The Founder (2016) is a English,Yiddish movie. John Lee Hancock has directed this movie. Michael Keaton,Nick Offerman,John Carroll Lynch,Linda Cardellini are the starring of this movie. It was released in 2016. The Founder (2016) is considered one of the best Biography,Drama movie in India and around the world.
1954. Having worked as a salesman most of his adult life, Ray Kroc has been a hustler in most senses of the word. That hustling has made him the target of derision among certain circles for peddling what have ended up being more novelty or faddish than useful products, but it has also placed more than a comfortable roof in Arlington Heights, Illinois over his and his wife Ethel's heads. Ethel, however, wishes that he placed as much effort into being at home with her than he is in selling, his current job of peddling five-spindle milkshake makers for Prince Castle which has him constantly on the road going from one drive-in restaurant to another. It is because of the beefs he has with the whole drive-in experience (bad food, bad service) in constantly eating at such establishments while on the road that he becomes enthralled with the concept of McDonald's Restaurant in San Bernardino, California, it owned and operated by brothers Richard McDonald and Maurice McDonald - Dick and Mac. ...
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Biographical dramas tell stories about significant people in history but they are always much more than that. The person chosen for the bio-pic reflects something about the values of the era and the society from which they came. In this sense, The Founder (2016) goes well beyond the story of a global hamburger empire to the values that made McDonald's possible and it does not paint a pretty picture. The mantra "persistence is everything" is heard at the beginning and the end of this film but when decoded it means persistent treachery, greed, and a code of ethics toxic enough to remove some gloss from the world's most recognised golden arches. The real founders are brothers Maurice (John Lynch) and Richard McDonald (Nick Offerman) who pioneered the idea of standardised burgers made quickly that led to the modern fast-food industry. Into their lives came Ray Kroc (Michael Keaton), a struggling milkshake-mixer salesman who is amazed at the queues of people lined up for burgers and fries. The brothers trust Ray, tell him their secrets, and in 1954 Ray becomes the franchise manager responsible for setting up new stores. Driven by insatiable greed, Ray wants to go national but the brothers fear loss of quality control. When Ray realises that owning the property on which stores operate gives him complete control of the business, his takeover plans are rolled into place. The storyline follows the facts of history but it is the film's characterisations that are its real achievement. Perhaps best known for his extraordinary performance in Birdman (2014) Michael Keaton is in a class of his own when it comes to portraying deeply flawed people living on the edge of sanity or evil. From the opening scenes his eyes express callous disregard for others, and at one point he boasts that if a competitor was drowning he would not hesitate to put a running hose deep down the victim's throat. His flawed humanity is contrasted by the authenticity and honesty represented by the brothers. Excellent casting, directing and period sets make this a thoroughly engaging story. This film also arrives with remarkable timing given the current global spotlight on the home of capitalism. Millions of McDonald's fans are regularly processed by one of the most sophisticated marketing machines on the planet. Seeing The Founder is a bit like finding out that Santa Claus is Satan in disguise. Good cinema not only entertains: it shows the world as it is, not as we believe it should be. The Founder tells a story that should be told, and it does it brilliantly.
