best music composers working in modern film today. The three hour running time would appears to be problematic, but alas it is not. In fact like another sweeping romantic epic, Titanic, you will not feel the time going in. The three hours fly by and not only that, like the Oscar winning epic, this is a film that makes one instantly want to re-watch it again and again. Meet Joe Black is a wonderful mixture of comedy, romance and drama and is done exceedingly well. Brad Pitt puts in one of his finest performances as Death finds himself enchanted by human emotions and then finds himself making a deeply human choice at the end of the film and then there is Hopkins. One of cinema's finest actors no matter what he is in, he shows with his complex range of emotions in his performance there is more to him than playing Hannibal Lecter. His performance here restrained and quite frankly very well done. It is perhaps one of his best acting performances. His Shakespeare background obviously coming in handy for a film that contains many a Shakespearean like moment. The film, while not a flop, was not the box office hit that was expected, especially considering the main casting, but if you can make up your own mind, do watch Meet Joe Black. This is a wonderful film and is a personal favorite of mine.
A powerful movie about not taking life for granted
It's easy to wake up every day and see what is wrong with your life. Everyone has their vices and their shortcomings. Whether you are a billionaire with a perfect spouse, a cottage, a beach house, nice cars and wonderful parents or if you are a single parent struggling to get by on measly paycheck, we can all find something that is wrong with life. Such is human nature. But what can we do to remedy that situation. What can we do to try and ensure that our life gets better? And is it all really that bad? Meet Joe Black is a movie that asks us to look at ourselves and realize that this life is a gift and one that perhaps is taken for granted a little too much. Meet Joe Black asks us to ask ourselves: is it really all that bad? Anthony Hopkins plays Bill. Bill is a very successful business man but it is his time. We all have to die one day, it is a part of life. And this is Bill's time. But before he goes, the Grim Reaper pays him a visit and offers him time. That is all. Just time. And in exchange Bill will show Death what it is like to be alive. A bit of an oxymoron for sure but true nonetheless. And what happens when Death starts to learn about what makes our life so precious is really something that has to be seen. Because what we take for granted, he sees as innocent and pure and magical. For instance, peanut butter. Joe Black tastes it and decides that it is the most amazing food that he has ever had in his short existence. And when people are eating their caviar at dinner, he refrains and has more peanut butter. This scene is one of the purest and most honest scenes in the film. Not for what is on the outside, but what it means, what it wants us to see. To me this scene is the microcosm of what the film and what life should be about. Life is a gift. There are so many wonderful things that we have as human beings that we seem to forget what they are. We are so consumed with other things that at the time seem important but when you look at them closely they are trivial and it's the little things in life that bring us so much joy. Like peanut butter, aka tossing the ball around with your kids, aka. being lazy in the shade with your Collie. The point is that life is serious enough and it isn't until others are gone that we fully comprehend that. Brad Pitt is perfect, absolutely perfect as Joe Black. He conveys the innocent wonder and pure joy of discovering human elements like the aforementioned peanut butter and more serious issues like falling in love. Meet Joe Black has been criticized for its length but like all movies that are three hours plus, there is a reason for that. And that is because it has something to say. Something important to say. Meet Joe Black wants us to look at this film and then look at our lives and realize that there is a lot to live for. You just have to get through all the mist and cloudiness and you'll find it again. There is an innocence about how this movie feels and it is such a wonderful picture. It makes you feel good. Good to be in love ( if you are ) good to want to be in love ( if you are not already) and good to be alive. See this film. It will make you glad that you did. I know I was and my life doesn't seem so bad right now even though there are many things that I could complain about like...... Ah hell, what's the point. Life can only get better. Meet Joe Black helped me see that.
A Truly Enchanting Movie!
Meet Joe Black is a beautiful film with a talented cast. Because it is unique, the plot enables humor to be weaved within the dramatic and romantic elements. The music, composed by Thomas Newman (Shawshank Redemption, Erin Brokovich) truly enhances the movie. The many string and piano melodies are beautiful, and fit smoothly. There are so many memorable moments, like father-daughter conversations, and the scene in the coffee shop. Brad Pitt, in his portrayal of Death,displays naive and vulnerable feelings, skillfully in sharp contrast his behavior at the beginning of the film. While some criticize its length and unrealistic aspects of the plot, I found it to be so captivating and quite well-made. Meet Joe Black has an indescribable effect on me whenever I watch it. The story of Death being apprentice to a respected, accomplished man makes one realize the simple beauties of life-- passion, family, love... and peanut butter.
