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Primal Fear (1996)

GENRESCrime,Drama,Mystery,Thriller
LANGEnglish,Spanish
ACTOR
Richard GereLaura LinneyEdward NortonJohn Mahoney
DIRECTOR
Gregory Hoblit

SYNOPSICS

Primal Fear (1996) is a English,Spanish movie. Gregory Hoblit has directed this movie. Richard Gere,Laura Linney,Edward Norton,John Mahoney are the starring of this movie. It was released in 1996. Primal Fear (1996) is considered one of the best Crime,Drama,Mystery,Thriller movie in India and around the world.

When a young man, Aaron, is charged with the horrific murder of Archbishop Rushman, hot-shot Chicago lawyer Martin Vail takes on his defense at no charge. Aaron was a homeless street kid before he was taken in by the Archbishop. He's shy and speaks with a stammer. Vail is convinced that Aaron is innocent but after discovering a video that shows Aaron may have had good reason to want the Archbishop dead, he begins to question that conclusion. When Aaron lashes out at the psychologist examining him another personality, Roy, is revealed. With the trial already underway, Vail cannot change Aaron plea and so has to find a way to introduce his client's condition. Aaron has something of a surprise for him as well.

Primal Fear (1996) Reviews

  • Meet Edward Norton

    tfrizzell2000-11-25

    Outstanding thriller on par with "The Usual Suspects", "Primal Fear" is an impressive film about one lawyer's (Richard Gere) yearning for the spotlight. He gets his wish after an archbishop is brutally murdered in Chicago. It appears that choir boy Edward Norton (in his first film, Oscar-nominated) is the killer, but there is more to this case than meets the eye. In the end, Gere is going to learn that what he thinks he wants (fame and fortune) is not all that great because of what he has had to go through to get there. "Primal Fear" was one of the more interesting films of 1996, but was ignored by almost everyone. Richard Gere does some of his best work ever. Laura Linney, John Mahoney, Alfre Woodard, and Frances McDormand are all good in supporting roles. However, it is Edward Norton who proved to be the discovery of the 1990s. He keeps the audience on their toes and he adds depth and emotion to a film that would have looked much different if he had not been in it. 4.5 out of 5 stars.

  • The birth of a star and the resurrection of another

    advixen2004-05-08

    It's not often that viewers get a chance to watch a star being born - that a talented unknown actor's performance that is so spectacular it leads to the A-list in one role is rare: Julia Roberts in Pretty Woman, Brad Pitt in Thelma & Louise to name a recent few. But Edward Norton's turn as the "defendant/victim" in Primal Fear is one of those "Wow" moments that leaves the audience salivating for his next performance. In this feature debut, Norton outdistances his role, as does Richard Gere, in a resurrection no less impressive than Norton's star-making turn. Heretofore, Gere has specialized in assorted intelligent professional cad roles. Here, he gets a chance to inhabit one that not only wears his dubious character on his sleeve, but wears it, drives it, drinks it... revels in it. Yeah, sure somewhere there's a heart of gold, but like his client, the layers on top serve him better, and the heart of gold is tarnished. Gere is at his peak, comfortably, cheerfully inhabiting the role. Laura Linney deserves extra credit for often being the ice-queen foil which propels the two male characters' development; her own character is rather one- dimensional, but she herself squeezes as much dazzle as she can from it. Even though everyone else obviously falls for whatever Gere's Vail purrs into their ears, it's merely enough time for Linney's Janet to get a drag on her ubiquitous cigarette; another step in what will (hopefully) someday be film's love affair with her. Wasted, sadly, are fine character actors like John Mahoney, Steven Bauer, Maura Tierney & Andre Braugher who could have lit up the screen had they not been handed scripts with generic character stereotypes. See it to watch the ascension of Norton and Gere.

