Sleepless in Seattle (1993) is a English movie. Nora Ephron has directed this movie. Tom Hanks,Meg Ryan,Ross Malinger,Rita Wilson are the starring of this movie. It was released in 1993. Sleepless in Seattle (1993) is considered one of the best Comedy,Drama,Romance movie in India and around the world.
After his wife Maggie passes away, Sam Baldwin and his 8-year-old son Jonah relocate from Chicago to Seattle to escape the grief associated with Maggie's death. Eighteen months later Sam is still grieving and can't sleep. Although Jonah misses his mother, he wants his father to get a new wife despite Sam having not even contemplated dating again. On Christmas Eve, Sam (on Jonah's initiative) ends up pouring his heart out on a national radio talk show about his magical and perfect marriage to Maggie, and how much he still misses her. Among the many women who hear Sam's story and fall in love with him solely because of it is Annie Reed, a Baltimore-based newspaper writer. Annie's infatuation with Sam's story and by association Sam himself is despite being already engaged. But Annie's relationship with her straight-laced fiancé Walter is unlike her dream love life in the movie An Affair to Remember (1957). She even writes to Sam proposing they meet atop the Empire State Building on ...
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I won't lie to you-this movie is a CHICK FLICK! Though I never saw it with a guy, it is definitely a chick flick. That said, it's a high-end chick flick, which probably a few guys might enjoy, unless they happen to be the exploding helicopter type^^; This movie feels more like a modern day adaptation of the classic romance "An Affair To Remember," and it keeps referencing it too (In fact, the Cary Grant classic is very integral to the plot). Tom Hanks and Meg Ryan have great chemistry together, and they both do what they're good at-Tom Hanks portraying the Everyman, and Meg Ryan being cute and innocent. I have to disagree with an earlier comment that this film is unfair to guys-the way the characters are portrayed, I'd have to say that in the reverse situation, I'd still feel the same way. Meg Ryan does not have the "evil woman" syndrome that popped up in later 90's chick flicks (The most notorious of which was "My Best Friend's Wedding"). She is very believable and actually does care about the feelings of her fiance. What I particularly liked is that the fiance was not portrayed as someone who Meg would do well to leave. Most movies fall into this trap-Someone is about to marry someone who is horrible and find that someone else is better, the viewer supposedly not feeling bad because the fiance was a jerk anyway. Tom Hanks really shines here as someone who has lost the most important person in his life and is trying to rebuild again. He always has a knack for easily slipping into the roles he's given and making them really convincing. He does not fail here-you feel for him especially during the sequences where he starts remembering his late wife. The movie's plot starts to stretch plausibility at the end, but not to the point where it destroys the entire film. The ending scene in particular is handled very carefully. You could have had a big, romantic, tear-jerking moment. Instead, the movie takes a more simplistic approach, and it succeeds-it feels much more natural than the alternative. Overall, if you're in for a feel good romance, you should see this. If you happen to be female, this is DEFINITELY worth watching.
Regardless of how cyberspace has seemingly diminished it's size, the world is still an awfully big place, and it's impossible for any one person to occupy more than a minuscule portion of it at any given time. So it's imperative that individuals find that special niche for themselves, that little piece of the world that becomes their own, where they can live and love and engage in the pursuit of happiness. And once that `perfect' world is created, it's devastating when something upsets the balance, as in the case of this film, the death of a spouse. When the love of a lifetime is abruptly taken away, how does one recover? Can one recover? How do you go on when your heart has been removed? All valid questions that are explored and addressed in Nora Ephron's touching and romantic `Sleepless In Seattle,' starring Meg Ryan and Tom Hanks. The film begins on a somber note, with the funeral of Maggie Baldwin (Carey Lowell), respectively the wife and mother of Sam Baldwin (Hanks) and his son, Jonah (Ross Malinger). Maggie was the love of Sam's life, and inconsolable after her passing, he decides the best thing for himself and his son is to move to another city and try for a fresh start. So they head west as far as possible, to Seattle, where Sam remains unable to emerge from the funk of his loss. Christmas and New Year's is especially tough on Sam and Jonah, and around this time Jonah happens to tune into a late night talk show featuring Dr. Marcia Fieldstone (Caroline Aaron), whose job is to help her listeners with their problems. Jonah calls her and tells their story, then takes the phone to his dad in the next room, and in deference to his son, Sam consents to talk about his situation on National radio. In the Baltimore area, writer Annie Reed (Ryan) is listening, and touched by the sincerity in Sam's voice, she cajoles an assignment that subsequently takes her to Seattle, where she attempts to hook up with Sam, a man she knows only as a needful, disembodied voice from the radio. So begins a romantic odyssey that probably could only happen in the movies, but it makes no difference because in Ephron's capable hands, this story works, and it works beautifully. There's a line in the movie, in fact, that kind of sums it all up: Becky (played by Rosie O'Donnell) says something to the effect to Annie that, `You don't want love, you want `movie' love. And maybe that's why this movie is so endearing and enduring; it's about the kind of love you find in a perfect world, the