For many the thought nowadays of takeaway food is but a convenience we all enjoy (some more than others) but at one stage during human history the very idea of having your burger, fries and ice-cold Coke ready in mere seconds was a novelty that began sweeping the nation of America before taking over the world as we now know it today. A staple for over 60 years, McDonalds restaurants are a mainstay of everyday life, a reliable source of cheeseburger delicacies, crispy French fries and refreshing beverages that continue to supply the goods to those both young and those young at heart. When consuming McDonalds however, its unlikely many of us have ever truly considered where this establishment was born from and thankfully for all us, the story is a real doozy. It's often the case these days that high profile, well-marketed biopics are reliable as a Big Mac (you always know what you're going to get) but John Lee Hancock's film is imbedded with both an energy and pace that elevates it above the usual bio-fair and with another awards worthy turn from Michael Keaton as its centrepiece, this enthralling slice of history is a fabulously entertaining ride tinged in nostalgic 1950's vibes and garnished with a quick- smart script from The Wrestler screenwriter Robert D. Siegel. Capturing the time, place and allurement of this mankind changing business model, The Founder does a great job of transporting us back in time as we ride alongside struggling salesman Ray Kroc, whose eyes are opened when he comes across the McDonald brothers, whose business model of "fast food" finally gives Ray the chance his so longed for all his life, to make a buck and then some. Keaton's performance as Kroc is quite the feat. His a genuinely cold and calculated character but as the film begins we are happy to see him put in the hard yards as his franchise model of stores takes off but as the brand grows so does Kroc's ego and Keaton's performance morphs naturally as it does in fascinating and unexpected ways. Come the films later stages, the real feat of Keaton's turn comes into the spotlight and what we're left with is a layered character brought to life by the performer, whether it's in comical situations or brutally raw moments shared with lawyers, Keaton is on fire here and while his ably supported by the likes of Nick Offerman and John Carroll Lynch as the unfortunate McDonald brothers Dick and Mac, The Founder is founded off the back of Keaton's turn and whilst unlikely that this film will find itself in to many awards categories, Keaton is looming as a key player in the upcoming awards season. The Founder is one of those rare biopics that grabs you from the get-go and doesn't let up. A well shot, scored and acted studio film that tells a story worth telling (plus one of the best advertisements McDonald's has never paid for), The Founder offers a fascinating insight into the beginnings of the McDonald's brand that also gives us an equally fascinating real life figure and another chance for the career revival of Michael Keaton to continue on its merry way. 4 milkshake sachets out of 5
This film is not really what you expect it to be. Upon first glance at the trailer you would think its the story of the founder of McDonalds who comes from nothing and works hard to start a global fast food chain. That's really not what this was about. I would say this film is quite unique; I never expected the roots of a popular fast food chain to get a film. I'd be lying if I said I wasn't intrigued to see the film though. Overall, I'd say its a mixed bag with a stronger first section than second. Michael Keaton plays Ray Kroc, a down out of luck milk shake mixer salesman, who one day stumbles upon a restaurant owned by the McDonald brothers. This restaurant innovative service where orders are made in 30 seconds or less, through the technical setup of equipment, staff, and assembly line-like practices. Kroc becomes enamored with the idea of fast food chains and eventually sets into motion multiple stores around the country, much to the brothers behest. Kroc is not a lovable guy at all, if anything he is an extremely selfish, self-motivated snake who betrays his partners and family. Keaton is perfectly fine in this yet again continuing his acting resurgence. There is betrayal and greed at every turn, thus the films marketing doesn't prepare you for the type of greedy character seen in Kroc. It is what it is and this is probably how many business men get ahead in life. It was interesting to hear the McDonald brothers story and seeing just how the first store started up. As stated earlier, the film starts off very engaging but goes through lapses of being uninteresting despite being in an unfamiliar place from a storytelling perspective. I wasn't sure if this was going to be one of the Oscar season pictures but after seeing it I can see why it isn't because it becomes too generic and doesn't really offer much worth talking about besides a story that may be shocking to people. I'm not really sure if its a film we needed but at the very least you may be interested to see the history of probably the most recognizable fast food chain in the world. They should rename this film The Thief. 6.5/10
The Founder is another tale of the American Dream. It's the kind of tale we've seen a million times before. American man wants to become successful, sacrifices morality for moolah, etc. It's The Godfather, it's The Social Network, it's The Wolf of Wall Street. And The Founder, while entertaining, offers pretty much nothing new, or distinctive, to contribute. It is directed fairly conventionally, the story hits all the beats you'd expect, and it's not going to stick to your memory for too long. But that discounts the fact that the film is rather well made. Performances are uniformly solid, and the film is undeniably compelling for much of its run time. But the real reason to see the film is the powerhouse performance of Michael Keaton, a neglected actor throughout the 2000s who seems to be finally getting roles that he deserves with this, Spotlight and Birdman to consider. He is slimy, charismatic, and curiously sympathetic in all the right ways. In all The Founder may not light your world on fire, but it's a rock solid tale of greed and the American Dream that ought to entertain most that it meets. Side Note -I have no idea why this is playing in Australia over a month before it comes out across the rest of the world, but hey I'm not complaining.
