Patton (1970)

Patton (1970)

George C. ScottKarl MaldenStephen YoungMichael Strong
Franklin J. Schaffner


Patton (1970) is a English,German,French,Russian,Arabic,Italian movie. Franklin J. Schaffner has directed this movie. George C. Scott,Karl Malden,Stephen Young,Michael Strong are the starring of this movie. It was released in 1970. Patton (1970) is considered one of the best Biography,Drama,War movie in India and around the world.

"Patton" tells the tale of General George S. Patton, famous tank commander of World War II. The film begins with Patton's career in North Africa and progresses through the invasion of Europe and the fall of the Third Reich. Side plots also speak of Patton's numerous faults such his temper and tendency toward insubordination, faults that would prevent him from becoming the lead American general in the Normandy Invasion as well as to his being relieved as Occupation Commander of Germany.


Patton (1970) Reviews

  • The Classic War Movie


    Not much can be said of this movie that already hasn't been said. It captures the war, the man, and the conflict of the two. I thought the movie was very nicely tied together and I thought the reflections of Patton on the past was very necessary. Patton believed in reincarnation so in looking back at historical battles you can see how Patton developed his strategy. He was a student of great leaders and commanders and the movie developed that thought really well. The movie presented the characters, the actual war history, and the Germans extremely well and it is no wonder this movie received the awards it did. After watching this movie over and over again, I'm convinced that no one could have played Patton any better than George C. Scott. You can tell from the movie that he put everything he had into the character. My father-in-law was an officer under Patton in the 3rd. Army and has said over and again how realistic the movie is. I would recommend this movie to anyone looking for an excellent re-telling of WWII history.

  • Outstanding work by George Scott


    The best comment on this film was made by my father. This was the last movie he saw in a theater. He had served under Patton in WW2 and said that Scott had nailed Patton's character and mannerisms so perfectly that halfway through the opening speech, he expected Scott/Patton to look down and say, "$@%#$@, Sears, get a haircut - your hair's too &#%#$%@ long!"

  • A film about the man not the war


    Oliver Stone has said this film glorifies war, i disagree, what it does is show a man {Patton} who gloried in war, the war is shown through his perspective,and to Patton war is glorious and he revels in it.The performance of George c scott as Patton is brilliant, it shows a complex and demanding character riddled with contradictions ,who believes he was born to be a leader of men,the supporting cast is very good particularly karl Malden who plays general Bradley a calm experienced soldier with no dreams of glory, the perfect foil to the maverick Patton, the combat scenes are well shot and are never more than is necessary to support the narrative,the film rises above being very good to excellence due to George c Scotts intuitive grasp of the character.

  • A great war film


    And the best performance from an Actor in history. George C. Scott is General Patton, the greatest General of World War II and the most controversial. Scott gives the performance of a lifetime if Patton watched this film he couldn't tell the difference himself. Scott portrays him the way he was, not the way he should be or the way we would like him to be. Patton is Patton, tough, resilient, fearless, sarcastic, angry, witty, cultured, charming, bull-headed, uncompromising, temperamental, and more patriotic than Uncle Sam on the 4th of July. The speech at the beginning with him in front of the American flag sets the tone. It's his way or the highway. And Patton is driving. His antics tick off the high command and rankle his subordinates but they all can't argue with his success. Karl Malden is his good friend and at times adversary General Bradley who is as resourceful as Patton is eccentric and they make a great pair. Every time Patton has a victory he screws it up by way of his gargantuan mouth. But he keeps going. When disaster strikes he always manages to pull defeat out of his rear and strike a blow for the 2nd Corps or the 3rd Army or whatever army he's commanding. His soldiers love him, his soldiers hate him, but his soldiers fight for him regardless because they know he's the best. Patton's rise is like Patton's fall, momentous. His last line is the most telling of all. "They remind us that glory, like everything else, is fleeting." Glory may be fleeting but this movie won't be. Perhaps the best war movie in history.

  • Favorite war film . . .


    . . . and it's not even about the war. There's no wall to wall action. In fact, World War II is merely the setting – a backdrop so to speak – and the battles are all downplayed in favor of giving the audience a glimpse into the brilliance (or insanity) of the historically significant character, Patton. From the script on up, everything plays out wonderfully to bring the famous general to life on screen, and after watching George C. Scott deliver his Oscar-worthy performance, I find it hard to believe there were a number of actors on the list above his name. George C. Scott's performance of Patton is one I consider the greatest given of any war film. Patton is a champion for freedom while sometimes equally as much of a tyrant as the ones he's trying to put down, he's a monster and a hero, and neither he nor the filmmakers give a damn about political correctness. I found the character to be an overly harsh prick, myself, but in some strange way, very likeable and sympathetic, and when watching the movie again I don't look at the screen and say, `Hey, there's George C. Scott.' Instead it's, `Hey, there's Patton.' Not very many film characters have a personality strong enough to overtake the actor playing them. I appreciate that depth and that degree of realism, this attention to detail on the parts of Scott and Schaffner. Schaffner surprised me by somehow managing to capture my interest on a subject matter I'd ordinarily write off as too silly (Planet of the Apes); two years later, he applied that same technical know how, craft, and intelligent storytelling towards a film whose subject appeals to me from the get go, and once again I'm impressed. There are some great war films out today; however, Schaffner's take pursued the most unique perspective in all realms, and captured my imagination with such ease . . . I can't help but come back to it over other war films. And I have to comment on the score, which is not only one of my favorite Goldsmith scores but also one of my favorite war-film scores. Jerry Goldsmith matched point for point the brilliance of Franklin Schaffner's vision, the depth of George C. Scott's performance, and somehow managed to captured the essence of both musically. A good music score is one that tells the story of the film in its own unique voice. Goldsmith's score has such a prominent voice in the experience of Patton, that to remove it would be the equivalent of removing Schaffner's direction or George C. Scott. Lastly, how accurate is the film? Not a clue, and even if it is completely false, I don't care. I've never been about writing history papers based on cinema experiences. All I know for certain is that Patton is a very entertaining and well balanced movie that holds up very well thirty years later, and it's a film that can be admired for its craft.


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