Liu lang di qiu (2019) is a Mandarin,English,Russian,French,Japanese,Korean,Indonesian,Hindi movie. Frant Gwo has directed this movie. Jing Wu,Chuxiao Qu,Guangjie Li,Man-Tat Ng are the starring of this movie. It was released in 2019. Liu lang di qiu (2019) is considered one of the best Action,Sci-Fi movie in India and around the world.
The sun is dying out. The earth will soon be engulfed by the inflating sun. To save the human civilization, scientists draw up an escape plan that will bring the whole human race from danger. With the help of thousands of infusion powered engines, the planet earth will leave the solar system and embark on a 2,500 year journey to the orbit of a star 4.5 light years away.
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I'm just going to be blunt here: The main characters suck. The main protagonists, a brother and a sister, are depthless and one dimensional. The sister literally spends 90% of her lines crying or shouting for someone to save her. The brother is arrogant and apparently a "genius", yet seems to have no redeeming qualities. Overall, the story and CGI are decent, but the characters leave much to be desired.
Having raked in over $600m at the box office, The Wandering Earth is yet another massive blockbuster from China. However, like so many enormous Chinese blockbusters in recent years, it's all style and no substance, with excessive emphasis on special effects and incoherent fantasy that really impedes any attempts to craft a more elegant or majestic space opera. And that's where I want to start, because from the beginning of this movie, you'll likely be reminded of a number of other films that go about telling sci-fi stories in a rather different way. The Wandering Earth is based on a novel of its own, so it's not in any way a Chinese remake, but the premise and key ideas explored in the film, particularly in the opening act, are hugely reminiscent of both Christopher Nolan's Interstellar and Stanley Kubrick's 2001: A Space Odyssey. Now, both Interstellar and 2001 are absolute masterpieces of modern sci-fi, because they tell a fantasy story with a stunning sense of grandeur and majesty that can't be achieved in any other genre. In that, while both movies have a plot and characters of their own, it's almost as if space itself is their main component, with astonishing visual effects playing into an eye-opening and almost spiritual depiction of the final frontier. The Wandering Earth, on the other hand, takes a far more simplistic and unfortunately dull approach to telling a sci-fi story. It does have the special effects to dazzle (although I talk more about that in a moment), but it feels so much more like a formulaic space adventure movie, rather than the majestic space opera that it's so desperately trying to be. Its opening sequence depicts the ever-intensifying threat of celestial destruction, and throughout, the film relates personal difficulties and tragedies in tandem with the danger of space travel and colonisation. And yet, while all of those ingredients make the film ripe for the sort of emotionally hard-hitting and elegant watch that is a great space opera, it's all overwhelmed by its more basic blockbuster tendencies. In that, the film's quartet of young leads takes a little of the grandeur out of the story, bringing it closer to something reminiscent of the YA genre, while the special effects are often totally over the top, with an excessively brash and chaotic depiction of the dangers and threats present in space, something that really isn't necessary, as proved by better films such as Interstellar and Gravity. On top of that, its near future setting, although only in the late 2050s, feels light years away from the present we know today. Unlike Interstellar, whose near future is almost identical to the present day, The Wandering Earth is full of fantasy and sci-fi gibberish about the Earth of the future that's both fairly incomprehensible and difficult to relate to, further taking away from your ability to emotionally engross yourself in the story and feel the real power of what this story has to offer. And I say that because, despite not thinking much of the movie, there are moments where the film really tries hard to be something more majestic and elegant than just another space adventure. Its fantasy and excessive special effects often make it feel more like Jupiter Ascending than Interstellar, but there are a few moments of emotional intrigue and pathos that do indicate its intentions, and briefly provide an engrossing and impressive respite from an otherwise both chaotic and formulaic movie. Overall, then, I wasn't particularly taken by The Wandering Earth. Its ambition is clear from the start, and with a premise that's reminiscent of real greats of modern sci-fi, it should have been an elegant, moving and majestic watch. However, with a generic plot that's far heavier on brash special effects, fantasy mumbo jumbo and chaotic action, it really misses the mark when delivering a sci-fi that's a little more special to the normal fare.
Seriously, it is incredible. At this time of the 414 reviews, 382 are from single use accounts a sure sign of shilling. The average of the legitimate reviewers is 3.7/10
I'm baffled by this film and the positive reviews. Despite the fact that it's packed with big set-piece moments, it's dull and hollow. The characters are cardboard cutouts and virtually every element is derivative of American blockbusters. It's Armageddon, Interstellar, Gravity, 2001, and 2012 all mashed up into a barely coherent pastiche. There is only the thinnest veneer of characterization and it's incredibly cliche. There is a rebellious kid who misses his father, a wacky weird side-character with funny hair, a father who had to leave his son, an army guy bound to duty, a comedic genius computer guy. Except none of these characters have chemistry. The premise is so absurd there is little point in explaining it. I'm confused how something like this got green-lit because it isn't even good as propaganda. It is surprisingly devoid of culture. Sure, there are Chinese flags, and Chinese people everywhere, and they celebrate Chinese New Year, but it hardly 'sells' Chinese culture (fashion, music, art). In fact, it just waters down Chinese culture to make it internationally palatable. Everything feels like it's from a checklist, as if they know they have to hit certain notes to imitate a masterpiece, but don't know how to string it together. The CGI effects aren't even good. It's just an assault on the eyes of how much stuff they can cram on the screen. The sound design and sound mixing is also terrible. There is a lack of sound effects and music needed to add depth to the world. It sounds empty and cheap. The music itself is terribly derivative of an American blockbuster. The high user review scores are disappointing because it sets the bar very low for Chinese blockbusters.
Just watched the IMAX 3D movie. Trust me, don't do it any other way. Imagine ten of thousands of fusion thrusters are pushing our planet away from a dying sun on a IMAX screen. The visual effect is impressive and goes well with the story. The story is not everyday Hollywood style: Superhero saves the day; everyone else is there to give a round of applause. This movie brings a serious question to the audience: What are you gonna do facing an unavoidable, irresistible disaster to our civilization? All characters in the movie are ordinary people and everyone gives their answer with shining humanity. Against all the odds no one gives in without a good fight. The chance of success is close to zero but they choose hope. All the efforts add up and make impossible nothing. It is a Sci-Fi fan's feast you dont want to miss.