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The Damned United (2009)

The Damned United (2009)

GENRESBiography,Drama,Sport
LANGEnglish
ACTOR
Colm MeaneyHenry GoodmanDavid RoperJimmy Reddington
DIRECTOR
Tom Hooper

SYNOPSICS

The Damned United (2009) is a English movie. Tom Hooper has directed this movie. Colm Meaney,Henry Goodman,David Roper,Jimmy Reddington are the starring of this movie. It was released in 2009. The Damned United (2009) is considered one of the best Biography,Drama,Sport movie in India and around the world.

Taking over England's top football club Leeds United, previously successful manager Brian Clough's abrasive approach and his clear dislike of the players' dirty style of play make it certain there is going to be friction. Glimpses of his earlier career help explain both his hostility to previous manager Don Revie and how much he is missing right-hand man Peter Taylor who has loyally stayed with Brighton & Hove Albion.

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The Damned United (2009) Reviews

  • Damned Brilliant

    gary-4442009-03-29

    Football has been poorly served by the cinema to date. "The Damned United" goes a long way to rectifying that. A bravura performance from Martin Sheen as Brian Clough and a faithful, intelligent screenplay by Peter Morgan combine with a well chosen storyline to deliver a convincing tale. Crucially, this is not a film about football, it uses football as a framework for ambition, greed, success, failure, friendship and love. The traditional traps surrounding a football film are avoided. "Live" action is limited, and team sequences brief. Consequently the characters are given a chance to breathe and develop , not just Clough's, but those of Peter Taylor, marvellously captured by Timothy Spall, and others . Chairmen Manny Cousins and Sam Longson enjoy rewarding cameo parts and the footballers themselves are picked as actors rather than surrogate footballers. Critics may carp about the odd anachronism and unconvincing physical shape of the Leeds United team in particular but it is the ego of Brian Clough which bestrides this story. The 90 minutes barely does justice to his 45 days at Leeds as his career up to the appointment is interwoven into the main tale. Although faction is a dangerous device, for me it does justice to both the lovingly recreated era and the characters. Cloughs family have apparently repudiated this work, which is a shame. It is broadly favourable with the wrinkles as foibles rather than damnable weaknesses. The film closes with a re-creation of the YTV interview with Clough and Revie sitting side by side immediately following Clough's dismissal. The atmosphere is electric, Clough is surprisingly conciliatory whilst Revie delivers an, "I told you so", tour de force. Echoes of the Sheen/Morgan collaboration Frost / Nixon abound as does the repeated device of the late night telephone call from the arch protagonists, this time Clough to Revie, last time Nixon to Frost. The final reconciliation between Clough and Taylor is as brave a depiction of a male platonic relationship as has been screened for a very long time. A triumph for all concerned.

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  • Excellent character study of depth and resonance. A great Brit-flick.

    iandfleming2009-03-31

    I am currently two thirds of the way through the novel. I'm finding it to be a great discovery. Peace's writing has all the energy and pace of Irvine Welsh at his best and having just caught the Red Riding trilogy, he's captured my imagination. What he has truly captured in The Damn United is the true spirit of the 70's and the days when I would watch football dressed in the kit of whatever team I was supporting that week, on my Dad's knee. My Dad loathed Brian 'Bigmouth' / 'Bighead' Clough! But even as a boy I loved him, thought he was hilarious. Reading the novel and seeing the film, we discover a man truly out of time ... more a man / celebrity of the future. The first celebrity football manager? If he'd been a manager in the Britpop era, he'd be a national treasure now ... and may even have been given the England job he so coveted and that the fans longed for him to have. watching Sheen (yet again!) faithfully recreate voice, mannerisms ... inhabiting this character, makes this film (for it is a 'film' in the truly British sense) all the more compelling. Cloughie is complex, sensitive, probably with an inner shyness that he masked outrageously with his outspoken diatribes. He was everywhere when I was a kid ... TV, papers, magazines ... always with a controversial line that makes Noel Gallagher look like he minces his words. The on screen footie from actors is mercifully kept to a minimum, as - as always, actors don't make for convincing footballers. Even the moments from them we do get, they look clueless. But it doesn't detract from the story ... a story of obsessive desire, absolute drive and male relationships, in a time when male bonding usually meant trading a punch or two. This is a good if unfaithful adaptation of the novel. Why in the film do Cloughie and Peter Taylor fall out with a row on the Malaga harbour? In the novel, they trade punches and Cloughie makes a real show of himself ... thus making the reunion all the more difficult. But it's a small gripe. The thing I really took from this was although times have changed for football - when did Man Utd dressing room last have ashtrays??? - essentially, things have changed little. Big star players, vast amounts of money (£150,000 was considered a fortune back then), teams fortunes spinning on their positions in the old division one, the league being dominated by one or four big clubs. And the cheating, and the ref baiting ... little has truly changed. Good to see a strong Brit-flick that doesn't resort to mockney gangster schlick or the current plethora of cheap horror schlock. This is a character study of depth and resonance. Beautifully, stylistically photographed and wonderfully performed. GO SEE IT!

