The West Point Story (1950) Reviews

• Cagney the Cadet

  bkoganbing2005-07-17

  James Cagney wrote in his autobiography that the only films he watched in his retirement years continually were the musical ones. He regretted he didn't do more of them. So do I, so should we all. While The West Point Story isn't the greatest film Cagney ever did at Warner Brothers, it's far from the worst and I find it charming and entertaining. This was his second film with Virginia Mayo and quite a contrast it was after White Heat. The lovely Ms. Mayo also got to show what a good dancer she was both with Cagney and Gene Nelson. The singing is carried in this film by Doris Day and Gordon MacRae. Usually folks don't think of Gordon MacRae as Doris's most frequent leading man, but in fact he did four films with her. He had a wonderful baritone voice and he could easily adapt to light musical fare like The West Point Story or do operetta like The Desert Song which he did a few years later. It's too bad for MacRae that he did not come along 20 years earlier and could have done a few of those operettas the way Nelson Eddy did. Gene Nelson was a fine dancer who when musicals went out of vogue, turned to directing. Another talented performer who came along a little too late. He never got the credit for being the fine dancer he was. The plot is simple, James Cagney and Virginia Mayo once a good pair of top choreographers are reduced to seedy nightclub work. Cagney gets an opportunity to go to West Point to help put on the annual 100th night show the graduating class does. The catch is he has to try to lure Gordon MacRae to the bright lights of Broadway for his producer uncle Roland Winters. From there the plot evolves. And it's a nice story with good musical numbers even though Jule Styne and Sammy Cahn got no hits out of the score. Still the songs are well integrated into the plot. I think people will enjoy watching The West Point Story.

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• HI JINKS AT THE POINT

  vince-171998-12-02

  Silly story line about a show staged by an outsider at the Point,but any movie that has singing by Gordon Macrae and Doris Day plus dancing by Virginia Mayo And Gene Nelson is a must see.If only to show today's movie fans the quality of talent that was around during the 1950s' Forget the story,and enjoy the musical numbers.

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• The ultimate Cagney performance.

  piapia1999-07-09

  A silly story, forgettable songs and a poor stage show of cadets on parade. But what fun! The best thing Doris Day did while at Warner Bros. The most alive performance of Virginia Mayo ever. And James Cagney at his best, dancing, fighting, arguing and filling the picture with his legendary personality. It must be seen to be believed. Cagney, the street boy, the gangster, the tough guy, shines and sparkles in musicals. His performance here is as good if not better than the one that earned him an Oscar (Yankee Doodle Dandy). And this, immediately after his brilliant, hideous, terrific work in White Heat. What an actor! What a dancer! What a performer! It is impossible to define the fine qualities of Roy Del Ruth direction: the man who made some of the better (Folies Bergere de Paris, Broadway Melody of 1936, On the Avenue) as well as some of the worse (Du Barry was a Lady, Broadway Rhytm) musicals in Hollywood history, excelled in West Point Story,working with a screenplay that was only bright dialogue with no story to speak of. See it and understand how Hollywood in its golden age, knew how to make gold out of plumb.