A Minimalist Masterpiece
Somewhere in the netherworld between being a "remake" and merely "inspired by" Mitchell Leisen's 1934 film Death Takes a Holiday, Meet Joe Black is the story of Death personified. Death takes over the body of Brad Pitt's unnamed character, later donned "Joe Black" by William Parrish (Anthony Hopkins). Although the motivation isn't specified but implied in this film, Death wishes to experience the life he normally takes away--he wants to see what it's like to be human. He chooses Parrish to be his guide because Parrish is a hugely successful media mogul who has conviction, strong "moral fiber" and insight on life. Compounding the situation, Parrish's daughter, Susan (Claire Forlani), is a woman whom Brad Pitt's unnamed character met in a coffee shop that morning and had an instant mutual attraction with. Black sticks close by William's side through much of the film, creating difficult situations at a time when Parrish's company is trying to deal with a financially attractive but ethically unsavory takeover bid, and he also puts the boil to somewhat strained familial relationships. First, a word of warning. This is a very long film (3 hours), and it tends to be very slowly paced. If you are averse to either, or if you do not like any of the three principalsPitt, Hopkins and Forlani--I'd advise you to avoid the film. For me, I never think that a film's length is a problem in itself. As long as the film works, I'd be happy with it lasting 4, 5, even 12 hours or more--heck, I even gladly sat through Gettysburg (1993) in the theater. There have been films I've thought were too long (such as Whatever Happened to Baby Jane, 1962), but it's contextual, not related to actual running time. Helmer Martin Brest directs with a lot of deliberation. Lines of dialogue and responses are stretched out to "infinity and taken to the depth of forever". The camera gives us lots of lingering gazes. There is little to no "action" in the film. Much of it is similar to David Lynch's famed pregnant pauses. Some people hate that style. I love it (although I love other styles, too--I like variety), and for me, the pacing makes this film seem much shorter than its actual running time. It's the complete opposite of the pacing of, say, Medallion (2003), which is interesting given that both films feature Forlani. It's also interesting to note that Brest's career seems to match the pacing of Meet Joe Black. He's taken 2, 4, 5 and 6 years between films. Obviously, Brest is not in a rush. If you watch Meet Joe Black immediately after watching Death Takes a Holiday, as I did this time around, a few things might strike you as odd and slightly negative at first. The principal difference that had this initial effect on me was the change in the primary romantic relationship--between Joe and Susan (and between Prince Sirki (Frederic March) and Grazia (Evelyn Venable) in the original). In the original, it's ambiguous whether Grazia doesn't recognize Sirki for what he really is all along. She at least never meets him as Sirki rather than Death-as-Sirki. It creates interesting philosophical scenarios about humankind's conception and fear of death; Grazia, who is a bit aloof all along, may be embracing death rather than fearing it, not as something negative, but more metaphysically, as inherent in the idea of life. In Meet Joe Black, Susan falls for Pitt as another character first. It removes all of the philosophical points about one's attitude towards death (with the exception of William, who is the only one who knows the truth, even in the end, and who implicitly goes through vacillating feelings about death). However, despite my initial hesitation on the change, I tried to remember my commitment to judge each film on its own terms rather than its relation to other works, and I realized that the relationship set up here is interesting for another reason--it explores public identity in relationships and the tensions that arise through dynamicism of that public identity. That's a theme throughout the film, not just in its romantic relationships. Pitt has often been criticized for his performance here, but in my opinion, it's perfect for the character(s)--just as good in its own way as March's turn as Sirki in the original. Once Pitt as Death takes over "Joe Black's" body, he _must_ change his persona in the way he does. He's supposed to be a supernatural being who normally relates to the world in a completely different way, but now he's suddenly made corporeal. He doesn't know what to do as a human. As an entity, he's not daft, lacking power or unknowledgeable about many things, but he's incredibly naïve and awkward as a thing of flesh. He's not used to relating to the world in that way. He's not used to making facial expressions. He's never tasted food, and so on. The change he undergoes in the beginning and end of the film is amazing and shows just how skilled Pitt is. Hopkins and Forlani are of course no slouches, either. Hopkins' ability to go from understated and elegant to manic is put to good use; the role seems tailor-made for him. Forlani, who has a very unusual but intriguingly beautiful face that always looks a bit pouty, gets to pout even more, creating a bizarrely complex but effective character. The rest of the primary cast is just as good. The end result is a strangely dysfunctional family with a lot of depth. While I can see people preferring Death Takes a Holiday to this film, for me, Meet Joe Black is slightly better. It's much more epic, of course, and that scope, plus the incredible score by Thomas Newman, pushes its emotional effectiveness up a notch. But make sure you do not miss either film. Both are excellent and unusual.
In short, an excellent and not too long film
Whenever this film is aired, I'm drawn to watch it. The pace, like life, is slow. Some people find this to be a problem. I feel sorry for those people; maybe they've been so saturated by "fast food" films and reality TV that they think that's the way life is supposed to be. Unlike life, the film has no "wasted space". So, while it may seem too long for theatre viewing, it's plenty short for sitting back in an easy chair for three hours and just letting it draw you in--with the excellent dialogue (including the Patois), excellent performances by truly talented actors, and above all the [again] excellent score by Mr. Newman. If you're a romantic not just about love, but also about life, then treat yourself and watch it.