SYNOPSICS
Pin Cushion (2017) is a English movie. Deborah Haywood has directed this movie. Lily Newmark,Joanna Scanlan,Chanel Cresswell,Bethany Antonia are the starring of this movie. It was released in 2017. Pin Cushion (2017) is considered one of the best Drama movie in India and around the world.
Super close Mother LYN and daughter IONA (Dafty One and Dafty Two) are excited for their new life in a new town. Determined to make a success of things after a tricky start, Iona becomes 'best friends' with KEELY, STACEY and CHELSEA. Used to being Iona's bestie herself, Lyn feels left out. So Lyn also makes friends with BELINDA, her neighbour. As much as Lyn and Iona pretend to each other that things are going great, things aren't going great for either of them. Iona struggles with the girls, who act more like frenemies than friends, and Belinda won't give Lyn her stepladders back. Both Mother and Daughter retreat into fantasy and lies.
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Pin Cushion (2017) Reviews
First full length feature for a new writer/director Deborah Haywood.
A true life fairy tale that explores what so many people experience, the odd couple in a new town wanting desperately to make friends and become accepted, but find themselves lured by the wicked side of those around them to do things they think they must do and the consequences that human beings can lead others into when they enjoy making them unhappy rather than choosing love and the unhappiness and and truths that this brings home. Remarkable debut for someone who had never directed on this scale before and a thought provoking movie everyone should see, especially parents and schoolchildren.
A hidden gem
Pin Cushion. For a change I'd not read any reviews. Didn't even know it was British. All I knew was that it was about a relationship about a mother and daughter. I didn't know it would be an intensely bleak tragi-comedy / psychological thriller / dark social realist drama with fantastical overtures. A jaw droppingly intense study of the effects of loneliness and bullying. It was Carrie without the supernatural but with the girl with long red hair and strange mother. I was an emotional wreck at the end. 8.5 out of ten. Highly recommended.
A dark fairytale, disturbingly beautiful.
A bold feature debut by Writer-Director Deborah Haywood, this film is everything that is great about British cinema (incredible performances, sharp humour, wonderful characterisation in a relatable setting), but avoids many (if not all) of its cliches. At its heart the film tackles the themes of adolescence, bullying, social isolation and mental health without becoming burdened with psychoanalysis. It presents social structures of children and adults in its reality (granted for many this will be an extreme reality) and simply tells the story of two unique characters trying to navigate pitfalls they're tragically unprepared for. With a brutal honesty that never becomes overtly graphic, there are many shocking moments to this story. But herein lies its brilliance. It is not a paint by numbers 'girl tries to fit in before realising her inner beauty and learns to love herself instead'; it is a dark fairytale (though we tend to forget that almost all fairytales are dark), often reminiscent of Fran Walsh & Peter Jackson's Heavenly Creatures but wonderfully original. Within the film's brilliant cast there are standout performances from the leads Lily Newmark and the wonderful character actor Joanna Scanlan. While they've been gifted two of the years most eccentric and memorable characters, they bring them to life with such authenticity it's hard not to expect them to be receiving awards next year. The highs and minor low for me come in the form of the direction. A brief scene where one of the film's bullies pontificates how their behaviour would improve in a different environment is so understated a lesser director would have had it on the cutting room floor or worse still expanded it into a third-act redemption for the bully, undermining our hero's plight. Instead it is a beautiful moment of reality, of which this film contains many. When Iona and Lyn enter the nearby corner shop there is a sickening blue cast from the lighting, a motif that's not repeated in any other setting and while there could be further meaning to it, it was lost on me and formed a small insignificant distraction. After all, in every other moment in the film colour is used to great effect, particularly in the fantastical vision's Iona uses to escape reality. This film is not going to make you feel better about the world but it certainly isn't going to lecture you about it. It's a disturbingly beautiful fairytale that sadly is set in the real world, but will bring you real moments of joy and innocence along the way. Go see this, it's wonderful.
Bullying has no age.
Let's just start by saying that Pin Cushion isn't a happy movie. You won't have a good feeling after watching it. Or you must be a bully yourself and you have no clue what for a lowlife you are yourself. The story is about bullying, about not fitting in. There is the bullying of a young innocent girl that does her best trying to fit in, and there is the bullying by adults towards a woman that looks differently. The acting is good as well as the filming. The story is worth watching, but just don't expect some kind of justice or feelgood moment as it is a sad movie.
Colours and love in an age of bullyism
A story told with poetry and colours, about the love between a mother, her daughter and their efforts to fit-in, at the expense of valuing their own unique identity. A story of mean bullyism and peer pressure which remains cruel and hypocritical at any stage of life. A script that resonates well with our contemporary, conforming society.