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ACTOR
George DzundzaJason PatricSteven BauerStephen Baldwin
DIRECTOR
Kevin Reynolds
SYNOPSICS
The Beast of War (1988) is a English,Pushto movie. Kevin Reynolds has directed this movie. George Dzundza,Jason Patric,Steven Bauer,Stephen Baldwin are the starring of this movie. It was released in 1988. The Beast of War (1988) is considered one of the best Adventure,Drama,War movie in India and around the world.
During the war in Afghanistan a Soviet tank crew commanded by a tyrannical officer find themselves lost and in a struggle against a band of Mujahadeen guerrillas in the mountains. A unique look at the Soviet 'Vietnam' experience sympathetically told for both sides.
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The Beast of War (1988) Reviews
Cold War ideology
The review of this film by whpratt1 is completely wrong. This film is not critical of the Mujahadeen, but rather shows them struggling to fight for their freedom. The Soviet army is the oppressive evil presence. This film was made during the Cold War, when Americans saw a line drawn in the sand between communism and capitalist democracy. In the film, the Soviets are clearly the bad guys, and the Mujahadeen are fighting the good fight. The main character comes to understand this during the film, finally telling his Soviet commanding officer that "we're the Nazis this time." During the Soviet invasion of Afghanistan, the United States funded, supplied, and trained Mujahadeen forces. American stinger missiles were used to shoot down Soviet helicopters. The most famous Mujahadeen fighter trained by the United States would come to be Osama bin Laden. He would participate in the fight against the Soviet army, much to the approval of the United States. This film pays tribute to the Mujahadeen for valiantly defending themselves against America's enemy. The fact that the United States has invaded Afghanistan makes the film much more interesting to watch. It is ironic that these militants once praised by Hollywood are now our enemies. The lesson this film should teach us now, albeit inadvertently, is that we should be careful who we glorify and who we vilify. Humans will be humans, and will fight for what they *believe* is right, sometimes whether it actually is right or not.
JUSTICE?: RAMBO makes Millions, THE BEAST, $160,000...
Allegedly came out during a change of administration at COLUMBIA, and they knew not what to do with it, and at a time when the 'blockbuster' mentality was starting to become the norm, THE BEAST may have played in what, five cities for a week or two.....they say the most valuable gems can be the hardest to find...and THE BEAST is no exception to that maxim... This is as close to a 'foreign film' out of Hollywood as you are going to get...the story brings the conflict between people forward, and makes the action incidental-virtual guaranteed bankruptcy for a US film today. And as for the actors speaking English-I think the producers realised they were close enough to no profit by having one language being subtitled as it was-the whole film being subtitled would have seen no financing at all, probably.-That just doesnt fly in H-town....'art-house' kiss of death... However... The acting is first rate. The story is lean, and to the point. The scenery is stark and beautiful-well, IMHO.... There is little pandering to the audience, and little Cultural Condescension that I can see- The viewer soon becomes loyal to the Mujahadeem Rebels, not because they are against the Ruskies, but because they have the will and the right to exist as they are, not to be dictated to by a 'higher' invading power... Thought it suffers a bit from low budget, I would rate THE BEAST up with FULL METAL JACKET, PLATOON, DAS BOOT, and APOCALYPSE NOW... an EIGHT out of TEN stars... dont rent this-OWN it!
Compelling and absorbing depiction of human struggles...
A very enjoyable film! Reynolds captures the essence of man's struggle with right & wrong, good & evil, on several levels in this realistic depiction of the Soviet-Afghan conflict. It was both meaningful and entertaining. I gave it an 8. The internal conflicts of the characters reflect the many ways that people reconcile and deal with their emotions and beliefs vis-à-vis the roles thrust upon them by war and duty- the soldier, the faithful, the victim, the oppressor, the revenge-seeker and the order-follower. Each main character struggles at some point with his or her decisions in the face of right and wrong, duty and morality. It is the results of these choices that guide the film to transcend the events of war, and delve into the universal questions of how and why man struggles with real and painful choices. Although the film does prove to be quite predictable, the underlying messages are timeless and well depicted. A moving story with good character development artistically filmed and approached realistically. The brutality and violence of war is not gratuitous, and the anti-war message is delivered superbly. I highly recommend this film to all audiences... not just war-film buffs. With the US presence in Afghanistan today, the film should serve to help understand that conflict and this one in regards to the human components that are so often overlooked. A note regarding other user's comments: The film was subtitled. It seems that some saw it without the subtitles for some reason. If you are one of those people, you really must view it with them. Rent it. I cannot imagine truly understanding the full scope of the film without the benefit of the Afghan dialog. Also, the "Americanization" of the soviet dialog not only serves to draw parallels between that conflict and the Vietnam War, but it universalizes the struggles of war and allows the viewer to empathize on a human level- not just a political one. In our long human history, how often have these basic human conflicts occurred... particularly in times of war and oppression and injustice?
Lawrence of Arabia, Platoon and Das Boot combined.
I saw this movie when I did my tour of duty in the Dutch Army, as a loader on a main battle tank. There aren't really much movies played in a tank, but this one is and pretty realistic (other than Rambo where he drives, en shoots with a tank = impossible). The claustrophobic effect is nice portrayed like the u-boat movie Das Boot. But this movie is more than another war-movie, it has more levels. The differences of opinion between two men in a tank crew shows parallels with Platoon. The country loyal, but ruthless Russian commander is like the Barnes character of Platoon. And the Elias side, the more human character is played by the tank driver, probably the most intelligent person on the tank, who despises the cruel decisions of the tank commander and questions the motive of the Russian government, and the stress and tension in the tank rises to boiling point, not helped by the constant thread of the Afghan mujahedin. Eventually the driver gets more and more respect for the mujahedin. Like a kind of happens in Lawrence of Arabia or Dances with Wolves. This Afghan warriors are hopelessly out gunned, with only horses and old guns, it's really David against Goliath. This group (with it's leader surprisingly played by Scarface's sidekick Steve Bauer) is also divided, as one part are only interested in money and equipment. Excellent and underrated war-movie, I suspect the title is not chosen wisely.
Moby Dick, with Ahab in the whale...
This neglected and largely unknown anti-war film, ranks as one of the best of the genre. Since other posters have commented extensively on this movie, I'll limit myself to a few comments about those elements others have not addressed. In it my understanding from material I read at the time the movie was in release (I saw it in Los Angeles when I was living there in the late 80s) that the actors who portrayed Afghanis learned and delivered their lines phonetically. The fact that the "Russians" sound like Americans, and the Afghans are speaking the language without subtitles is a brilliant dramatic device. Virtually no one is going to understand what the Afghanis are actually saying, but it is possible to get the gist from the context and from body language. This has the effect of alienating the viewer from the freedom fighters and making them tend to identify with the Russian tank crew. The movie then operates subversively against this natural tendency throughout the remainder of the story. The hunting of the tank by the Mujahadeen has an almost mythic quality, except for the fact that the T-62 is real and it has a human crew. And leading that crew is the tank commander whose entire life was shaped by his experiences in "The Great Patriotic War" against the Nazis when, as an 8-year-old, he was used by Russian troops in Stalingrad to help kill German tanks. The commander is as monomaniacal as Ahab, but instead of pursuing the whale, he is it's animating spirit. There are a lot of layers to this movie -- it will definitely repay repeat viewings.