SYNOPSICS
Do the Right Thing (1989) is a English,Italian,Spanish,Korean movie. Spike Lee has directed this movie. Danny Aiello,Ossie Davis,Ruby Dee,Richard Edson are the starring of this movie. It was released in 1989. Do the Right Thing (1989) is considered one of the best Comedy,Drama movie in India and around the world.
This film looks at life in the Bedford-Stuyvesant district of Brooklyn on a hot summer Sunday. As he does everyday, Sal Fragione opens the pizza parlor he's owned for 25 years. The neighborhood has changed considerably in the time he's been there and is now composed primarily of African-Americans and Hispanics. His son Pino hates it there and would like nothing better than to relocate the eatery to their own neighborhood. For Sal however, the restaurant represents something that is part of his life and sees it as a part of the community. What begins as a simple complaint by one of his customers, Buggin Out - who wonders why he has only pictures of famous Italian-Americans on the wall when most of his customers are black - eventually disintegrates into violence as frustration seemingly brings out the worst in everyone.
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Do the Right Thing (1989) Reviews
There it is..... Love and Hate
90% of Spike Lee's masterpiece Do the Right Thing is a perfectly developed character study of a wide range of model personalities who all happen to be in Bedford-Stuyvesant on the hottest day of the summer. What the other ten percent consists of you will have to discover for yourself. This ingenious film explores extremes, but never gives itself over to stereotypes as its plot cleverly navigates through the politics of inner city life and the struggles of American racism. As an artful and intelligent examination of the ethics of violence and prejudice, Do the Right Thing is unparalleled. It implies a simple profound question - what is the 'right thing'? But steadfastly refuses to supply even a hint of an answer - appropriately leaving its central point entirely up to its audience. Instead, the film points to a different, perhaps more important question "Whose version of right is right for you?" There are a lot of good people, a lot of bad people, and a very realistic majority of people who are usually somewhere in the middle but also somewhat confused throughout this film. African American, Latino, East Asian and Italian American cultures form the dynamics of the relationships that drive the story, and conflict is their medium. Drawing from two incisive but different comments on violence from Martin Luther King and Malcolm X, Lee extrapolates his story and the ideas he wants to explore by showing us characters that are as real as they are exaggerated and somewhat unpredictable events that they create, are swept into or actively or passively participate in. Although the point of the film is not really critique, nobody is left unscathed. I am not going to tell you what the film says - I can't, because it is, more than most films dealing in such a direct manner with the subject of race, open to interpretation. And what you bring to it will influence, but not determine what you take away from it. It is just that powerful. Instead, I will simply give Do the Right Thing my highest recommendation. Superbly written, edited, directed and filmed. Well acted (Danny Aiello, Ossie Davis, Giancarlo Esposito, Rosie Perez, Spike Lee and Richard Edson really stood out for me) and very nicely soundscaped, Do the Right Thing is the perfect film for a solitary night of reflection or for sharing with an intelligent group of friends. However, be forewarned, the film hits hard, and will disturb some people a great deal - especially those who feel a need for closure and resolution.
That's the double-truth, Ruth
In all likelihood Spike Lee's most important achievement - as director, writer and actor (though to my taste Mo' Better Blues is just as good a picture) and one of the strongest films you'll see about race relations, 'Do The Right Thing' looks dated at times, but it lost none of its impact and relevance. The movie takes place in a particularly hot day in a primarily African-American neighborhood in Brooklyn, and follows the various personalities who live there throughout the day; the center of the story is Sal's Famous Pizzeria - its owners, some of the few white people living in the neighborhood: Sal (Oscar nominated performance for Danny Aiello) and his two sons (John Torturro and Richard Edson), and Mookie (Spike Lee himself), the black delivery boy. What starts out as a light, entertaining movie with some amusing characters and light humor, gradually builds up tension to the point of being unbearable, up to the dramatic and tragic climax. Spike doesn't put as much emphasis on the characters themselves as he does on the relationships and the tension between them; and in this image of a very specific and small frame in time and place, makes a strong and important message about racism and race relations in general. The film is populated with many different characters, all of them very memorable and each one a representative of a certain belief, mode of behavior or state of mind - on both sides of the conflict. From the uninhibited anger of Buggin Out (Giancarlo Esposito) and Radio Raheem (Bill Nunn) on one side and Pino (John Torturro) on the other side, to Jade (Joie Lee, Spike's sister in the film and in real life) and Vito (Richard Edson), who are trying to connect and live at peace with the other side, to Da Mayor (Ossie Davis), in his isolated but peaceful state of mind, living in complete peace with the world around him, and Smiley (Roger Smith), living in his own isolated existence. Then there's Mookie, who is stuck in the middle, torn between his commitment and responsibilities to both sides. Finally we have Mister Senor Love Daddy - played gorgeously by the one and only Samuel L. Jackson, in one of his finest performances - half active character and half all-knowing narrator - who represents the voice of reason in the conflict, the reason which is bound, ultimately, to collapse. Each and every character plays an important part in the climatic and dramatic conflict to which the movie builds up, and though it's the radical ones - Buggin Out and Radio Raheem - who trigger the events that cause the tragedy, they are not necessarily the ones who finish it. It is Mookie and Sal, in fact, who ultimately play the main part. Do The Right Thing is not an easy watch; it's a mesmerizing, tense, difficult film that breaks many taboos and slaughters many holy cows. But in the end of it - hopefully - you'll be wiser than you were in the beginning, and that's what Lee have always tried to achieve in all his films. Watch it to get a real view on racism that doesn't duck the difficult issues and isn't afraid to tackle the real problem, and to see a master director at work. It's one of the best films of its time.