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  • Michael Sheen is Brian Howard Clough...

    the_rattlesnake252009-03-30

    Brian Howard Clough. "The greatest English manager never to manage the English National side." Whether you agree with that sentiment or not, everybody knows Brian Clough was one of the great personalities of the game. Based around David Pearce's bestselling novel 'The Damned United' (which Johnny Giles called: "fiction based on fact"), the films narrative follows the events preceding and during those fateful 44-days of management from the perspective of Cloughie (played by Michael Sheen). Sheen turns in, yet another brilliant performance as the arrogant, stubborn, distant, bitter, intelligent, yet highly flawed man who went on to become a legend of British football. From his mannerisms to the way he speaks, Sheen projects the outward personality of Brian Clough through to the audience to a tee. And more importantly he takes the film away from the touchlines of simply being 'another football film', and instead creates a human drama about one man's battle with jealously, bitterness and ambition and how that can destroy everything around you, quicker than Billy Bremner could break your legs. While Morgan's script keeps up the dry wit and humour, and Hooper's direction carries the colourful scenery of 1960's and 1970's Britain, the film could have spent more time centred around the other players on the pitch, more specifically Clough's second in-command in Peter Taylor and the Leeds United side of the Revie era. They are shown to be Revie's surrogate sons and nothing more. With that said however, I found it a hugely enjoyable film that went way beyond the stereotypical association we have football films today and instead created a profile of a man who encompassed everything that was good, bad and all that in between about the beautiful game.

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  • Whether or not it's fact or fiction it's certainly entertaining!

    thependragon-12009-03-24

    I went to see this film with a certain trepidation as I don't always understand the true workings of the so-called beautiful game. I'm often rather lost by the offside rule, not too sure what actually constitutes handball and can't quite understand why a good friend can kiss a poster of George Weah and refer to the Liberian as a God. However, I can recognise what a worldwide phenomenon football has become and the massive status that the late Brian Clough held within in the sport. Clough was one heck of a character and very much of his time and this is where 'The Damned United' really succeeds. You feel like you are truly watching the 70s when men were men and modern players like constant diver Cristiano Ronaldo would have been laughed (or even kicked) off the pitch. Sheen gives an excellent performance and Clough is portrayed as a complex individual with the sort of charisma and wit, which may endear him to cinema-goers who have little knowledge of football or the man himself. However, I saw this film with a friend who is a huge soccer fan and who confessed afterwards to having certain problems with the accuracy of the story. The film is after all based on a book by David Peace, which merges the facts with his own fiction to show what he thought might being going on behind the scenes during Clough's reign as manager of Derby County and his infamous 44 days in charge at Leeds United. Having recently watched some TV dramatisations of Peace's other novels involving the real life Yorkshire Ripper murders it is easy to see why some people find his particular way of merging fact with fiction lacking in credibility. I personally didn't have such a problem with this film as I felt it really got to grips with who Clough was as a football manager and his probable motives for how he went about the job at Leeds. While the film's narrative sometimes veers confusingly back and forth between Clough's time at Derby and his short spell at Leeds, 'The Damned United' is a really enjoyable piece of entertainment full of great actors bringing to life intriguing characters. The ultimate strength of the film is that the story manages to become more about friendship (the relationship between Brian and Peter Taylor) and the destructiveness of vanity rather than how many football matches Clough won.

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  • Not bad, young man.

    chrismartonuk-12009-03-28

    The life of the egocentric one gets the big screen treatment - another feather in his cap, and one to put over Shanks, Busby, Mercer, Allison, Paisley etc. The fact he shares the spotlight with Don Revie would be his only disappointment. One may find the numerous anachronisms and inaccuracies distracting, i.e. Dave Mackay had left Derby before Clough and Taylor's resignation, and that 5-0 Leeds triumph came the year after County's championship triumph (or robbery as devout Geldard Enders would maintain) - I know, I was there that great day wallowing in revenge for the previous year's injustices. Without resorting to caricature, Sheen effortlessly conveys Clough's rampant narcissism and hubris. His obsession with Revie is portrayed as something he needs to work out of his system before getting his life back on keel. Revie is depicted as such a cartoon villain that one is almost disappointed that he doesn't appear clad in top hat and black cloak, chuckling evilly as he twirls his moustache and ties Cloughs' two sons to the railway line. Colm Meaney is uncanny in his depiction of the Elland Road supremo and his face captures the haunted look of the man who must have felt the fates were against him at times. Spall seems physically miscast as Taylor but puts across the fact that Pete was Clough's often unheeded moral conscience - a fact illustrated by how Clough went to the bad in his later years at Forest when Taylor wasn't around. Jim Broadbent is every provincial businessman made good as Sam Longson who must have needed the patience of a saint in his latter years at Derby. Occasionally, the script's pace works against it. Clough and Taylor have barely signed the contract with Mike Bamber when they're off to Majorca. It might have been better to have a scene or two showing their tribulations at Brighton which increased Clough's desire to snatch at the first decent offer that came his way. I still remember hearing the humiliating defeat they suffered at home to Bristol Rovers on the coach back from Elland Road on the radio - and the ensuing hysterical laughter. To think, one year later, we were laughing the other side of our faces.

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