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South Pacific (1958)

South Pacific (1958)

GENRESMusical,Romance,War
LANGEnglish,French
ACTOR
Rossano BrazziMitzi GaynorJohn KerrRay Walston
DIRECTOR
Joshua Logan

SYNOPSICS

South Pacific (1958) is a English,French movie. Joshua Logan has directed this movie. Rossano Brazzi,Mitzi Gaynor,John Kerr,Ray Walston are the starring of this movie. It was released in 1958. South Pacific (1958) is considered one of the best Musical,Romance,War movie in India and around the world.

Can a girl from Little Rock find happiness with a mature French planter she got to know one enchanted evening away from the military hospital where she is a nurse? Or should she just wash that man out of her hair? Bloody Mary is the philosopher of the island and it's hard to believe she could be the mother of Liat who has captured the heart of Lt. Joseph Cable USMC. While waiting for action in the war in the South Pacific, sailors and nurses put on a musical comedy show. The war gets closer and the saga of Nellie Forbush and Emile de Becque becomes serious drama.

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South Pacific (1958) Reviews

  • 'South Pacific?' It's Terrific.

    slush-12002-02-09

    When are folks going to give 'South Pacific' an even break? It's a wonderful film. A great big, colourful, emotional wallow, filled with romance, song, splendor, humor, and expert acting. Sure the colour filters are somewhat jarring. Blame it on the awful prints now (and it seems, forever) in circulation. Back in June 1958 the Films and Filming reviewer put it this way, "Logan has hit on the ingenious idea of using colour rather in the way that a composer underscores a films drama with music. As the emotions of his characters find their expression in music, so the cold clear tones of reality dissolve into the warm yellow and red hues of fantasy. I found this a wholly acceptable compromise, and many of the effects (indeed the whole level of the Todd-AO photography) were outstandingly good." Works for me to - and goodness knows I've seen them often enough. It also worked for the millions of cinemagoers who flocked to see the film - over and over again. Mind you, had Logan decided to supervise all aspects of the cutting etc., instead of trotting off to direct 'Blue Denim,' Fox might, possibly, have been persuaded to remove the filters before release? Perhaps, with film preservation on so many agendas these days, some of this colour-filter-exasperation could be channeled in that direction. Now, regarding all this rubbish about 'South Pacific' being a financial and critical disaster? How? In Great Britain, where it had a four-and-a-half year run at the Dominion Theater in London, it recouped three times its negative cost before going into general release. It ran for three-and-a-half years in Sydney and Copenhagen. For over two years in NYC. It even broke box office records in Salt Lake for goodness sake. And this is just the tip of the successful iceberg. The critics? Sure there were dissenters, there always are, for any film. Most, however, echoed the headline which ran in London's Daily Mirror, 'South Pacific is just terrific.' Which brings me to my final irritation, the casting of Mitzi Gaynor as Nellie Forbush. The delicious Mitzi is bloody marvelous in 'South Pacific.' She gives a beautifully multi-layered performance filled with truth and honesty. Her Nellie is real, human, and natural. In scene after scene this immensely talented actress subtly conveys, with humor and great sensitivity, her character's ever-changing moods. And, again, from NYC's Daily News to London's Daily Express, by way of Picturegoer and Films in Review, the majority of critcs agreed that, "Mitzi doesn't leave a palm-leaf on the trees when she goes into action." 'South Pacific?' It really is terrific.

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  • In Love With A Wonderful Guy