practically the definition of a must-see movie
I have heard people describe Spike Lee as a second-rate filmmaker; all I have to say is that second-rate filmmakers do not make films like this. Do the Right Thing is a masterpiece in both style and substance, and Im hard pressed to think of a more powerful, earth-shattering film. But first, let's talk about the style. The color palette of the movie is wonderful; while its mostly deep reds, they manage to bring home the feeling that the residents of Bed-Stuy must have been feeling on that day. The cinematography is excellent... it features a lot of weird viewpoints and angles, but they are used to great effect and manage to work within the style of the film. One thing that really managed to impress me about the film is the razor sharp dialogue... each character has their own style of talking, and it really works well. This is a masterfully written film. Now the substance... this movie manages to spiral into a truly spectacular ending. Throughout, its easy to see the necessary elements building, and, when it happens, it hardly seems like a surprise, but that doesn't make it any less shattering. The way that each character acts defines this movie throughout, especially at the end! Spike Lee does a brilliant job here. The movie is interesting and well-made throughout; each of the characters are three-dimensional and feel like real human beings - their motivation is understood throughout. Do the Right Thing is a brilliant movie that never lags and never lets up. It manages to be vastly entertaining and vastly powerful at the same time. It's truly an amazing achievement in film, and its a shame it was not recognized more for its obvious brilliance when it was released in 1989.
Spike Lee's best work! A mind-blowing masterpiece of cinema! @
"Do the Right Thing" is a powerful, uplifting, visually stunning masterpiece. It's a movie that I can watch over and over again, and deservedly takes the Number 7 Spot of My Favorite Movies Of All Time. This was one of Spike's debut efforts, and until this day--the best one. Spike gives us an honest, unflinching look at the Bedford-Stuyvestant area of Brooklyn on the hottest day of the summer. He perfectly displays the racial tensions that go on between everybody from blacks to whites to Koreans. Yet he never gets preachy, which is one of the brilliant things about this movie. Some of Spike's best work is demonstrated in his shots of Radio Raheem, played excellently by Bill Nunn. RR doesn't say much, but he has this violent gaze which sums up his feelings without a word being said. Spike gives us some great angles of his face, demonstrating the pure rage brewing inside of him. He also has a great scene in which he sums up the meanings of love and hate, in Spike's trademark poetry-in-motion style. RR constantly carries around a boombox, playing the same song "Fight the Power" by Public Enemy. That song is one of the best musical themes in movie history, perfectly summing up racial tension among inner cities. This movie doesn't tell its audience that black people are better than others, nor does it say that Hispanics are, or whites, or Asians. It just gives us a raw look at what happens when we let racial quarrels get out of hand. We learn how sometimes it's appropriate to preach against racism, and sometimes we're just overreacting. The cast is terrific, and they deliver memorable performances. I really wish Danny Aiello picked up the Oscar for his role as Sal, because that is definitely the pinnacle performance of his career and one of the best I've ever seen. Other noteworthy performances are by John Turturro, Ossie Davis and Giancarlo Esposito. The film is put together with such fast-paced editing that it doesn't once get boring, doesn't have any low points. This is a gritty, memorable film that I wish can be considered more prominent in the eyes of the average moviegoer, because it really deserves great recognition for its unique, unforgettable style. Spike definitely knows how to do the right thing. My score: 10 (out of 10)
An underappreciated masterpiece
I find it a tremendous oversight that this film gets so little recognition. The American film institute couldn't find one place in one hundered American films for this cinematic masterpiece that pulls no punches . It got no academy award and most importantly I could not find one friend who had heard of it. I call this a tremendous oversight because the film is wonderful. I know that Spike Lee is a rather eccentric personality and is not well liked by everyone, but his films are brilliant and this is no exception. For about the first two thirds of the movie the plot meanders around a section of New York City as the characters awaken and start their days. For this first two thirds we have a comedy that is funny because of the eccentric and wonderfully developed characters. The audience is pulled into the story by the rich dialogue and inventive cinematography. There is just some quality about this film that makes it seem so real. This all sets up for the imminent tragedy to be all the worse as a result of the connection the audience has with the movie. Then the film explodes. Those who have seen it know what I mean and those who have not should see it. This last third of the film should not be explained, it must be experianced. In fact this whole film should be experianced. I can't say enough.