The Omen (2006) Reviews

• Save your money--rent the original

  sharkey1972006-06-21

  I wanted to like this remake. I really did. But I can't and the reasons--like Satan--are Legion. You never realize how important good movie music is until you can compare two films with similar stories and different scores and realize that the original gave you such creepy, stunning music that what is in the remake can never compare. Sorry, but it just can't. If they copied so much else from the original, why not the score? It was vital. Liev and Julie are just not interesting enough or grounded enough to be able to root for. And who cares that there are allusions to their marriage being a little rocky? Hello! We don't care about that! We want to know about the AntiChrist Kid you adopted, so don't get off on side issues that don't advance this plot. And what's with having the priest actually say "his mother was a jackal" right at the beginning of the film???? That was one of the best suspense builders in the original. Was it because they didn't think we would understand what a jackal was? The worst was Liev giving him a serious look, as if to say, "hmm, must take this under advisement." And the decapitation of the reporter was BETTER in the original. It was done from the side, in slow-motion, and then the head rolled and landed at Gregory Peck's feet, a chilling sequence which we knew was coming and they built up to it with agonizing slowness. The new one had more blood, but no horror. It was cheesy, instead of scary. And please--this little kid, who everyone said was so much better than the original acted the part as if he had a sign in neon on his forehead saying, "Hi, I'm the AntiChrist Kid!" Talk about telegraphing. All in all, this remake was pointless. Maybe the devil can't scare us that much anymore, but the next time I see a remake, I will certainly run for the hills.

• Not as good or evil as the original.

  randomStuff1012006-06-07

  I really liked the original Omen. It didn't need to be re-made. There is nothing that modern film-making has brought to this film to make it stand out against the original. It's not as scary, not as honest or raw. The original film is genuinely disturbing -- from the dogs, to the nanny, to Damien... this modern remake just isn't as convincing. It has it's moments, and isn't that terrible, but there's an annoying distance, or separation between the subject matter and the film. It's too clean, too polished... it just isn't evil enough. The music is not as good, the deaths are not as disturbing. But should we judge this film on its own merits? No, because it's a carbon copy remake. There is very little new material worth mentioning. The only positive thing to say is that for anyone who hasn't seen the original, it's worth a look -- on DVD. But even then I'd recommend the original.

• Just saw a press screening Fri June 2

  sigiam22006-06-02

  In a nutshell, if you've never heard of the original or are unaware of the storyline, the average horror film lover will enjoy this flick. If however you saw/liked the original, you'll likely still enjoy it..but you'll know exactly what's coming next because it is very faithful to the original. In fact, in most scenes, it's a line-by-line remake, and many camera shots are virtually identical to the 1976 version. What has changed is that Damien's parents are younger, and it's been updated to reflect a contemporary world of today. Also, the screenwriter decided to throw in 9/11 and recent disasters as indicators that the Armageddon is on it's way via Damien Thorne. (SPOILERS FOLLOW) There are elements of "Final Destination", but the original Omen was in fact the first to play with this type of death scene(s), where things mysteriously happen to people through strange accidents,etc. Having said that, these scenes are a little different from the original (most of them anyway) and again, as a horror fan, you'll enjoy the fact that they don't pull any punches graphically. Acting wise, the film was somewhat weak - particularly Mia Farrow's performance. In an fitting homage to Rosemary's Baby, Farrow is cast as Mrs.Baylock, the satanic disciple, summoned to protect the Devil's son (in a sense, like her character in Rosemary's Baby)Damien Thorne, in the form of a nanny. I found that she was not nearly as creepy and menacing as the original actress. Julia Stiles was not strong either, and Schrieber was OK. The kid who plays Damien isn't bad, but it's just another brooding kid role with few lines so it's tough to screw that up. Visually i loved this film, and a few sequences in particular were very very well done. As for the scares, there aren't many at all, and a few could be seen coming a mile away (dream sequence/mirror open then shuts to see apparition in rear,etc..) I did jump physically in one sequence where i wasn't expecting it (which i won't mention specifically so it may surprise you too). So, it was an entertaining 2 hours. Nothing terribly new, and not as creepy or Gothic as the first one. In a way, i was hoping it might go in a different direction, but perhaps, it's the producers' ultimate compliment to the original - keep it very similar,just updating it for a new generation of horror fans. Recommended.

• Just made me love the original more

  Superunknovvn2006-06-06

  "The Omen" is one of those movies that still hold up so well, there's really no need to remake them. The date of June 6th 2006 was probably the most tempting thing for producers to release a new version of this film now. Well, you can't say they did a bad job. This year's "The Omen" is solid as a rock and very faithful to the original. So faithful in fact, that one has to wonder what the whole point of it is. Liev Schreiber and Julia Stiles are an odd choice for the leading couple but they're both okay in their respective roles. The direction is just okay, too, but you gotta be thankful that no cheap scares (or not too many of them) were thrown in to keep viewers interested. On the other hand, it must be said that the movie is a bit slow at the beginning, especially if you already know the plot. Opinions will differ on how well recent events such as 9/11, the tsunami in Sri Lanka or the death of Pope John Paul II. were integrated into the story, but that's not really a major issue. The few changes John Moore made involve a different way of dying for one character and two or three rather effective dream sequences (the last one sticks out - it's a sequence of really creepy images without any sound effects at all, probably my favorite moment of the whole movie). Also watch out for a nice reference to "Don't Look Now". The most interesting thing, however, is the complete absence of the infamous choral score that made the original so scary. God knows why it's not here, it sure wouldn't have seem dated. If I realized anything watching this movie it's how amazing the script was in the first place. It builds up perfectly, it's thrilling as hell (excuse the pun) and there are no plot holes to be found. This is why "The Omen" still works greatly and will hopefully be enjoyed by a lot of young people who haven't seen the original. For everyone else there's no reason to spend money on a movie we have already seen in a superior version.