    bkoganbing2005-09-14

    Though it is only the second longest running of Rodgers&Hammerstein's musical shows, South Pacific I believe contains the best score with The King and I running a close second. On Broadway it opened in 1949 and closed 1925 shows later in 1954. It gave Mary Martin her career role on Broadway and made a pop star out of Metropolitan Opera basso Ezio Pinza. Opening on Broadway only four years after VE Day, South Pacific found a ready made audience with the American public who believed in the rightness of the cause just fought for. The show is based on two short stories from an anthology of stories entitled Tales of the South Pacific by James Michener. The success of South Pacific boosted Michener's reputation as a novelist in no small way. It's only too bad that South Pacific was not made with the original Broadway leads because it took so long to come to the screen. Ezio Pinza had died in 1956. He had done a couple of films in Hollywood that didn't do that good, but Pinza scored another great success on Broadway in Fanny. Too bad he didn't get to do that film either. Mary Martin was also getting a bit long in the tooth by 1958 to be playing young Ensign Nellie Forbush. Also in a previous sojourn in Hollywood she hadn't done that good for some inexplicable reason. Mitzi Gaynor stepped very nicely into Mary's shoes and being more of a dancer than Martin, Gaynor's part had more dancing than on Broadway. Check the routine she has when she sings and dances about that wonderful guy she's just fell in love with. It's a shame that Mitzi Gaynor did not come along when musicals were at their height. How great she would have been in some Busby Berkeley epics. Pinch hitting for Pinza is Rossano Brazzi and for Pinza's voice, Giorgio Tozzi. The big hit of South Pacific, probably the greatest hit from Rodgers&Hammerstein is Some Enchanted Evening. The popularity of that song made the South Pacific original cast album a big seller. And a whole slew of singers recorded it. Bing Crosby and Perry Como had big selling records in 1949 and Al Jolson as well. The comedy is supplied by Ray Walston who was fresh from Broadway and Hollywood playing Mr. Applegate in Damn Yankees. He plays Luther Billis, sailor and conman extraordinaire. On Broadway the part was done by Myron McCormick. In fact Walston's big scene is a reminder of how film can do things that on stage you can only imagine. He accidentally falls out of a plane with a parachute fortunately just off a Japanese held island. He's thrown a rubber life raft and has to paddle like mad to get out of range of the enemy weapons. And then sits back and enjoys the show as a whole slew of fighters pound the Japanese on that island. It's described on stage, but here you can enjoy it first hand. The primary story is the romance between nurse Nellie Forbush from Little Rock, Arkansas and French expatriate planter Emile DeBecque, Brazzi's character. The secondary story line concerns marine lieutenant Joseph Cable, nicely played by John Kerr with dubbed singing voice. Juanita Hall who is from the original cast is Bloody Mary is trying to match Cable with her daughter Liat played by France Nuyen in one of her first screen roles. She's quite the operator herself, Bloody Mary and more than a match for Walston. Three young players who made it big later and had bit parts in South Pacific were James Stacy, Doug McClure and featured prominently is Tom Laughlin, the future Billy Jack. It's too bad that we don't have a nice technicolor version of Mary Martin and Ezio Pinza, but this is a pretty good group of players who worked hard and made a wonderful movie.

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  • Cinema Paradiso

    ianlouisiana2006-08-21

    I did a significant amount of my courting to this film.It was on for so long at the "Astoria",Brighton that I must have taken at least 5 different girls to see it during its run.It may even have moved to another cinema in the town later,my memory is a bit hazy about that,but by the time it was taken off at the "Astoria" I had become a little more sophisticated and was going up to West End shows (15 shillings on "The Brighton Belle"),but I knew all the words to "There is nothing like a dame". Based on James Michener's "Tales from the South Pacific "it has some of Rodgers and Hammerstein's finest songs blended into a stirring tale of love,prejudice,redemption and heroism in wartime.Everything a 1958 audience could wish for,simple people that we were. The world is now a much smaller (and scarier)place,and what to us was exotic is now the everyday.We have lost our sense of wonder,become blase,what once evoked a gasp now merely evokes a yawn. To make any meaningful criticism of "South Pacific" we must regain our lost innocence. In 1958 American Culture was universally coveted.The American Way was the way everybody wanted to go.The idea that U.S. military personnel were ordinary decent human beings(now considered laughably naive) was widespread. Lt Cable,then a legitimate target for a mother with a beautiful daughter would now be a legitimate target for a suicide bomber. Of course the movie seems trite and laboured,disingenuous and clichéd in 2006 if viewed with nearly half a century of hindsight,but,please believe me,it wasn't always so. Rossano Brazzi was impossibly handsome and sophisticated,Ray Walston your wisecracking All-American noncom (homoerotic subtext?you're having a laugh,surely?).OK so John Kerr was a bit of a milquetoast but he was from Princeton N.J.And France Nguyen.......surely no child was ever more beautiful. I was a bit puzzled as to why Juanita Hall was dubbed because I had an L.P. at home titled "Juanita Hall sings Bessie Smith" and she sounded pretty good to me.But that was showbiz;they'd dubbed Harry Belafonte and Dorothy Dandridge in "Carmen Jones" hadn't they? And Mitzi Gaynor,surely one of the most underrated song and dance women in movies."I'm as corny as Kansas in August......"brilliant. If I'm ever on one of those endless white beaches looking out to sea and shielding my eyes against the sun,I shall fully expect Nellie Forbush and her fellow nurses to come running through the surf towards me and then I'll know I've died and gone to heaven.