  • Excellent film

    TBJCSKCNRRQTreviews2007-04-19

    My fiancée suggested I watch this, and when we found it for sale at a good price, we bought it right away. I must say, this is a marvelous and quite well-crafted film. The acting is top-notch all the way. Gere manages to make us care about a type of person that few like. O'Quinn is somewhat underused, as he is a magnificent actor, but apart from that, everyone gets a good chance to perform well, and they all live up to it. I would have to say that I now have a completely new-found respect for Norton... and I had a great deal of respect for him before even knowing of this movie. The plot is well-written and has good layers to it, especially for a movie of two hours(running time does put quite a limitation on the level of detail and intricacy of the plot). The pacing is really good, the movie never moves neither too fast nor too slowly. This is the second film I've seen that was directed by Gregory Hoblit... and the second that I've really, really liked(both have received 8's by yours truly, and very deservedly so), so I will most definitely keep an eye out for any future works by the man. I haven't read the book of the same title that this is based on, so I can't comment on how accurate and true to the tone this film is. I urge anyone intending to watch this to steer clear of any spoilers on it, because the plot is too good to ruin. I won't detail it here, I'll just say that the film has many court-room scenes, and deals with a very violent crime(and it's not the only occurrence in the film of a violent nature). For that same reason, since it is depicted graphically in the film(but not too much... there was nothing gratuitous about it), I urge anyone who believes they may not be able to handle seeing such to consider if they should watch it or not. There is also quite a bit of language, as well as a brief scene of sexual nature, so if such bother you, you may want to watch a censored version, if you are interested in seeing it. I recommend this very warmly to any fan of court-room dramas and thrillers. If you enjoy an engaging and involving thriller with surprises, this is the movie for you. 8/10

  • Edward Norton delivers the chills...(POSSIBLE SPOILERS AHEAD)

    Doylenf2006-09-12

    PRIMAL FEAR is a good old-fashioned thriller with a modern twist. The plot concerns an altar boy accused of killing a clergyman who molested him and a sleazy lawyer who sees a chance to make tabloid news by taking the case. What he doesn't know is that his client can be just as cunning as he is. RICHARD GERE seemed to specialize in playing these kind of low-down heels (typecasting does have its perils), and LAURA LINNEY as the prosecuting lawyer has her hands full trying to play a game of one-upmanship against him during an intense courtroom trial. The story ends on a chilling note, thanks largely to the clever, intense and totally convincing performance ED NORTON gives in his film debut. As the guy who seems to have a devious split personality driving him to do bad things, he's the kind of actor who makes the audience sit up and take notice of his abrupt mood changes. It's no wonder he pulls the wool over so many eyes. Having said that, it's the climax of the film that is most stunning and brings the story to a totally unexpected conclusion. It's the kind of chilling twist that only the most clever scriptwriters can devise and make seem probable--but it succeeds here. Summing up: The kind of film you'll want to revisit once you know the whole score. Gere, Linney and Norton deserve high praise.

  • The Smartest Guy In Town

    bkoganbing2008-09-27

    Although Richard Gere has one of his juiciest roles in Primal Fear, the best performance by far is that of Edward Norton who got the film's only Oscar nomination for Best Supporting Actor in a stunning debut picture. It's the kind of debut that any player would like to make and the trick is to keep up a high standard you've already set for yourself. Which Norton to his credit certainly has in his career. But as to Gere he plays Martin Vail, a top criminal defense attorney who will let everyone know it if they haven't figured it out. It's a tricky part because a guy this arrogant has to maintain some kind of surface likability or else you'd never believe he'd ever win a case in front of a jury. As for movie viewers they must have a rooting interest for him as well. But Gere's definitely a guy who they make lawyer jokes about. A young altar boy has murdered the archbishop of Chicago, a mush mouth kid with a Kentucky twang played by Edward Norton. He's part of a choir of street kids that the Chicago archdiocese shows off on many an occasion. It was a particularly brutal murder, multiple stabbings and the carving of a cryptic message in the chest of the deceased. Gere makes no bones about it, he's wanting this case because of the headlines it will bring him. But when F. Lee Bailey or Johnnie Cochran offers to defend you for nothing, you don't ask questions. Which brings us to Norton who has you might have gathered is not all he seems. He's a street kid and he's used to getting over on people himself. It's one of the darkest characters ever done on screen, maybe a bit too dark for Academy tastes. That might have been the reason that Cuba Gooding beat out Norton for Best Supporting Actor with his much lighter role in Jerry Maguire. One in this film you will notice are Laura Linney as the Assistant District Attorney who Gere was once involved with and is getting a lot of pressure to bring in a guilty verdict for understandable political reasons. I also liked Alfre Woodard as the very patient judge at Norton's trial and Frances McDormand as the psychiatrist who examines Norton. If you think you've figured out what's behind Primal Fear, rest assured you haven't from this description. Let's just say everyone gets good and played here. Which brings to mind the dedication for this review. Gere's attorney character is likable, but arrogant. Back in the day I knew an attorney who was arrogant without any real reason for the arrogance. He'd love to have been Richard Gere, I'm sure he saw himself that way. So to you Ron D'Angelo this review is dedicated to.

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