• Surprisingly good remake. Against all odds, I liked it a lot.

  basil782006-05-29

  I was able to get into a press screening leading up to Fox's big "Omen" press junket in NYC. Judging by the IMDb boards, people seem to be going into this remake with some very strong preconceptions. People who hate the mere idea of an Omen remake so much they'll never allow themselves to enjoy this will obviously come away disappointed. But I'm a fan of the original, and I can honestly say I was surprised by how much I enjoyed this. It may be the first effective horror remake Hollywood has pumped out. First, let me clarify: this is not, by any stretch, a shot for shot remake in the style of Gus Van Sant's Psycho. It is fairly faithful to the original plot (this is, in my opinion, a good thing) but various things have been added, and those scenes remain the same have all been reworked either in minor or significant ways. I just rewatched the original a month ago, so it may be that I was more attuned to the differences, but I found they hit a good balance in keeping close to the original while adding flair and revamping certain things. The remake starts out in the vatican with a scene comparing modern day disasters to eerily similar imagery foretold in the Book of Revelations. I wasn't thrilled with the idea of clueing in the audience to the fact that the antichrist was coming so early in the film, but the scene is well done and was effectively creepy. The use of 9/11 footage (as well as starving africans and hurricane katrina) apparently caused someone to storm out of a Q+A with the director later in the week (alas, I wasn't present at that event). I didn't find it tasteless, but I'm guessing this might divide audiences. At any rate, it's a genuinely unsettling opener. We're then introduced to the new Robert and Kate (as she's called a few times in this one) Thorn. There's a brand new death right at the outset of the film which I won't spoil, but which fits in well and offers an explanation for the young couple's sudden rise to power. From there, the plot unfolds pretty much as expected, but with a few twists. Kathy's paranoia is emphasized a little more heavily, with some nightmare sequences relating to her newfound pregnancy. And a couple of the deaths are redone. Kathy's new death is particularly hair-raising. Immobilized in a full body cast with her jaw wired shut, she can only cry and try to scream quietly as she's held down and a murder of a particularly medical nature is exacted. Mrs. Baylock also gets a brand new sendoff involving a sledgehammer, a car, and a rainstorm. The audience I saw it with (mostly critics, even!) cheered at her death. The original's deaths weren't exactly low-key, and for the remake they clearly wanted to up the ante. This isn't necessarily a bad thing - the results are fun to watch and sometimes disturbing. But I did find myself snickering occasionally at how over the top the offings were. It's not enough that the priest get impaled, he has to get a face (and chest) full of glass too. Not enough that the mother fall and break a rib, she has to plummet down the tallest foyer in the history of movie sets and shatter every bone in her body (who decides to casually water flowers on a teetery chair overlooking a three story drop, anyway!?). And so on. The biggest surprise of the remake is that it's scarier than the original, which I always considered to be more of a creepy drama than a horror film anyway. This is shot like an out-and-out horror movie, and it works well. There are only a few jump out scares, but it has a much tenser, more nail-biting pacing than the original. The cast is, for the most part, very good. The supporting cast is actually more memorable than in the original, with David Thewlis and Mia Farrow being the standouts. Farrow's Baylock is particularly interesting, masking her true intentions with a sickly sweet exterior. Her approach to the character is a departure from the original (some may miss Billie Whitelaw's icy turn) but I thought it was one of the best things about this remake. Pete Postlethwait and Michael Gambon are their usual reliable selves. The leads are the weak spot. Liev Schreiber's a damn fine actor, and he actually holds up well as long as you don't try to draw any direct comparisons to the legendary Gregory Peck. But Julia Stiles is merely adequate. It's not a great role in the first place and, unlike Lee Remick, she doesn't do anything to make it memorable. She's not bad, but she doesn't bring any weight to the part. The one tangible failure of the remake is the score. Marco Beltrami's music is effective and, in other circumstances, I might even laud it as a solid effort. But it just isn't as distinctive or memorable as Jerry Goldsmith's legendary "Ave Satani." The fact that Beltrami didn't even see fit to work some of the original themes into his score is a just a painful missed opportunity. And by the time some Goldsmith finally does show up over the end credits, it's just salt in the wound. Minor reservations aside, this is an effective movie in its own right, and it won't poop all over your fond memories of the original. Whether a remake was needed at all is another debate, but considered on its own merits, I found the new Omen to be good, scary fun. I'd advise people to go in with an open mind - you might just like it.