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  • South Pacific Update

    darkinvader452102004-03-04

    I remember when South Pacific was first released in the movie theaters, and if a person had been around for that time and witnessed the viewing on the large curved Todd-A-O screen with surround sound stereophonic sound like Cinerama had. Yyes dear people; surround sound is nothing new], then the younger critics today would have a different outlook on this film, but I will admit that it is a little bit too long, but a beautiful movie it is. The only thing that I find wrong is that it's just too perfect. You expect a little flaw here or there, but there's nothing, and even though most of the actors and actresses singing voices were dubbed except for Mitzi Gaynor, you can't see any flubbing up of the lip-sync hing. Look at Rozzano Brazzi - his lips look like he's really singing. Even his breathing is right in there with Giorgio Tozzi who did the actual singing. This was directed by the very manic-depressive Josh Logan whose insanity is all over the screen in his directing of the movie version of "Paint Your Wagon", but Logan said that his first choice for Nelli was Elizabeth Taylor, but when she tried to sing for Rogers and Hammerstien, she was so nervous that her throat closed up on her, and she lost out. He was too afraid that Doris Day would turn South Pacific into a Doris Day vehicle, and then one day Mitzi Gaynor showed up and told him, "I know you probably think I can't play Nelli, but I'd like to test for it anyway!" After the test, he asked someone what he thought of her as Nelli and he was told, "Oh! She'll be very good if you can get her to do the things she should be doing instead of the things she's doing, her Gaynorisms - big winking eye's etc., and then he added, "Of course, you'll have to police her!" She smoked cigarettes like a chimney. So, Mitzi got the part, and at the world premier it was then well known that everyone's voice was dubbed except for Mitzi Gaynors and some woman in the audience was explaining to her friend who sang for who, and then ended up asking, "I wonder who sang for Mitzi Gaynor?" and not knowing that Ms. Gaynor was sitting in front of them, she turned around, looked at the two women and quipped, "Frank Sinatra"! Personally, I love the filters on the musical sequences, and it really adds to the enjoyment of the film. Josh Logan didn't like them, but he was warned not to film the movie in Technicolor for fear that it would look like a picture post card that you could turn over and write "Having a Wonderful Time", but with it being a little bit too long, I love the movie, and again, it's just a shame that these movies cannot be seen in a movie theaters anymore. Then - the would see the expert craftsmanship in such movies as the glorious "South Pacific"! So, considering Glenn Close in her version of South Pacific. Take it for what it is, it's not that bad. In fact, a big surprise that it turned out as well as it did. I understand that the Josh Logan version with Mitizi Gaynor is going to be released into the movie theaters again. After everyone today see's it as it should be seen, maybe this will cause the release of other musicals such as Oklahoma, The King and I, Carousel, and Guys and Dolls to be released into the theaters again. What a treat that will be, but here's another version, and a wonderful surprise: You can purchase the South Pacific Concert on C.D. starring, ready for this, Reba McIntyre as Nellie Fobush, with audience response on the disc, and is everyone in for the surprise of their life. Beba is perfection. All of the music is combined with bits and pieces of the shows Dialogue so that you feel you're watching the complete show on the stage. Reba sounds like someone from Little Rock, and her singing is wonderful. All I can say is: Rogers and Hammerstien would approve 100% and be very proud of this version. Reba and the cast is perfection! Reba knocked their socks off on Broadway playing a dynamic performance as Annie in "Annie Get Your Gun"! No wonder she is simply wonderful playing Nellie in South Pacific! If Reba is smart, the next role she'll play is Sally Adams in the Ethel Merman hit "Call Me Madam"! Go girl! Go!

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  • New 70MM Re-Release and Restored DVD!

    Cinemad--22005-09-07

    This film is due to be re-released in 70MM for limited engagements next year. A new restored DVD is also being prepared by Twentieth Century Fox Home Entertainment which includes scenes that were cut back in 1958. Somebody commented recently about the fact that "lap-dissolves" were used between many scenes in this film and this person obviously felt that this was some kind of fault. This was a common editing technique utilized in the past and was used usually to signify the passage of time. It is rarely used these days and obviously that person has not encountered this technique before and has assumed that it is a fault, but this is not the case. I am curious to know if the new transfer will feature the Broadway continuity(the Emile-Nellie Plantation scene before the "Bloody Mary" scene)? I hope it is an anamorphic transfer?

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