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• Amnesty

  slymusic2008-07-05

  Starring James Cagney, Virginia Mayo, Doris Day, Gordon MacRae, Gene Nelson, and Alan Hale, Jr., "The West Point Story" is a very enjoyable musical comedy, even if the plot is somewhat convoluted. It's about a Broadway song & dance man named Elwin "Bix" Bixby (Cagney), who lately has been down on his heels, if you'll forgive the pun. Bix and his tart-tongued but faithful assistant Eve Dillon (Mayo) make a trip out to the famous military academy at West Point in order to help cadets Tom Fletcher (MacRae) and Hal Courtland (Nelson) put on their spring musical known as the 100th Nite Show. Tom is a great singer and Hal is a marvelous dancer, but the show definitely needs some doctoring up. For one thing, there are to be no women in the show; all the female parts are to be played by the male cadets(!!). The crafty Bix solves that problem by finagling spots in the show for not only Eve but also a successful Hollywood star named Jan Wilson (Day). My favorite scenes from "The West Point Story" include the following (DO NOT read any further if you have not yet seen this film). Bix is quite amusing with all his kinetic energy as he jumps up & down to voice his displeasure at a dance routine, or when he decks a theatrical producer (Roland Winters) in order to close a deal. At the cadets' Saturday night hop, Jan thrills the dancing crowd with her lively, bouncy, head-bobbing rendition of "The Military Polka". Hal does an unbelievably fascinating dance (featuring a fine orchestral accompaniment) before getting pelted with straw hats. The West Point glee club sings "The Corps" as Tom solemnly recites a patriotic monologue about the history of West Point and of the heroic Americans who dreamed to make this outstanding military academy a reality. Bix and Eve are a singing/dancing sensation with "It Could Only Happen in Brooklyn", and they are equally wonderful with the quirky "By the Kissing Rock", of which Tom Fletcher & Bull Gilbert (Hale) only give an adequate performance moments earlier. And finally, upon Jan Wilson's first appearance in this movie, she sings the delightfully swinging novelty number "Ten Thousand Four Hundred and Thirty-Two Sheep". Featuring music by Jule Styne and lyrics by Sammy Cahn, "The West Point Story" was apparently an attempt to recreate the success of James Cagney's Oscar-winning performance in the musical "Yankee Doodle Dandy" (1942), but at this I don't think the film succeeded. Nevertheless, despite the incomprehensible plot and the inappropriate romance between Jan Wilson & Tom Fletcher, I still find "The West Point Story" to be highly entertaining. I especially admire the delightful performances of James Cagney, who gives his role of Elwin Bixby every bit of the gusto it needed, and Alan Hale, Jr. as "Bull" Gilbert. (Who would have thought that a skipper would begin his seafaring career portraying a princess in the musical theatre?!)

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• Not so dandy and has too many flawed elements to be considered fine

  TheLittleSongbird2017-07-20

  A shame really. With the talent, how could one go wrong with Doris Day, James Cagney, Gordon MacRae, Gene Nelson and Virginia Mayo, 'The West Point Story' could and should have been really good, even if not an instant classic. Well something did go wrong, because 'The West Point Story' (despite being called 'Fine and Dandy' here, being British it is being referred to by its English, and original, title, just wanted to clarify to save any confusion) was a heavily problematic, lacklustre effort that doesn't even utilise its talent very well (even though they still come off well). Not an awful film, but not a particularly good one but more of a difficult to rate film for me. The best thing about it is Cagney, who may not be exactly subtle (which came across to me as making the most out of, and doing at least something with, his material), but brings a tremendous amount of energy which is a marvel to watch. So much so that it makes one frustrated that that energy doesn't come over in most other elements. Day and MacRae also don't come off too shabbily. Day is fresh and endearing and one cannot get enough of her voice that shines even in not so great material. Meanwhile, MacRae shows off his warm baritone voice to perfection and is a charmer on screen, when he and Day are on screen they are irresistible. Mayo and Nelson deserved better (as did Day and MacRae) but do a lot with what they have. Mayo is luminous, snappy and saucy, while Nelson's dancing is as dazzling as ever. The songs are pleasant enough and sung beautifully. Against all that, of the songs there isn't one that stands out and it is crying out for a show-stopper. Likewise with having a show-stopper of a dancing sequence for Nelson, he dances really well and the choreography is witty and graceful but at the same time there is nothing extraordinary or memorable. As said though, Day and MacRae do sound wonderful and the songs suit their voices, one just wishes that the overall standard was more inspired. Nothing against black and white (there is a very big group of great films and even masterpieces in black and white), but 'The West Point Story' also cried out for Technicolor. The sets do look shoestring-budget cheap with obvious rear projection and the cinematography is dull. Roy Del Ruth is the sort of director who could do this with his eyes closed and despite some energetic moments in some of the choreography elsewhere this was a real going through the motions effort from him. Script goes overboard in the silliness and feels very limp too. Worst of all is the story, which is pedestrian in pace, takes silliness and contrivance to very high degrees and is filled with inconsistencies, dumbness and improbabilities, with very forced subplots and parts that don't really go anywhere. Day is also rather underused with a character that is given short shrift too much. Overall, very difficult to rate but generally very disappointing. 5/10 Bethany Cox

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