SYNOPSICS
Kings (2007) is a Irish,English movie. Tom Collins has directed this movie. Colm Meaney,Donal O'Kelly,Brendan Conroy,Donncha Crowley are the starring of this movie. It was released in 2007. Kings (2007) is considered one of the best Drama movie in India and around the world.
In the twenty five years they have been there, done that, the Navvy (Irish working man) clock does not stop for alienation or inner despair. They are working men, strong even indestructible. Those gnawing feelings of something not being quite right are ameliorated by the camaraderie of their mates. So what if it all ends in tears or a thumping. They can give as good as they get or used to. At least they are alive and having the craic. Until it all changes, and a silence falls on the reverie of the gang. Tragedy has struck Jackie the youngest, the brightest and the bravest. The gang does what has always been done - they gather together for a Wake, a final celebration, a cheer, to give Jackie Flavin a send off fit for a king, a king of the Kilburn High Road. He, unlike them is set to return to Ireland - his body found bruised and battered on the railway track, crushed by the passing Kilburn train. Jackie's father Micil arrives over to North West London to bring his son home. The gang ...
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Kings (2007) Reviews
Elegiac and poignant
Kings is a very fine film. It is a haunting, melancholic portrait of lost souls, the people on our streets who once belonged to some place, somewhere in another time, but who have fallen out of touch with the world around them. Director Tom Collins seizes on this feeling of loneliness and misplacement and forces us to confront it, as we immerse ourselves in the lives of Git, Jap, Máirtín, Shay and Joe. The haunting, ghostly memory of Jackie makes us also mourn his passing, as he appears to his friends between sleeping and waking, between day and night. Indeed the film itself feels caught in time between dusk and dawn, as the characters let the world pass by in the final third of the film, when an ominous, creeping awareness invades on their drunken reverie. The atmosphere is one of a suspended moment the group of friends toast their lost companion in an eerie, empty back room, whilst muffled noise just creeps in from the bar outside. The Irish language they speak amongst themselves reflects the otherness of their lives, their misplacement in this world. As they leave and come back, it is as if they move from one world to the other, and when they finally go, they could be gone forever. With excellent performances and a taut script, the evocative cinematography and soundtrack make this an achingly sad and beautiful work that is timeless in it's relevance.
a sad, gorgeous film
A beautifully-made film, "Kings" is one of the best movies of this year. The hand-held camera gives it an intimacy too often absent in close-up cinematic portraiture, and allows the viewer a real look at the shocking sadness of the lives of its subjects. Of a group of five friends who leave the west of Ireland in their teens in the late 1970s, Jackie is the first to die. Herein begins a long journey into oblivion for his four friends, all of them living lives very different from what was envisaged at the start of their English odyssey. What "Kings" does, more than anything, is take a long look at the generations of lost Irish in London, those who left Ireland on the boat to work on the building sites and to clean houses, and the sad waste of the loss of potential to the devils of booze. The films stays away from nostaglia or sentiment, and in doing so it creates for the viewer a real picture of how it was for all the thousands of immigrants, most of whom never saw home again.
Intense, dark, but brilliant
This contains the best acting I have seen in an Irish film in many years. It is a reworking of a play, and the adaptation preserves all the intensity and intimacy which is usual within a theatre production. It is a dark, brooding and menacing work which does not belong in the category of light entertainment, but rather, a higher art. If you are prepared to go on the journey, you will find it has rewards. But be warned that there is no compromise here to easy access for English only speakers - it is predominantly in Irish with English subtitles. If you like the theatre, you should find this a real treat. Forget Hollywood, or indeed Fair City, this contains the best ensemble acting by an Irish cast since the best of the Roddy Doyle films.
A shot in the arm for the Irish film industry
The future of home-grown Irish cinema seems safely in the bag for the time being. We have just had John Carney's "Once" which was a breath of fresh air as well as being a critical and commercial smash. Now we have Derry's own Tom Collins' superb screen version of the play "The Kings of Kilburn High Road" and it may turn out to be the best film yet about the Irish diaspora. It's a stunner and could see Ireland short-listed in the Best Foreign Film category at this year's Oscars. The plot is simple and there is nothing new in it. Five friends, all immigrants from Ireland's Conemara, gather for the wake of a sixth killed by a train in the London Underground. During a long night's drinking, regrets and recriminations rise to the surface together with ghosts from their pasts. There is a touch of Eugene O'Neill here certainly, (Irishness and alcohol figured largely in his work), but as the night wears on and drunkenness breaks down the men's bravado, the film broadens out into a more universal study of machismo. Although a painfully accurate record of both the Irish way of death and drinking these could be any group of old friends in any bar anywhere in the world. The bar-room setting of the film's second half exposes its theatrical origins but Collins opens it out superbly and the flashbacks to earlier days never seem intrusive. He keeps it briskly cinematic throughout and the performances of the whole cast can't be faulted. This is a superb ensemble piece and at a festival the performance of the five principals, (and of Peadar O'Taraigh as the dead man's father), would be worthy of a joint best actor award. However, I am inclined to single out Brendan Conroy as Git. Git may seem at first the weakest of the group but in Conroy's extraordinary performance he proves himself the strongest. Like the film itself, Conroy deserves the highest of praise.
Kings at Toronto.
It is possible that the major narrative of the twenty-first century will be that of immigration. With transnational movement becoming ever more common, the distances between us shrink both geographically and socially as every immigrant has a compelling individual story to share. Kings is the fertile ground where six of these stories take root, grow and intertwine. It is the first major bilingual (Irish Gaelic and English) Irish production. In the seventies, six ambitious and energetic young men friends and relatives left Ireland for London with an eye to making their fortunes and eventually returning home in a blaze of glory. Like so many before them, they found work in the construction industry, toiling to build the very cities that often remained cold and unwelcoming to them. When we meet the men, it is nearly thirty years after their arrival, and one of them has died under terrible circumstances. It is a deeply held tradition that they hold a wake for the passing of their friend, named Jackie. What makes this occasion even more tearful is that the friends haven't followed the path they originally had set out for themselves. They have not enjoyed the same fortunes or even returned to Ireland victoriously as planned. When they finally meet to honour Jackie, drink and sadness make it inevitable that some men will take up the grievances and disappointments of the past, all the while maintaining the illusion that they have a future. In tragic situations like these, nostalgia is particularly far from the cold, hard truth. In addition to sketching a fine sense of place, director Tom Collins elicits remarkable performances from each member of his strong cast, particularly the great Colm Meaney as Joe, a man who left behind his old Irish life for good, but at a heavy cost. These skillful actors capture all the complex and heart-rending subtleties of the immigrant experience. Through the bonds and misfires of male friendship, Kings sympathetically portrays a circle who never actually leave their homeland in either custom or commitment. Jane Schoettle