Greetings again from the darkness. How you define success will likely determine your interpretation of this film that is every bit as much about the humble beginnings and explosive growth of McDonalds as it is a biopic of Ray Kroc, the self-professed "founder" of the golden arches empire. Capitalism and its corresponding businessmen have not typically been favorably portrayed by Hollywood in such films as The Social Network, Wall Street, Glengarry Glen Ross, Steve Jobs and The Wolf of Wall Street. This latest from director John Lee Hancock (Saving Mr. Banks, The Blind Side) and writer Robert Siegel (The Wrestler) is no exception, and it's obvious why. It's 1954 when we first catch up with Ray Kroc (as played by Michael Keaton). He's the type of travelling salesman who totes around his latest widget (a multiple milkshake machine), rehearses and polishes his spiel (via extreme close-up), and listens to motivational record albums that preach the importance of persistence, while he stays at roadside motels that act as his home away from home. Kroc doggedly pursues the American dream, and optimistically bounces from one project to another convinced that he's found "the next big thing". When circumstance leads him to a crowded little octagonal burger shop in San Bernardino, Kroc becomes fascinated with its simplicity and success. Over dinner, Dick (Nick Offerman) and Mac (John Carroll Lynch) McDonald detail the Spee-Dee kitchen design and unique focus on quality, consistency and speed that today is considered the starting line of the fast-food industry. The tennis court sequence is especially creative and fun to watch. While the brothers prefer to keep the business small and remain in control, Kroc pitches his vision of franchising a pitch with emphasis on "Crosses. Flags. Arches". The full story is likely one most people don't know despite the fact that McDonalds now feeds 1% of the world population each day (a statistic posted on screen). The relationship between Kroc and the McDonald brothers was never a smooth one, and it's a perfect example of dog-eat-dog, or unprincipled vs idealistic. Kroc sees himself as a "winner", while it's likely most will view his actions as unscrupulous, even if legal. Keaton's performance accurately captures a man who is impatiently ambitious, and whose confidence and ego grow incrementally as it becomes inevitable that the decency of the brothers is actually a weakness in business. Offerman and Lynch are both excellent, and other support work is provided by Laura Dern as Kroc's first and mostly neglected wife who is tossed aside when something better comes along; BJ Novak as Harry J Sonneborn, the key to Kroc's power move; Justin Randell Brooks as Fred Turner and Kate Kneeland as June Martino, two trusted employees; and Patrick Wilson as a key franchisee. Linda Cardellini (Mad Men, Bloodline) plays Joan, Ray's wife (she was actually his third) and business adviser from 1969 until his death in 1984. The film shortchanges her importance – at least until the closing credit recap. Bookending that opening extreme close-up sales pitch, is a near-conclusion zoom on Keaton's face as he prepares for an event where he will tell his story at least his version of the story. The film does a really nice job of capturing the era. Of particular interest is that the cars don't look like they rolled right out of a classic car show, as happens with most movies. It's nice to see some faded paint and a dented fender on screen. The early McDonalds locations are beautifully and realistically replicated to provide a nostalgic look for some, and a first glimpse for others. Carter Burwell's score is complementary to the proceedings, and director Hancock deserves credit for not just making this the Michael Keaton/Ray Kroc show. Rather than serving up a Happy Meal movie, the film instead provides a somewhat toned-down historical view of ambition and drive, and the birth of an empire one that changed our culture.