kind of love everybody wants and needs (though few will admit it, even to themselves) but rarely finds, and Ephron knows exactly how to make it connect with her audience. It has to do with understanding basic human needs and knowing how to translate it all into a cinematic art form that will effectively reach those who see it. And Nora Ephron does it as well-- or possibly better-- than any director before or since, and as she proved later with `You've Got Mail,' this film was no fluke; she knows her stuff, and she knows how to deliver it. It's intentionally and shamelessly sentimental, but rather than maudlin, Ephron hits just the right emotional tone, and it's perfect, from the romance to the humor she injects at just the right moment to offset the drama, to the music-- using just the right song at just the right time-- that does so much to enhance the story. Having a great cast, of course, certainly helped her in her endeavor, beginning with Tom Hanks who, with his portrayal of Sam, demonstrates once again what a consummate actor he is. Few actors can step into any given genre of film and create a character that is so complete and believable every time out the way Hanks can. Some of his characters may share some traits and have similarities, but he manages to make each one unique, which is quite a feat. When you can watch Hanks and forget that you're watching `Hanks,' you know he's accomplished something. As an actor he is remarkably giving, and so undaunted when it comes to using and exposing what he has inside. And his ability to circumvent any natural inhibitions makes him great at what he does, and it's what makes a character like Sam so memorable. Meg Ryan, as well, is an accomplished actor who can play drama as well as comedy (check out her performance in `When A Man Loves A Woman'), but she really sparkles in romantic comedies like this one, and she is absolutely perfect for the role of Annie (just as she was for her role in `You've Got Mail'). She makes Annie a very real person, and through her we can empathize with Sam's situation, as she enables and allows the audience to experience what she is feeling right along with her. Ryan, through her character, makes that emotional involvement possible, and it's one of the strengths of the film. And like Hanks with Sam, Ryan makes Annie a character you're going to remember. The exemplary supporting cast includes Bill Pullman (Walter), Rita Wilson (Suzy), Victor Gerber (Greg), Tom Riis Farrell (Rob), David Hyde Pierce (Dennis), Dana Ivey (Claire), Gaby Hoffman (Jessica) and Rob Reiner (Jay). Essentially a poignant and heart-felt treatise by Nora Ephron on life and love, `Sleepless In Seattle' is a film that offers a multitude of rewards if you are simply willing to reach out and open yourself up to it. All you have to do is let it in. Do it, and you'll be glad you did, guaranteed. It's the magic of the movies. I rate this one 10/10.
The movies are full of alternate universes and maybes that make them a great escape. Sleepless In Seattle is a great romantic comedy. Tom Hanks and Meg Ryan star in a movie where they are hardly onscreen together and yet we feel both of their characters infatuation. It's an amazing job that director Nora Ephron does in making us care about the relationship between these two characters when their not hardly together onscreen. The movie also has great performances, from the leads and from supporting players Rosie O'Donnell and Rob Reiner, as well as a very goofy but sweet turn from Bill Pullman. This movie will make you feel good.
Another lovely film from Nora Ephron in the tradition of "Love Affair" and "An Affair to Remember," with Hanks and Ryan, charming as ever, playing two people who fall in love, even though they don't meet until the final scene of the film. And what a wonderful scene it is! Romantic fantasy, yes...but an excellent film regardless.
Annie Reed (Meg Ryan) hears, on a late night talk show, about a young boy Jonah Baldwin (Ross Malinger) and his dad Sam (Tom Hanks) missing their dead mother/spouse. Immediately Annie feels a connection with Sam thinking he might be her soul mate. Problem is she's engaged to Walter (Bill Pullman). Should she track down Sam and see...or stay with sweet, dependable, dull, safe Walter? What do you think? The plot is ridiculous but damned if it doesn't work! The film is chock full of sweet, romantic songs and images. It all leads up to an admittedly howler of an ending on top of the Empire State Building--it was so over the top that, while they were shooting it, director Nora Ephron was muttering under her breath "Can we get away with this?"! Well...they did! I've got to admit I actually was getting a little misty-eyed at that point. You really don't realize how silly the movie is while watching it. The actors and the sweet, romantic tone of the film really pull you in. Hanks and Ryan were perfectly cast as the leads. They're both very good actors and excellent comedians. Unfortunately, this movie was such a huge hit that Ryan was type cast as a sweet, romantic woman. She's only now getting rid of that image. Pullman is bad in his role but it is NOT his fault. He doesn't have anything to work with--his character isn't even given a last name! He's just there as a plot contrivance. Rosie O'Donnell, however, provides excellent support as Ryans' boss. Also Rob Reiner, Rita Wilson (Hanks' real life wife) and Victor Garber shine in small roles. Also Malinger is very good as Hanks' son. The only thing that bothered me was the constant references to the old Hollywood weepie "An Affair to Remember". I HATE that film! If you hate romantic comedies avoid this at all costs. But if you're a romantic, like me, you'll love it! A definite 10! Two great bits (among many): An exchange between Hanks and a date on Hanks' son (who's being obnoxious): "He's only 8." "He's very good at it." And a hysterical discussion between Hanks, Wilson and Garber about "Affair..." and "The Dirty Dozen"!