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Sacrifice (1986)

GENRESDrama
LANGSwedish,Icelandic
ACTOR
Erland JosephsonSusan FleetwoodAllan EdwallGuðrún Gísladóttir
DIRECTOR
Andrei Tarkovsky

SYNOPSICS

Sacrifice (1986) is a Swedish,Icelandic movie. Andrei Tarkovsky has directed this movie. Erland Josephson,Susan Fleetwood,Allan Edwall,Guðrún Gísladóttir are the starring of this movie. It was released in 1986. Sacrifice (1986) is considered one of the best Drama movie in India and around the world.

Alexander, a journalist and former actor and philosopher, tells his little son how worried he is about the lack of spirituality of modern mankind. In the night of his birthday, the third world war breaks out. In his despair Alexander turns himself in a prayer to God, offering him everything to have the war not happen at all.

Sacrifice (1986) Reviews

  • Tarkovsky's Final Masterpiece

    RobertF872005-02-18

    Andrei Tarkovsky was without a doubt one of the genuine artist working in the cinema. With films such as "Andrei Rublev", "Solaris", "Mirror", Stalker" and "Nostalghia", Tarkovsky enriched the world with powerful works for art. "Sacrifice" was his final film, made while Tarkovsky was dying of cancer. The story concerns an elderly academic who lives with his family in a rural part of Sweden. When he learns that about an imminent nuclear war, he makes a desperate pact with God. The film is astonishingly beautiful, like all Tarkovsky's films. Images of nature, water and fire feature prominently, as does the shifting from colour images to black and white. It is important to remember that Tarkovsky is not a very accessible film-maker, and his films make great demands on viewer's patience and attention, but if you are willing to make the effort you will be rewarded by an unforgettable experience.

  • Andrei Tarkovsky Does Ingmar Bergman, Philip K. Dick Style?

    loganx-22008-08-13

    Andrie Tarkaovsky's final film takes elements from Ingmar Bergman, "I Am Cuba" with a story that if not influenced by, is a kind of psychic cousin to the later works of Philip K. Dick. A family on a small Swedish island, find out the world is about to end(there's nowhere to hid and nothing that can be done)...planes heard overhead, and television warnings are all anyone knows. So far this doesn't sound too different from Bergamn's "Shame" where a couple try to escape from the world and war, on a similar small Swedish Island. The difference is where Bergman, dissects his characters down to nothingness, Tarkovsky includes mysterious post-men obsessed with miracles, a maid who may be a powerful witch, a man with the chance to re-create the universe, and a love making scene in mid-air? That Tarkovsky moves with such subtly between psychological study, religious allegory, and science fiction tropes, should'nt be too much of a surprise considering his early philosophical SF films like "Solaris", and "Stalker"(which I may re-watch, cus of this film, though I hated it before). Like Philip K. Dick, end of the world paranoia, reality manipulation, and the religious (specifically Christian) ecstatic vision all merge together in 'The Sacrifice", with a lot more force and clarity(at least for me) than in any of his earlier films. The lead character seems like a stand in for Tarkovsky himself, his views on nature, art, God, progress, and humanity, seem to match pretty closely with some he gives in the interview section of the DVD. It's still slow as all hell, but the intensity of the story helps balance out the visual pace. It's not as instantly impressive as some of Tarkovsky's other films, but I think this maybe his strongest movie, all around. It's the story of a man who saved the world, without anyone ever knowing it, and the trade off, man must make with God, in order to survive. A prayer on film.

  • Offret

    maeva2004-09-21

    SPOILER: This is the best movie I have seen so far. I watch it again about once or twice a year, like a ritual or an annual holiday I would be taking into levels of consciousness where the mind is not really required. I do not understand, and I do not feel like I have to, it is secondary. I feel touched like only pure and silent beauty can touch me, or bliss. It is obviously created around an idea of sacrifice, being both a gift to others but also to ourselves. By offering his life in order to save his family, his grandson and the world, the main character is also giving a true meaning to his own life that had mostly been of artificiality, questionings and shallowness. Every person who enters the house, he starts seeing under a deeper if not more expressionistic light... And when he meets with magic (while making love with the witch) he creates the bridge that will take him from reality into mystery. The whole film is as breathtaking and self-sufficient as a painting, or even more so, a Russian icon. It is ageless. I suppose it will remain with me for my entire life. I consider it Tarkovsky's last will, but even more so a piece of the Human Heritage that should be protected and kept accessible for future generation.

  • Find it, Get it somehow... It will change your life.

    Sculptor1999-01-25

    I have just registered to the database, and this is my first review that I've written for it. The first film I thought of was The Sacrifice, Andrei Tarkovsky's final masterwork, and in my opinion his best. This film affected me like no other, and forced me to look at Tarkovsky in an all new light, as a spiritual creator. See this film, I guarantee it will change your outlook on life if you give it the chance. It is the most challenging, spiritually invigorating film I have ever seen, by truly the greatest cinematic poet/visionary of all time. Tarkvosky is the future of cinema, the one who carried the torch, the one whom all aspiring cinematic artists should look to, and a genius who passed far before his rightful time.

  • Slow but satisfying.

    clard112001-12-01

    Quite possibly my favourite film. Quite why I'm not always sure -- perhaps this is really a rather pretentious film ? Perhaps one in which a long time is spent without engaging the audience ? One with perhaps the most unlikely postman one might meet outside of a Bergman film set ? But, from the moment the camera opens lovingly on the icon, to the closing as the ambulance drives away, I find myself captivated, and drawn back to watch again. As with Tarkovsky's other films, certain images linger long in the memory:"little man" watering the ikebana, the levitating witch, the crashing milk jug, the roar of the jets. For those of us cursed with a lifetime of weekly wage slavery this is a fine restorative film for the spirit.

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